Interview with Vladislava Alaytseva, Uzbekistani-born immigrant to Dallas, Texas, for the DFW Metroplex Immigrants Oral History Project. The interview includes Alaytseva's personal experiences of childhood in Uzbekistan, moving to the U.S., transitioning to the American school system, her first impressions the U.S., and the culture shock in America. Additionally, Alaytseva talks about the transition of Uzbekistan from a Soviet satellite to an independent Muslim nation, her mother's family in Russia, the differentiation between being ethnically Russian or Uzbekistani, the definition of "culture," the comparison of life in Uzbekistan and the U.S., and the elements of Uzbekistani culture brought to America.

Memoir of Sharon Hudgins and her husband, Tom, describing their time in Siberia, Russia, with extensive recipes that relate to their anecdotes. It includes a bibliography (p. 345), a recipe index (p. 349) and a subject index (p. 363).

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. This book is a valuable resource for those interested in the history of music and intellectual life in Russia, Ukraine, and the Soviet Union in the twentieth century and is the first published book on the Madrigal Ensemble.