Recording of Stefano Trevisi's Tabula irrasa. This is a work for tape that was inspired by the composer's experiences on trains crossing the Po Valley. While travelling, the composer found himself focusing on the landscape and drew inspiration from the fields, farmsteads, hedges, etc. The materials that have been used are based on the sounds of the language spoken by the river. The composer thanks Italo Formigoni and Wainer Melli for their helpfulness as well as the Istituto Mantovano di Storia Contemporanea for historical audio documents.

Recording of Roxanne Turcotte's Fantaisie Urbaine. This is a work for vocals and electroacoustic sounds. The composer describes this piece as telling a story of different people walking through a city, meeting and discovering new things. Various sounds illustrate the suspense and intrigue.

Recording of Jacky Mérit's Epoque. The composer describes this work as an electroacoustic triptych in three movements. This work is meant to explore how sounds effect the internal person through different combinations and articulations of sound layers.

Recording of Costas Mantzoros' La terrible presencia. This is a work for female voice and tape that is part of a collection of short works on Lorca's poems. The poem used for this piece is "El divan del Tamarit" by Federico Garcia.

Recording of Martin Bédard's Radiuum (topographie de la noirceur). This is a work for electronics.

Recording of Marcelo Ajubita's The Alban Berg Album. This is a work for electronics that includes train sounds and samples of violin.

Recording of Elsa Justel's L. This is a work for electronics that includes spoken word and sounds of a string instrument. The inspiration for this piece comes from Epicurean concepts which were put into poetry by Lucretius.

Recording of Aki Pasoulas' Ka-Boom !. This work is based on a recording the composer made of a fireworks display. The composition employs recorded voice that imitates fireworks and the text that was compiled is a combination of onomatopoeia, made-up language and words used in comic books. The structuring of the composition attempts to parallel the human brain's process, while at the same time puts all the information in the time frame of a real-life event.

Recording of Ivan Elezović's Mediteranean riots colors. The composer of this work considers it "program poetry" and includes poetic text to describe the video. This work includes various abstract visuals that vary in color and theme, all abstract and psychedelic in nature. The video opens with a title card as well as written text describing the piece. This video is accompanied by electroacoustic audio.

Recording of Frederick Szymanski's Vent. This is a sound and image piece that attempts to develop a dialogue between sound and movement. The visual part was created through the use of real-time non-standard 3D techniques. The resulting series of movements are accompanied by sound gestures. Sound and image are sometimes aligned, but at other times they diverge as the sound becomes increasingly active and complex.