This book examines 43 great concerti and discusses, in detail, the technical, aural, rehearsal, and intra-personal skills that are required for “effortless excellence.” Maestro Itkin wrote this book for conductors first encountering the concerto repertoire and for those wishing to improve their skills about this important, and often understudied, literature. Often misunderstood is the fact that both the physical technique and the score study process require a substantially different and more nuanced approach than with the major symphonic repertoire. In short, this is the book that Itkin wished had been available when he was a student and young professional.

After earning his theology degree from Union Seminary in New York, Lloyd Pfautsch (1921–2003) found his true calling in church music. He was invited to Southern Methodist University in 1958 to start their graduate program in sacred music and remained there for 34 years. Outside the university, he formed the Dallas Civic Chorus and led it for 25 years. He was nationally known for his conducting and the quality of the musicians he produced as well as for his compositions, many of which are illustrated here with his handwritten notations. This is the first biography of this important figure, and it is told from the viewpoint of a longtime colleague and friend. Aligned with the biography, Hart analyzes some of Pfautsch's hundreds of compositions. This is the definitive work on one of the most influential American choral musicians of the twentieth century.

In 1915 Governor James Ferguson began his term in Texas bolstered by a wave of voter enthusiasm and legislative cooperation so great that few Texans anticipated anything short of a successful administration. His campaign was based on two key elements: his appeal to the rural constituency and a temporary hiatus from the effects of the continuous Prohibition debate. In reality, Jim Ferguson had shrewdly sold a well-crafted image of himself to Texas voters, carrying into office a bevy of closely guarded secrets about his personal finances, his business acumen, and his relationship with Texas brewers. Those secrets, once unraveled, ultimately led to charges brought against Governor Ferguson via impeachment. Refusing to acknowledge the judgment against him, Ferguson launched a crusade for regained power and vindication. In 1925 he reclaimed a level of political influence and doubled the Ferguson presence in Austin when he assisted his wife, Miriam, in a successful bid for the governorship. That bid had been based largely on a plea for exoneration but soon degenerated into a scandal-plagued administration. In the Governor’s Shadow unravels this complex tale, exposing the shocking depth of the Fergusons’ misconduct. Often using the Fergusons’ own words, Carol O’Keefe Wilson weaves together the …

Trying to make sense of a disordered world, Stefanie Wortman's debut collection examines works of art as varied as casts of antique sculpture, 19th-century novels, and even scenes from reality television to investigate the versions of order that they offer. These deft poems yield moments of surprising levity even as they mount a sharp critique of human folly.

Brochure on M.K. Binodini Devi and her place in modern Manipuri culture from the program booklet of the M. K. Binodini Memorial Lecture in Imphal, Manipur, India.

This article discusses how harpists can incorporate alternative pieces into their standard repertoire.

This article focuses on Dika Newlin (1923-2006), an eccentric individual who was a musical prodigy in her early life and deemed a teenaged protégé of Arnold Schoenberg. Dika took an interest in punk rock later in life, and even joined a punk rock band. The author seeks to understand Dika's transition from protégé to punk rocker by describing some of her various phases as scholar, pianist, composer, and militant iconoclast. This paper was presented at the Music Library Association Conference in Denton, TX, on October 3, 2014.

Historians Chuck Parsons and Donaly E. Brice present a complete picture of N. O. Reynolds (1846-1922), a Texas Ranger who brought a greater respect for the law in Central Texas. Reynolds began as a sergeant in famed Company D, Frontier Battalion in 1874. He served honorably during the Mason County "Hoo Doo" War and was chosen to be part of Major John B. Jones's escort, riding the frontier line. In 1877 he arrested the Horrells, who were feuding with their neighbors, the Higgins party, thus ending their Lampasas County feud. Shortly thereafter he was given command of the newly formed Company E of Texas Rangers. Also in 1877 the notorious John Wesley Hardin was captured; N.O. Reynolds was given the responsibility to deliver Hardin to trial in Comanche, return him to a safe jail during his appeal, and then escort him safely to the Huntsville penitentiary. Reynolds served as a Texas Ranger until he retired in 1879 at the rank of lieutenant, later serving as City Marshal of Lampasas and then County Sheriff of Lampasas County.

Three Decades of Engendering History collects ten of Antonia I. Castañeda's best articles, including the widely circulated article "Engendering the History of Alta California, 1769-1848," in which Castañeda took a direct and honest look at sex and gender relations in colonial California, exposing stories of violence against women as well as stories of survival and resistance. Other articles included are the prize-winning "Women of Color and the Rewriting of Western History," and two recent articles, "Lullabies y Canciones de Cuna" and "La Despedida." The latter two represent Castañeda’s most recent work excavating, mapping, and bringing forth the long and strong post-WWII history of Tejanas. Finally, the volume includes three interviews with Antonia Castañeda that contribute the important narrative of her lived experience—the "theory in the flesh" and politics of necessity that fueled her commitment to transformative scholarship that highlights gender and Chicanas as a legitimate line of inquiry.

This article discusses how exercise can mitigate stage fright.

A faculty recital performed at the UNT College of Music Voertman Hall.

Audio log for a recording of an interview with Dorinda Marby, former flight attendant for Braniff International Airways, conducted for the Flying Voices oral history project. In the interview Marby discusses her experiences as a flight attendant and lessons learned during her career.

Audio log for a recording of an interview with Nelda Ireland, former customer service agent for Braniff International Airways, conducted for the Flying Voices oral history project. Content includes personal reflections of Braniff’s impact and experiences with customers, being a part of the Braniff family, reflections on the airline industry as a whole.

Opera scenes concert performed at the UNT College of Music Voertman Hall.

Opera scenes concert performed at the UNT College of Music Voertman Hall.

A Graduate Artist Certificate recital presented at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall.

A graduate artist certificate recital presented at the UNT College of Music Recital Hall.

Studio showcase performed at the UNT College of Music Voertman Hall.

A faculty recital performed at the UNT College of Music Voertman Hall.

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.

A guest artist recital performed at the UNT College of Music Voertman Hall.

Interview with Eddie Griffin, an African-American historian and activist from Fort Worth, Texas. Griffin discusses his family origins, growing up in segregated Fort Worth, the Fort Worth economy and discrimination, white neighborhoods, attending I. M. Terrell High School, black newspapers and histories, JFK's visit, attending Arlington State College, being drafted into the Army and stationed in Germany, becoming a revolutionary, robbing a series of banks, being incarcerated, activism in prison and political prisoners, returning to civilian life, the rediscovery of his faith, and his career as a local historian. In appendix are several photographs of Griffin and his family, and selections of literature featuring Griffin.

Recital presented at the UNT College of Music Voertman Hall.