A traditional story as told by Bunghon Suungnem. In this story, the parents of five sons used up all their wealth purchasing brides and so have nothing to bequeath to them. The father tells them to obey the eldest son and work together to dig up 500 rupees he had buried and distribute it equally. After a few months of digging they are unable to find it, so they ask the eldest son what to do. He has them level the field, draw new boundaries and cultivate it. He assigns the highest plot to the youngest brother, then the next to the next-youngest, and so on. (b) Their neighbors include two lazy men who never work, but live off their wives. One wife tells her husband (the less lazy of the two) to go fishing. Instead of fish, he brings back some gold he finds in the water, and threatens to beat his wife if she does not cook it. She exchanges the gold for food and clothing. The other neighbor and his wife do not prosper, as the husband refuses to work.

The story of Suhuinu or How one mimics the sound of different animals.

Beshot Khullar tells a Benglam Story.

Creation of Villages as told by Bunghon Suungnem. Recorded at Storytelling Event organized by Rengpu Rex Khullar and Harimohon Thounaojam at Phaaidam village.

Origin of the Lamkang, Part 1 as told by Bunghon Suungnem, who retells a traditional history of how in the beginning of creation man and animals spoke the same language and how man was given the authority to name the birds and animals and everything that is therein.

The Story of Seven Sons as told by Angtoi Sankhil. A man is killed by a tiger, and as his six sons go to avenge him, he kills them too one by one. The mother is pregnant with a seventh son, who is able to foretell events while still in the womb. After the child learns how his father died, he goes to confront the tiger and his wife. He avoids the tiger's attempt to kill him, takes back his father's head from the tiger's possession, and vanquishes the tiger.

A discussion with Beshot Khullar and Rengpu Rex Khullar on how questions are formed in Lamkang.

Discussion of traditional songs by Shetwor Dilbung and Bunghon Suungnem at a storytelling festival funded by the NSF project and organized and implemented by Rex Khullar and Harimohon Thounaojam. The speakers discuss the types of songs they would like to collect and archaic vocabulary used in songs. They also discuss the Totlang festival in Phaidaam in 2008.

Annual magazine containing articles written by contributors across India on various topics, such as socio-economic, political, art, or religious issues.

Grace Sankhil of Phaidaam (previously known as P. Pantha) has a house guest who recounts her harrowing flight from Manipur to Delhi

Rex Khullar reads a connected text "Escape of the Younger Brother." This is a sample text provided in the sketch on Lamkang in Grierson's Linguistic Survey of India. The text was later re-recorded with corrections and commentary by Shekarnong Sankhil.

Photograph of Donnu Sankhil making the firewood pile to dry firewood in Lamkang traditional way known as [dinghon tpurtuwn] in Lamkang.

Photograph of a Lamkang Blessing ritual called Smul Kpnaak- where the people who seek blessings are blessed by offering this meal of chicken and rice after chanting the blessings words. Then sticking the feather on the head on the hair. This blessing ritual was performed for Sumshot and Tony by Belun Sankhil.

Photograph of a Lamkang house [arka inn] the house of Betoi Tholung of Thamlapokpi built by himself. Thatch roof and wall made of bamboo walls known as Vangpher. We see a small hut at the side of the house which is a pigsty. This is part of the Lamkang pictorial book project by Sumshot Khular.

Photograph of baskets [Buchai tumkol le boor] also known as Phangboor. Made of cane and bamboo.This picture is taken as part of the Lamkang Pictorial book project by Sumshot Khular.

Photograph of a basket known as Phangbor or [boor kphing] to keep rice and other grains. The Lamkangs used this basket as a storage to keep dry grains.

Photograph of a wooden bowl [ding arku] or known as Saa arku where meat is prepared for big feast. These are used in all ceremonies and cooking in the Lamkang culture.This is part of the Lamkang pictorial book project by Sumshot Khular.

Photograph of traditional baskets known as [saa buur] in Lamkang to store dry meat and fish. This is made with cane and bamboo as the base. They are kept hanging above the fireplace in order to dry the meat of fish and also to prevent from mold.

Photograph of a Lamkang traditional necklace called ardei pthxii. This piece is usually presented to the daughters by the grandmother or mothers and handed down generations.

Photograph of a basket [tomkol] in Lamkang. This basket is made of bamboo and cane. It is used to keep vegetables or rice according to need of the family or one who makes use of it.

Photograph of a basket made of cane known as [tomkol kphing] in Lamkang. This kind of baskets are used to store rice and other grains.

Photograph of beehive [pkhuibeel] in Lamkang. This picture was taken by Tony Khular in her garden. The Lamkangs collect this beehive for eating the young bees before they formed their wings.

Photograph of a boat in a lake called arkuung in Lamkang is seen in this picture. A tall tree is seen from the side of the lake.

Photograph of a child near the fireplace meikuung, with a ptxaang behind him, a place where things like meat and vegetables are dried above the fireplace.