A senior recital presented at the UNT College of Music Kenton Hall.

A faculty recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music MEIT (M1001) in partial fulfillment of the Master of Music (MM) degree

A senior recital presented at the UNT College of Music Voertman Hall.

A senior recital presented at the UNT College of Music Voertman Hall.

After earning his theology degree from Union Seminary in New York, Lloyd Pfautsch (1921–2003) found his true calling in church music. He was invited to Southern Methodist University in 1958 to start their graduate program in sacred music and remained there for 34 years. Outside the university, he formed the Dallas Civic Chorus and led it for 25 years. He was nationally known for his conducting and the quality of the musicians he produced as well as for his compositions, many of which are illustrated here with his handwritten notations. This is the first biography of this important figure, and it is told from the viewpoint of a longtime colleague and friend. Aligned with the biography, Hart analyzes some of Pfautsch's hundreds of compositions. This is the definitive work on one of the most influential American choral musicians of the twentieth century.

A senior recital presented at the UNT College of Music Recital Hall.

Three Decades of Engendering History collects ten of Antonia I. Castañeda's best articles, including the widely circulated article "Engendering the History of Alta California, 1769-1848," in which Castañeda took a direct and honest look at sex and gender relations in colonial California, exposing stories of violence against women as well as stories of survival and resistance. Other articles included are the prize-winning "Women of Color and the Rewriting of Western History," and two recent articles, "Lullabies y Canciones de Cuna" and "La Despedida." The latter two represent Castañeda’s most recent work excavating, mapping, and bringing forth the long and strong post-WWII history of Tejanas. Finally, the volume includes three interviews with Antonia Castañeda that contribute the important narrative of her lived experience—the "theory in the flesh" and politics of necessity that fueled her commitment to transformative scholarship that highlights gender and Chicanas as a legitimate line of inquiry.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A senior recital presented at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A senior recital presented at the UNT College of Music Voertman Hall.

A faculty recital performed at the UNT College of Music Recital Hall.

Opera scenes concert performed at the UNT College of Music Voertman Hall.

Opera scenes concert performed at the UNT College of Music Voertman Hall.

A Graduate Artist Certificate recital presented at the UNT College of Music Voertman Hall.

A Graduate Artist Certificate recital presented at the UNT College of Music Recital Hall.

The Texas Folklore Society has been publishing a regular volume of folklore research (our PTFS series) for the past several decades. Most of these books are what we call miscellanies, compilations of the works of multiple folklorists, and they feature articles on many types of lore. We’ve also published over twenty “Extra Books,” which are single-author manuscripts that examine a more focused topic. Folktales from the Helotes Settlement by John Igo is Extra Book #25. It’s a collection of personal memories from our longest active member, who first joined the Society over fifty years ago. Here we find legends, customs, and beliefs of the people of the Helotes Settlement near San Antonio. These stories capture the lore of a place similar to lots of other places—our places. They’re familiar to us all because, when we get right down to it, the Helotes Settlement is not very different from wherever we’re from.

This book examines 43 great concerti and discusses, in detail, the technical, aural, rehearsal, and intra-personal skills that are required for “effortless excellence.” Maestro Itkin wrote this book for conductors first encountering the concerto repertoire and for those wishing to improve their skills about this important, and often understudied, literature. Often misunderstood is the fact that both the physical technique and the score study process require a substantially different and more nuanced approach than with the major symphonic repertoire. In short, this is the book that Itkin wished had been available when he was a student and young professional.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A Graduate Artist Certificate Recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate.