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The Nativity Panel of Isenheim Altarpiece and its Relationship to the Sermo Angelicus of St. Birgitta of Sweden
An Examination of American Sideshow Banners as Folk Art, ca. 1920-1960
"Documenting" East Texas: Spirit of Place in the Photography of Keith Carter
Reinterpreting Hieronymus Bosch's Table Top of the Seven Deadly Sins and the Four Last Things through the Seven Day Prayers of the Devotio Moderna
Images of a Gendered Kingship: Visual Representations of Hatshepsut and Her Influence on Images of Nefertiti
Style and the Art of Chaim Soutine: Ethnicity, Nationalism and Geography in the Critical Reception and Historiography
Use Restricted to the UNT Community.
Walter MacEwen: A forgotten episode in American art.
A Stylistic Analysis of American Indian Portrait Photography in Oklahoma, 1869-1904
The Flora and Fauna in Eighteenth-Century Colonial Mexican Casta Paintings
Use Restricted to the UNT Community.
Passionate transformation in vernicle images.
Dallas as Region: Mark Lemmon's Gothic Revival Highland Park Presbyterian Church
Texas Cowboy as Myth: Visual Representations from the Late Twentieth Century
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Art Criticism and the Gendering of Lee Bontecou's Art, ca. 1959 - 1964
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Feminist Design Methodology: Considering the Case of Maria Kipp
Iconographic Analysis of the Armadillo and Cosmic Imagery within Art Associated with the Armadillo World Headquarters, 1970 - 1980
Images of women shopping in the art of Kenneth Hayes Miller and Reginald Marsh, ca 1920-1930.
Use Restricted to the UNT Community.
Personal Passions and Carthusian Influences Evident in Rogier Van Der Weyden's Crucified Christ between the Virgin and Saint John and Diptych of the Crucifixion
Faith and politics: The socio-political discourses engaged by Mexican ex-voto paintings from the nineteenth-century and beyond.
James Rosenquist: Process, Representation, and the Simulacrum
When Reality Was Surreal: Lee Miller's World War II War Correspondence for Vogue
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Complementary Dualities: The Significance of East/West Architectural Difference in Paquimé
Two Annunciations: Examples of interpellation or offers of reception? a comparative analysis of pictures by Roger van der Weyden and René Magritte.
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