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College of Music
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College of Music
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Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17
James Macmillan’s St John Passion: the Role of Celtic Folk Idioms and the Reproaches
The Intimacy of Death: Mahler’s Dramatic Narration in Kindertotenlieder
Form and Pianistic Texture in the Operatic Fantasies Based on La Sonnambula and Der Freischütz of Franz Liszt and Julian Fontana: a Comparison of Compositional Approach
The Changing Symbolic Images of the Trumpet: Bologna and Venice in the Seventeenth Century
Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica
An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?
“The Scherzo for Trombone Quartet” by John La Montaine: A Performer’s Edition
Shostakovich's Use of Satire in Anti-formalist Rayok with a Focus on the Music of the Character Dt Troikin
Selected Operas of Isabelle Aboulker As Repertoire for the University Opera Studio
The Influence of Indigenous Bushmen Musical Elements and Significant Compositional Traits on Niel Van Der Watt’s Song Cycle, Die Wind Dreun Soos ‘N Ghoera, ‘N Siklus Boesman-mites
Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera
Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire
The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View
A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky
An Examination of Text Reflection and Imagery in Zoltán Gárdonyi’s Fünf Lieder Nach Gedichten Von Rainer Maria Rilke
Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet
Pedagogical Applications of Scat-singing Within the Jazz Trombone Studio
Gordon Binkerd’s “Intermezzo” From Essays for the Piano (1976): a Comprehensive Analysis of Brahmsian Compositional Influences and Stylistic Elements
A Performance Edition of the Alessandro Rolla Concerto in F for Viola and Orchestra, Op 4 (Bi 549)
Utilizing Standard Violin Orchestral Excerpts As a Pedagogical Tool: an Analytical Study Guide with Functional Exercises
The Automatic Compensating Euphonium As the Ideal Choice for Performing Music Composed Originally for Ophicleide
A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent
“Before I Die…”: Original Composition with a Critical Essay Exploring the Techniques of Six Crossover Composers
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