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The Microcomputer as a Tool for Pattern Generation in Fabric Design
After practicing Interior Design professionally for ten years and concurrently watching the rapid expansion of the use of computers in the business world, the problem of incorporating the use of computers into the field of interior design became increasingly important to me. Many designers seem to be rather leery of "the computer" and they are reluctant to accept it as a valuable tool in their design process. One aspect of applying the use of the computer to the interior design field is in the area of pattern generation for fabrics and wallcoverings. It is this area that will be explored in the following project.
Date:
August 1987
Creator:
Wakeland, Cathleen A.
System:
The UNT Digital Library
Revolutionary Traditionalism
My intent in this creative project has been to further explore the transcendence of reality in my work in seven still lifes. The body of work done for this problem was reviewed and analyzed after completion rather than during the process.
Date:
August 1984
Creator:
Linder, Marilyn S.
System:
The UNT Digital Library
An Investigation of Mexican Gravesites in Nuevo Laredo, Mexico and Laredo, Texas
My work already shared some of the characteristics of the gravesites that I proposed to study. They were similar in that they both attempted to integrate sacred and profane imagery. Both called attention to personal events and related these events to a larger scheme. Finally, both were involved with the creation of objects of veneration according to personal edicts, but in relation to already established mythologies. I proposed to create a body of work based on the information gathered from the investigation of three predominantly Mexican graveyards-- one in Nuevo Laredo, Mexico, and two outside of Laredo, Texas.
Date:
May 1990
Creator:
Ludwig, Lisa M.
System:
The UNT Digital Library
Non-Heat Joining of Metals
The concern in this project was the utilization of metal joining processes which used no heat in the construction of sculpture. The problem area was motivated by an attempt to avoid some of the inherent problems and limitations incurred when welding, brazing soldering are employed. Specifically, the following questions were considered: 1) Can the non-heat joining process be utilized as a design element? 2) Does non-heat joining allow the use of lighter (30-16) gauge metal? 3) Are distortion and bracing problems reduced by use of non-heat joining processes? 4) Can more diverse metals such as aluminum, copper, brass and bronze be utilized in these processes? 5) Do these non-heat processes make allowances for manipulation of the metal prior to the construction of the sculpture?
Date:
August 1977
Creator:
Donahue, John Joseph, Jr.
System:
The UNT Digital Library
Images as Metaphors for Desire
To determine the effectiveness of the combinations of images as metaphors for desire I asked the following questions during the course of my exploration: 1. On what basis were the objects chosen? 2. What are the relationships between and among the images in the paintings? 3. How do these relationships constitute a metaphor for desire? 4. What visual devices influence the relationships between the images?
Date:
December 1983
Creator:
Holloway, Melinda Kathleen
System:
The UNT Digital Library
The Amalgamation of Three-Dimensional and Two-Dimensional Processes
Although drawing had offered me many avenues for image exploration and mark making, it lacked the actual physical relief surface that was a natural part of the printmaking plate process (i.e., intaglio plates or relief surfaces). Sculpture allowed the images and marks to be realized dimensionally in the round; therefore, the images became objects.
Date:
August 1992
Creator:
Gentry, Larry Allen
System:
The UNT Digital Library
Order and Disorder in my Sculpture and Painting
For this project, I explored the relationship of order and disorder within ten pieces of mixed media works. For the purpose of this paper, "order" is defined as the unity of all parts and details of a whole, standing in their proper relationship, each playing its own role without interfering with the functions of any other part. "Disorder is a force or combination of forces that unsettles or disarranges.
Date:
August 1983
Creator:
Ross, Gloria J.
System:
The UNT Digital Library
Printmaking Experimentations: A Personal Approach
Experimentations with overlays of color within my imagery have developed an interest in surface embellishment resulting from the juxtaposition of overlapping hues, integration of collage, and extended use of mixed-media as a printed visual statement. Past printmaking experiences include exploration of a variety of procedures including lithography, intaglio, and serigraphy. Prints have been executed in edition and monoprints, singular techniques and in combination. Individual techniques were expanded through the use of collage and linear application of graphite.
Date:
December 1979
Creator:
Bechtold, F. Jane
System:
The UNT Digital Library
The Artbook: A Synthesis of Literary and Visual Imagery
In order to more fully explore this problem and to uncover important aspects of my work and work processes, I posed these questions to be answered after the completion of the five books: 1. In what ways am I able to synthesize the traditional concerns of the literary and visual image into an Artbook format? 2. To what extent am I able to develop this synthesis into an aesthetically valid and personally satisfying expression of my own artistic philosophy? 3. In what ways does this development represent and/or reflect what appears to be another major shift in my art, toward a more conceptual, two-dimensional or cognitive expression? 4. What does this attempt and the resultant image symbolize for me?
Date:
August 1980
Creator:
Gaddie, Melinda A.
System:
The UNT Digital Library
The Role of Implied Texture in Figural Imagery
This study explored how implied texture was used to give meaning to figural imagery. Several questions were answered in proceeding with the creative project: 1. Did implied texture abstract the figurative image? If so, how was content affected? 2. Did implied texture act as an obstruction to content? 3. Did implied texture act as an integral part of content? 4. Did implied texture exist as a separate entity from content?
Date:
August 1986
Creator:
Bowman, Taylor Rask
System:
The UNT Digital Library
Establishing a Nexus of Form and Content in Creating Mysterious Narrative Predicated on Duality and Transformation
The original proposal was altered for the sake of clarity. In contrast, the new introduction offers a stronger and tighter definition of intent without changing the concept of my concerns. Working through the beginning stages of analysis I began to understand the significance of asking specific questions as a means of focusing my intent. I proposed to continue to explore the evolution of imagery in my work through the creation of seven to ten "pieces." I remained open to and involved with the uses of painting, drawing, photography, installation and combinations thereof.
Date:
May 1986
Creator:
Thomas, Deanna Marie
System:
The UNT Digital Library
A Study of the Decision-Making Process During the Creative Act
The purpose of this thesis project was to explore my decision-making process as it took place during the act of painting. I was interested in how my paintings evolved, either naturally or through a critical stage. Resolving a work which was in a crisis between success and failure was an important part of the creative process and required definite purposive action on my part. In this connection, I explored the nature of the decisions which either redirected my work toward a successful conclusion, or toward its abandonment.
Date:
August 1984
Creator:
Braden, P. Virginia
System:
The UNT Digital Library
A Survey of Passementerie With Instructions For Weaving Ribbons
The purpose of this investigation has been to review the various forms of passementerie in order to provide a background for weaving narrow bands and ribbons. While the basic fabric structures, plain weave, twill, and satin are used in the production of ribbons, some problems occur in adapting them to the narrow form.
Date:
May 1982
Creator:
Murray, Phyllis
System:
The UNT Digital Library
Encounters: Traditional Oriental Theme Paintings with Western Influences
My proposal involved gathering and analyzing both visual and written information. The following steps were specifically considered: 1. Exhibition catalogues and related information on Robert Rauschenberg and Zao Wou-Ki were reviewed. Those artists deal with cross-cultural ideas in their work. 2. A sketchbook and an artistic journal were kept, as well as a record of my creative processes. 3. A body of work was done in a consistent matter. I employed a spontaneous/intuitive strategy in my creative activity. I kept myself flexible in order to approach the idea in a loose manner by simultaneously making several paintings with the same content.
Date:
December 1988
Creator:
Lou, Shutse
System:
The UNT Digital Library
Strength of Fragility and its Relationship to My Sculpture
For this project, I explored traditions and relationships of materials both past and present: oriental kites and their linear structures and materials (fragile yet able to fly the strongest winds), Japanese washi (materials and hand processes), Eskimo gut work (sails and parkas). My interest has been in pushing these relationships further and exploring three-dimensional space with my linear panels.
Date:
December 1985
Creator:
Maples, Cheryl A.
System:
The UNT Digital Library
Small Embellished Paintings
Throughout history man has decorated paintings and art objects with materials as diverse as shells, seeds, beans, horns, seedpods, hair, feathers, ostrich eggs, coral and nuts. I proposed to explore the potential of using such materials to embellish framing devices for small paintings. Any material could be included in this exploration. The embellished frames have become a part of the total painting and are not removable. The solution included not only the practical, physical aspects of presentation, but also dealt with the purely visual aesthetic ones as well.
Date:
December 1989
Creator:
Gault, Sandy L.
System:
The UNT Digital Library
The Mutation of a Fiddler Crab
For a year I have tried to be as far away from painting (painting in a strict sense, i.e., two-dimensional, canvas, glazes, washes, etc., as possible. I successfully built a quality body of work that was formally sound and conceptually sophisticated, far surpassing my original "fiddler crab period." Now, having grown my other claw I wanted to approach painting in a comparative relation to my other body of work. Specifically, I wanted to show the valuable visual possibilities ready to be investigated in my paintings. For this reason I did not want to completely abandon painting, nor did I consider halting production of my three-dimensional pieces.
Date:
August 1991
Creator:
Daleo, Andrew L.
System:
The UNT Digital Library
Selected Objects and Their Effectiveness as Fired Decorative Additions
It was the intention of this project to test selected objects to determine which ones could be used for decoration. If an object became a stable, aesthetically pleasing, part of the glazed piece, then it was considered successful. Two firing temperatures are important to my work; they are 1796 degrees Fahrenheit, oxidation (which is cone 06), and 2372 degrees Fahrenheit, reduction (which is cone 10). I expected some of these objects I chose to work better at the lower temperature, and some to work better at the higher temperature. All objects were test-fired on small plate-tiles at both temperatures. After testing, I decided which items were successful as decorative additions. With these successful objects, I was concerned about what methods of attachment were possible and what surfaces were appropriate.
Date:
May 1985
Creator:
Judy, Shirley J.
System:
The UNT Digital Library
A Problem of Embarrassing Red Pimpled Bang Caps, Among Others
At the time of writing the proposal, one part of me wanted to move ahead and explore the new territory, while another part wanted to understand what I was leaving behind. I proposed to examine the following questions in order to resolve this dilemma: 1. What common personal themes or ideas are behind my work? How can I clarify and refine these themes to make them more manifest in my work? 2. Do I need to investigate new materials in order to express and explore my concerns? 3. Can I form a relation between my use of imagery and materials? Could new materials or objects replace this imagery? 4. Are new formal strategies needed that would link the use of my materials, objects, and imagery?
Date:
August 1989
Creator:
Szafranski, David T.
System:
The UNT Digital Library
A View of the Sensually Suggestive Feminine Imagery in My Work
In the past few years it has come to my attention, via comments and overt responses, that sensual suggestiveness is present in the imagery of my work. My interest in the female figure goes back to the initial years of my undergraduate work and the anatomical study of the female image. I have since found that adding certain types of feminine attire to specific and idealized female attributes has, in turn, increased the sensual, rather Pavlovian responses of the spectator. This is accomplished by creating commonplace images such as the stockinged leg, the slit-skirted waist and thigh, and the female foot in a high-heeled shoe. My problem was to investigate the fetishism and iconography of selected popular cultural images of the feminine-sensual type in order to discover how i could make my images more sensually suggestive.
Date:
August 1980
Creator:
Laswell, Jenny Lewis
System:
The UNT Digital Library
The Use of Horizontal, Vertical, and Contour Lamination to the Sculptural Form
The purpose of this problem was to investigate the advantages and possible limitations of horizontal, vertical, and contour laminating to the sculptural form. Specific questions were set forth to help determine the different aspects of these types of lamination. The specific questions for which answers were sought are as follow. 1. How complex a design can be executed by the laminating process? 2. How close to the design will the initial lamination be? 3. What are the best methods of lamination for each process: types of clamps, types of wood, types of glue, dowels and weights? 4. How successful may these lamination techniques be combined? 5. As the work was in progress, which became more important-- the surface quality or the form? 6. Will laminated forms remain stable?
Date:
August 1978
Creator:
Holsch, Robert
System:
The UNT Digital Library
An Analysis of Verticality and Architectural Reference in the Presentation of Figurative Sculpture
The purpose of this study was to analyze the physical issues of verticality and architectural reference in the presentation of my figurative sculpture and to determine how these issues affect me as viewer. In this analysis, the term architectural reference refers to the fundamental structural elements historically associated with architecture, such as column, pylon, pilaster, pyramid, elevated platform, and bilateral symmetry. The term does not address broader architectural concepts such as spatial organization, circulation, or shelter.
Date:
May 1990
Creator:
Pavlovsky, Micheal D.
System:
The UNT Digital Library
Utiliizing Low-Life Base Glazes with Added Organic Materials as a Form of Ceramic
The objective of my creative project was to decorate vertical and horizontal shapes using low-fire glazes with added organic materials. I experimented with the materials as introduced into the glaze formula, applied to the forms, and fired at low temperatures to obtain useful decoration for the ceramic medium.
Date:
August 1984
Creator:
Thompson, Harolyn Edleeca Payne
System:
The UNT Digital Library
The Creation of New Metaphors Out of Symbols From the Past
In order to become more aware of valuable characteristics that may be unique to the paintings and/or the books, I proposed to execute a body of work consisting of four sets, each set containing one painting and one book. I continued using religious icons as subject matter and the motif of the layered pentimento of the fresco as a metaphor for self-investigation.
Date:
December 1991
Creator:
Gibson, Lambrini Piskioulis
System:
The UNT Digital Library