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Clestrinye [El Carnaval del Perdón]: Traditional Rituals in Intermedia Composition.
In Part I of this thesis, I examine the use of Latin American rituals, ceremonies, and traditional folklore as conceptual and compositional material; studying and re-contextualizing concepts, cultures, and ideologies, and introducing them to foreign audiences. I explore issues such as laptop improvisation, interaction with other performance forces, and the utilization of the social elements of non-western celebrations, as explored in Clestrinye, a work for live and fixed electronics, mixed ensemble, dancers, and painters.
Date:
August 2008
Creator:
Salazar, Camilo
System:
The UNT Digital Library