The Texas Folklore Society is one of the oldest and most prestigious organizations in the state. Its secret for longevity lies in those things that make it unique, such as its annual meeting that seems more like a social event or family reunion than a formal academic gathering. This book examines the Society’s members and their substantial contributions to the field of folklore over the last century. Some articles focus on the research that was done in the past, while others offer studies that continue today. For example, L. Patrick Hughes explores historical folk music, while Meredith Abarca focuses on Mexican American folk healers and the potential direction of research on them today. Other articles are more personal reflections about why our members have been drawn to the TFS for fellowship and fun. This book does more than present a history of the Texas Folklore Society: it explains why the TFS has lasted so long, and why it will continue.

In 1972 a North Vietnamese offensive of more than 30,000 men and 100 tanks smashed into South Vietnam and raced to capture Saigon. All that stood in their way was a small band of 6,800 South Vietnamese (ARVN) soldiers and militiamen, and a handful of American advisors with U.S. air support, guarding An Loc, a town sixty miles north of Saigon and on the main highway to it. This depleted army, outnumbered and outgunned, stood its ground and fought to the end and succeeded. Against all expectations, the ARVN beat back furious assaults from three North Vietnamese divisions, supported by artillery and armored regiments, during three months of savage fighting. This victory was largely unreported in the U.S. media, which had effectively lost interest in the war after the disengagement of most U.S. forces. Thi believes that it is time to set the record straight. Without denying the tremendous contribution of the U.S. advisors and pilots, this book is written primarily to tell the South Vietnamese side of the story and, more importantly, to render justice to the South Vietnamese soldier.

Inside Tim Johnston's Irish Girl, readers will find spellbinding stories of loss, absence, and the devastating effects of chance—of what happens when the unthinkable bad luck of other people, of other towns, becomes our bad luck, our town. The contents include: Dirt men -- Water -- Things go missing -- Antlerless hunt -- Jumping man -- Lucky gorseman -- Up there -- Irish girl.

Fort Worth history is far more than the handful of familiar names that every true-blue Fort Worther hears growing up: leaders such as Amon Carter, B. B. Paddock, J. Frank Norris, and William McDonald. Their names are indexed in the history books for ready reference. But the drama that is Fort Worth history contains other, less famous characters who played important roles, like Judge James Swayne, Madam Mary Porter, and Marshal Sam Farmer: well known enough in their day but since forgotten. Others, like Al Hayne, lived their lives in the shadows until one, spectacular moment of heroism. Then there are the lawmen, Jim Courtright, Jeff Daggett, and Thomas Finch. They wore badges, but did not always represent the best of law and order. These seven plus five others are gathered together between the covers of this book. Each has a story that deserves to be told. If they did not all make history, they certainly lived in historic times. The jury is still out on whether they shaped their times or merely reflected those times. Either way, their stories add new perspectives to the familiar Fort Worth story, revealing how the law worked in the old days and what …

In the east Texas town of Cold Springs in 1944, the community waits for the war to end. In this place where certain boundaries are not crossed and in a time when people reveal little about themselves, their problems, and their passions, Jane Roberts Wood exposes the heart of each of four families during the last year of World War II. Bound together by neighborhood and Southern customs, yet separated by class, money, and family, they are an unforgettable lot, vibrantly brought to life in this “delightfully perceptive and unabashedly romantic” novel (Sanford Herald). As the war grinds to an end, it becomes the catalyst that drives the inhabitants of Cold Springs across the boundaries that had once divided them, taking them to places both chaotic and astonishing. “A rare novel: intelligent, lyrical, devoid of coyness and manipulative plot turns—a book for old and young.”—Austin American-Statesman

In Roseborough, Jane Roberts Wood returns with a keenly observed tale of bighearted people in small-town Texas. Three weeks after Mary Lou’s Gypsy husband dies, her fourteen-year-old daughter, Echo, runs away. Numbed by grief and grounded only by her job at the Dairy Queen, she impulsively signs up for Anne Hamilton’s single-parenting class at the nearby community college. Anne, complex and passionate, has avoided the risks that come with commitment. Knowing nothing of the stages of grief or the process of recovery, Mary Lou begins a sometimes comic, yet poignant, journey to find Echo. Compelled by Mary Lou’s story and her strange daughter, Anne begins her own journey that can ultimately set her free.

Jade Visions is the first biography of one of the twentieth century’s most influential jazz musicians, bassist Scott LaFaro. Best known for his landmark recordings with Bill Evans, LaFaro played bass a mere seven years before his life and career were tragically cut short by an automobile accident when he was only 25 years old. Told by his sister, this book uniquely combines family history with insight into LaFaro’s music by well-known jazz experts and musicians Gene Lees, Don Thompson, Jeff Campbell, Phil Palombi, Chuck Ralston, Barrie Kolstein, and Robert Wooley. Those interested in Bill Evans, the history of jazz, and the lives of working musicians of the time will appreciate this exploration of LaFaro’s life and music as well as the feeling they’ve been invited into the family circle as an intimate. “Fernandez’ insightful comments about her brother offer far more than jazz scholars have ever known about this significant and somewhat enigmatic figure in the history of jazz. All in all, a very complete portrait.”—Bill Milkowski, author of Jaco: The Extraordinary and Tragic Life of Jaco Pastorius

After Tom Ketchum had been sentenced to death for attempting to hold up a railway train, his attorneys argued that the penalty was “cruel and unusual” for the offense charged. The appeal failed and he became the first individual—and the last—ever to be executed for a crime of this sort. He was hanged in 1901; in a macabre ending to his life of crime, his head was torn away by the rope as he fell from the gallows. Tom Ketchum was born in 1863 on a farm near the fringe of the Texas frontier. At the age of nine, he found himself an orphan and was raised by his older brothers. In his mid-twenties he left home for the life of an itinerant trail driver and ranch hand. He returned to Texas, murdered a man, and fled. Soon afterwards, he and his brother Sam killed two men in New Mexico. A year later, he and two other former cowboys robbed a train in Texas. The career of the Ketchum Gang was under way. In their day, these men were the most daring of their kind, and the most feared. They were accused of crimes that were not theirs, but their …

Each year thousands of children are diagnosed with autism, a devastating neurological disorder that profoundly affects a person’s language and social development. Saving Ben is the story of one family coping with autism, told from the viewpoint of a father struggling to understand his son’s strange behavior and rescue him from a downward spiral. “Take him home, love him, and save your money for his institutionalization when he turns twenty-one.” That was the best advice his doctor could offer in 1990 when three-year-old Ben was diagnosed with autism. Saving Ben tells the story of Ben’s regression as an infant into the world of autism and his journey toward recovery as a young adult. His father, Dan Burns, puts the reader in the passenger’s seat as he struggles with medical service providers, the school system, extended family, and his own limitations in his efforts to pull Ben out of his darkening world. Ben, now 21 years old, is a work in progress. The full force and fury of the autism storm have passed. Using new biomedical treatments, repair work is underway. Saving Ben is a story of Ben’s journey toward recovery, and a family’s story of loss, grief, and healing. “Keep …

The Texas Rangers were institutionally birthed in 1874 with the formation of the Frontier Battalion. They were tasked with interdicting Indian incursions into the frontier settlements and dealing with the lawlessness running rampant throughout Texas. In an effort to put a human face on the Rangers, Bob Alexander tells the story of one of the six companies of the Frontier Battalion, Company D. Readers follow the Rangers of Company D as—over time—it transforms from a unit of adventurous boys into a reasonably well-oiled law enforcement machine staffed by career-oriented lawmen. Beginning with their start as Indian fighters against the Comanches and Kiowas, Alexander explores the history of Company D as they rounded up numerous Texas outlaws and cattle thieves, engaged in border skirmishes along the Rio Grande, and participated in notable episodes such as the fence cutter wars. Winchester Warriors is an evenhanded and impartial assessment of Company D and its colorful cadre of Texas Rangers. Their laudable deeds are explored in detail, but by the same token their shameful misadventures are not whitewashed. These Texas Rangers were simply people, good and bad—and sometimes indifferent. This new study, extensively researched in both primary and secondary sources, will appeal to scholars …

Captain Bill McDonald (1852-1918) is the most prominent of the “Four Great Captains” of Texas Ranger history. His career straddled the changing scene from the nineteenth to the twentieth centuries. In 1891 McDonald became captain of Company B of the Frontier Battalion of the Texas Rangers. “Captain Bill” and the Rangers under his command took part in a number of incidents from the Panhandle region to South Texas: the Fitzsimmons-Maher prizefight in El Paso, the Wichita Falls bank robbery, the murders by the San Saba Mob, the Reese-Townsend feud at Columbus, the lynching of the Humphries clan, the Conditt family murders near Edna, the Brownsville Raid of 1906, and the shootout with Mexican Americans near Rio Grande City. In all these endeavors, only one Ranger lost his life under McDonald’s command. McDonald’s reputation as a gunman rested upon his easily demonstrated markmanship, a flair for using his weapons to intimidate opponents, and the publicity given his numerous exploits. His ability to handle mobs resulted in a classic tale told around campfires: one riot, one Ranger. His admirers rank him as one of the great captains of Texas Ranger history. His detractors see him as an irresponsible lawman who accepted questionable …

John Gregory Bourke kept a monumental set of diaries beginning as a young cavalry lieutenant in Arizona in 1872, and ending the evening before his death in 1896. As aide-de-camp to Brigadier General George Crook, he had an insider's view of the early Apache campaigns, the Great Sioux War, the Cheyenne Outbreak, and the Geronimo War. Bourke's writings reveal much about military life on the western frontier, but he also was a noted ethnologist, writing extensive descriptions of American Indian civilization and illustrating his diaries with sketches and photographs. Previously, researchers could consult only a small part of Bourke’s diary material in various publications, or else take a research trip to the archive and microfilm housed at West Point. Now, for the first time, the 124 manuscript volumes of the Bourke diaries are being compiled, edited, and annotated by Charles M. Robinson III, in a planned set of eight books easily accessible to the modern researcher. Volume 4 chronicles the political and managerial affairs in Crook’s Department of the Platte. A large portion centers on the continuing controversy concerning the forced relocation of the Ponca Indians from their ancient homeland along the Dakota-Nebraska line to a new reservation in the …

Texas singer/songwriter Vince Bell’s story begins in the 1970s. Following the likes of Townes Van Zandt and Guy Clark, Bell and his contemporaries Lyle Lovett, Nanci Griffith, and Lucinda Williams were on the rise. In December of 1982, Bell was on his way home from the studio (where he and hired guns Stevie Ray Vaughan and Eric Johnson had just recorded three of Bell’s songs) when a drunk driver broadsided him at 65 mph. Thrown over 60 feet from his car, Bell suffered multiple lacerations to his liver, embedded glass, broken ribs, a mangled right forearm, and a severe traumatic brain injury. Not only was his debut album waylaid for a dozen years, life as he’d known it would never be the same. In detailing his recovery from the accident and his roundabout climb back onstage, Bell shines a light in those dark corners of the music business that, for the lone musician whose success is measured not by the Top 40 but by nightly victories, usually fall outside of the spotlight. Bell’s prose is not unlike his lyrics: spare, beautiful, evocative, and often sneak-up-on-you funny. His chronicle of his own life and near death on the road reveals what …

On February 1, 1861, delegates at the Texas Secession Convention elected to leave the Union. The people of Texas supported the actions of the convention in a statewide referendum, paving the way for the state to secede and to officially become the seventh state in the Confederacy. Soon the Texans found themselves engaged in a bloody and prolonged civil war against their northern brethren. During the course of this war, the lives of thousands of Texans, both young and old, were changed forever. This new anthology, edited by Kenneth W. Howell, incorporates the latest scholarly research on how Texans experienced the war. Eighteen contributors take us from the battlefront to the home front, ranging from inside the walls of a Confederate prison to inside the homes of women and children left to fend for themselves while their husbands and fathers were away on distant battlefields, and from the halls of the governor’s mansion to the halls of the county commissioner’s court in Colorado County. Also explored are well-known battles that took place in or near Texas, such as the Battle of Galveston, the Battle of Nueces, the Battle of Sabine Pass, and the Red River Campaign. Finally, the social and …

The Sutton-Taylor Feud of DeWitt, Gonzales, Karnes, and surrounding counties began shortly after the Civil War ended. The blood feud continued into the 1890s when the final court case was settled with a governmental pardon. Of all the Texas feuds, the one between the Sutton and Taylor forces lasted longer and covered more ground than any other. William E. Sutton was the only Sutton involved, but he had many friends to wage warfare against the large Taylor family. The causes are still shrouded in mystery and legend, as both sides argued they were just and right. In April 1868 Charles Taylor and James Sharp were shot down in Bastrop County, alleged horse thieves attempting to escape. During this period many men were killed “while attempting to escape.” The killing on Christmas Eve 1868 of Buck Taylor and Dick Chisholm was perhaps the final spark that turned hard feelings into fighting with bullets and knives. William Sutton was involved in both killings. “Who sheds a Taylor's blood, by a Taylor's hand must fall” became a fact of life in South Texas. Violent acts between the two groups now followed. The military reacted against the killing of two of their soldiers in …

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions. The appendix includes corrigenda from the preceding volume, information about contributors to the current volume, and an index of content in previously-issued volumes.

Death provides us with some of our very best folklore. Some fear it, some embrace it, and most have pretty firm ideas about what happens when we die. Although some people may not want to talk about dying, it’s the only thing that happens to all of us–and there’s no way to get around it. This Publication of the Texas Folklore Society examines the lore of death and whatever happens afterward. The first chapter examines places where people are buried, either permanently or temporarily. Chapter Two features articles about how people die and the rituals associated with funerals and burials. The third chapter explores some of the stranger stories about what happens after we’re gone, and the last chapter offers some philosophical musings about death in general, as well as our connection to those who have gone before.

Most of the nine stories in Last Known Position were written upon James Mathews’ return from combat deployment to the Middle East with the D.C. Air National Guard. Life under fire provided the author with both dramatic events and a heightened sense of observation, allowing him to suggest the stress of combat as the driving factor behind extreme yet believable characterization and action. Military experiences and settings cause certain human elements and truisms to emerge more profoundly and dramatically. These stories portray desperate characters driven to make desperate choices. Always on the edge of a dark and unpleasant reality, Mathews’ characters survive by embracing fantasy, humor, violence, and sometimes redemption. Each story bears its own brand of hopeless quirkiness. Four teenagers on an army base steal a grenade and are stalked by a parade horse. A drifter returns home to rob the grandparents who raised him. A national guardsman faces a homicidal superior officer in Iraq on the eve of war. An elderly man worries that his wife’s new house guests are unrepentant cannibals. Always tense, sometimes ridiculous, and never dull, Last Known Position brings the reader to places unknown before and unforgettable after.

Soon after the close of military operations in the American Civil War, another war began over how it would be remembered by future generations. The prisoner-of-war issue has figured prominently in Northern and Southern writing about the conflict. Northerners used tales of Andersonville to demonize the Confederacy, while Southerners vilified Northern prison policies to show the depths to which Yankees had sunk to attain victory. Over the years the postwar Northern portrayal of Andersonville as fiendishly designed to kill prisoners in mass quantities has largely been dismissed. The Lost Cause characterization of Union prison policies as criminally negligent and inhumane, however, has shown remarkable durability. Northern officials have been portrayed as turning their military prisons into concentration camps where Southern prisoners were poorly fed, clothed, and sheltered, resulting in inexcusably high numbers of deaths. Andersonvilles of the North, by James M. Gillispie, represents the first broad study to argue that the image of Union prison officials as negligent and cruel to Confederate prisoners is severely flawed. This study is not an attempt to “whitewash” Union prison policies or make light of Confederate prisoner mortality. But once the careful reader disregards unreliable postwar polemics, and focuses exclusively on the more reliable …

Living in the Woods in a Tree is an intimate glimpse into the turbulent life of Texas music legend Blaze Foley (1949--1989), seen through the eyes of Sybil Rosen, the woman for whom he wrote his most widely known song, “If I Could Only Fly." It captures the exuberance of their fleeting idyll in a tree house in the Georgia woods during the countercultural 1970s. Rosen offers a firsthand witnessing of Foley’s transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules. While Foley's own performances are only recently being released, his songs have been covered by Merle Haggard, Lyle Lovett, and John Prine. When he first encountered “If I Could Only Fly," Merle Haggard called it “the best country song I've heard in fifteen years." In a work that is part-memoir, part-biography, Rosen struggles to finally come to terms with Foley's myth and her role in its creation. Her tracing of his impact on her life navigates a lovers' roadmap along the permeable boundary between life and death. A must-read for all Blaze Foley and Texas music fans, as well as romantics of all ages, Living in the Woods in a …

Whether you are “in the business,” or you are a music theorist, musicologist, or simply an opera fan—read on! This is an analytical monograph by a Schenkerian music theorist, but it is also written by one performer and enthusiast for another. Tonality as Drama draws on the fields of dramaturgy, music theory, and historical musicology to answer a fundamental question regarding twentieth-century music: why does the use of tonality persist in opera, even after it has been abandoned in other genres? Combining the analytical approaches of the leading music and dramatic theorists of the twentieth century—Austrian music theorist Heinrich Schenker (1868-1935) and Russian director Constantin Stanislavsky (1863-1938)—Edward D. Latham reveals insights into works by Scott Joplin, George Gershwin, Kurt Weill, and Aaron Copland that are relevant to analysts, opera directors, and performers alike. Tonality as Drama is not a textbook—rather, it is an innovative analytical study meant to inspire changes in the study and performance of tonal opera. By applying Schenker’s tonal analytical technique to a small segment (early twentieth-century American opera) of a repertoire typically regarded as non-tonal (modern opera), Latham reveals a strategic use of tonality in that repertoire as a means of amplifying or undercutting the success …

Few names in the lore of western gunmen are as recognizable. Few lives of the most notorious are as little known. Romanticized and made legendary, John Ringo fought and killed for what he believed was right. As a teenager, Ringo was rushed into sudden adulthood when his father was killed tragically in the midst of the family's overland trek to California. As a young man he became embroiled in the blood feud turbulence of post-Reconstruction Texas. The Mason County “Hoo Doo” War in Texas began as a war over range rights, but it swiftly deteriorated into blood vengeance and spiraled out of control as the body count rose. In this charnel house Ringo gained a reputation as a dangerous gunfighter and man killer. He was proclaimed throughout the state as a daring leader, a desperate man, and a champion of the feud. Following incarceration for his role in the feud, Ringo was elected as a lawman in Mason County, the epicenter of the feud’s origin. The reputation he earned in Texas, further inflated by his willingness to shoot it out with Victorio’s raiders during a deadly confrontation in New Mexico, preceded him to Tombstone in territorial Arizona. Ringo became immersed …

Thousands of children are diagnosed with autism each year, with a rate of occurrence of 1 in 150 births, compared to 5 per 10,000 just two decades ago. This astounding escalation has professionals scrambling to explain why the devastating neurological disorder, which profoundly affects a person’s language and social development, is on the rise. Are we simply getting better at diagnosing autism, or is a modern health crisis unfolding before us?

Spare yet evocative, the poems in Mister Martini pair explorations of a father-son relationship with haiku-like martini recipes. The martini becomes a daring metaphor for this relationship as it moves from the son’s childhood to the father’s death. Each poem is a strong drink in its own right, and together they form a potent narrative of alienation and love between a father and son struggling to communicate. “This is a truly original book. There’s nothing extra: sharp and clear and astonishing. Viva!” —Naomi Shihab Nye, judge and author of 19 Varieties of Gazelle