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A Comparative Analysis of Minoru Miki's Time For Marimba and Concerto for Marimba and Orchestra
The Saxophone Music of Frederick Fox: An Annotated Bibliography with an Analysis of S.A.X. for Solo Alto Saxophone and Saxophone Quartet
An Analysis of Form and Tonality in Arnold Cooke's Sonata for Oboe and Piano (1957)
Mozartean Gesture and Rhetoric in Hummel's Concerto for Trumpet
The Career and Legacy of Hornist Joseph Eger: His Solo Career, Recordings, and Arrangements
Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.
Risk Factors for Flute-Related Pain among High School and College Students
An Analytical Study of Karamanov's Piano Concerto No.3 "Ave Maria"
Extended Techniques in Stanley Friedman's Solus for Unaccompanied Trumpet
A Critique of Etudes and Method Books for Advanced Euphoniumists: Status Quo and Future Recommendations
Birth of a Modern Concerto: An Explication of Musical Design and Intention in Journey: Concerto for Contrabass Tuba and Orchestra
The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions.
Ernesto García de León: A Study of Sonata No. I, Op. 13, Las Campanas (The Bells)
An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra
The influence of Sister Helen Prejean on the life and work of Jake Heggie as seen in the song cycle The Deepest Desire: Four Meditations on Love.
Selected Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Classical Guitar Duo.
A Performer's Guide to George Crumb's Makrokosmos IV (Celestial Mechanics)
Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988).
A Stylistic and Analytical Study of The Key for Trumpet and Piano by James Wintle
An analysis of the American Concerto by Ellen Taaffe Zwilich, identifying the use of motives, and a guide for performance preparation.
Choral Resonance: Re-Examining Concepts of Tone and Unification.
History and Current State of Performance of the Literature for Solo Trombone and Organ
The Unpublished Works for Clarinet by Alexander Grechaninov: Preparing a Performance Edition of the Sonata No. 1 for Clarinet and Piano, Op. 161
Scenen aus Goethes Faust: A performer's analysis.
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