A non-degree recital presented at the UNT College of Music Voertman Hall.

A non-degree recital presented at the UNT College of Music Voertman Hall.

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A senior recital presented at the UNT College of Music Kenton Hall.

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.

A faculty and guest artist recital performed at the UNT College of Music Kenton Hall.

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.

A non-degree recital presented at the UNT College of Music Voertman Hall.

A senior recital presented at the UNT College of Music Voertman Hall.

John Gregory Bourke kept a monumental set of diaries as aide-de-camp to Brigadier General George Crook. This fifth volume opens at Fort Wingate as Bourke prepares to visit the Navajos. Next, at the Pine River Agency, he is witness to the Sun Dance, where despite his discomfort at what he saw, he noted that during the Sun Dance piles of food and clothing were contributed by the Indians themselves, to relieve the poor among their people. Bourke continued his travels among the Zunis, the Rio Grande pueblos, and finally, with the Hopis to attend the Hopi Snake dance. The volume concludes at Fort Apache, Arizona, which is stirring with excitement over the activities of the Apache medicine man, Nakai’-dokli’ni, which Bourke spelled Na Kay do Klinni. This would erupt into bloodshed less than a week later. Volume Five is particularly important because it deals almost exclusively with Bourke’s ethnological research. Bourke’s account of the Sun Dance is particularly significant because it was the last one held by the Oglalas. The volume is extensively annotated and contains a biographical appendix on Indians, civilians, and military personnel named.

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.

Interview with Army veteran Robert Cook. The interview includes Cook's personal experiences in the European Theater as well as experiences as a prisoner-of-war of the Germans in Stalag 17 and post-war life. The interview also includes an appendix with a photograph.

Interview with Miguel Soria, Mexican-born immigrant to Plano, Texas. The interview includes Soria's personal experiences about childhood in Mexico, his first visit to the U.S., illegally crossing the border to live in Dallas, Texas, and experiences with a human smuggler, along with his experiences as an undocumented person and with discrimination. It also includes his thoughts on the DREAM act and the immigration process, and advice for future immigrants.

Interview with Giancarlo Quijano, West German-born Colombian immigrant to Denton, Texas, for the DFW Metroplex Immigration Oral History Project. The interview includes Quijano's personal experiences from his childhood in West Germany, life in Colombia during the 1990s violence, his family's immigration to Texas, his expectations of the U.S., and the subsequent culture shock. Quijano talks about the transition to American life, attending college as an international student, his experiences with the citizenship process, and his thoughts on the immigration debate.

Jazz Gala concert performed at the UNT College of Music Winspear Hall.

Symphonic Band concert performed at the UNT College of Music Winspear Hall.

Global Rhythms concert performed at the UNT College of Music Winspear Hall.

UNT Percussion Concert presented at the UNT College of Music Voertman Hall.

Percussion Ensemble concert performed at the UNT College of Music Voertman Hall.

African Percussion Ensemble concert performed at the UNT College of Music Voertman Hall.

UNT African Percussion Ensemble presented at the UNT College of Music Voertman Hall.

UNT Symphonic Band Concert presented at the UNT College of Music Winspear Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.