Photograph of artworks by Jose Clemente Orozco Farias. The Jose Clemente Orozco Farias exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. Colorful abstract prints hang on the leftmost wall. A display case is situated on the right side of the gallery.

Photograph of individuals at an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Lulu Flores and Francisco Alejo, consul of Mexico, sit at a table with six others. They are formally dressed. Prints and statues are displayed throughout the gallery.

Photograph of an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Consul of Mexico Francisco Alejo speaks to another man. Both wear suits. Tables are set up in the gallery space. Prints and statues are displayed on the walls of the gallery.

Photograph of an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Individuals sit at tables set up in the gallery. They are formally dressed. Prints and statues are displayed throughout the gallery.

Photograph of the opening reception for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. White confetti has been thrown on the left side of the room. A woman holds a camera. Paintings hang on the walls of the gallery.

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled, "Collecting Latino Art". The pamphlet folds out to span three panels long, and the entire pamphlet has magenta backgrounds and borders. The front cover features a photograph of a painting of a buffalo along with the exhibition title. The first panel reiterates the title at the top and includes the dates of the exhibition as well as a list of the contributing artists. There is a small note at the bottom of the panel that informs about the tax-free and free admission days at the museum. The second panel solely features a photograph of a painting from the exhibition. The painting depicts a girl seated on a chair and wearing a white shift dress. Artwork credits are at the side of the painting. The third panel advertises a separate event that was presented by the Mexic-Arte Museum entitled "Noche de Fiesta Navideña 2004 [Christmas Night Party 2004]". The panel includes information about the event including the date and times, tickets, location, catering, and music. The pamphlet also mentions a silent auction and "Nacimientos, Nativity Scenes from Local Collections". The background is yellow with a large ornamental bird. …

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "Crossing Over". The exhibition contained artwork by Willie Varela. The pamphlet has been printed in all over red scale, including the photographs. The cover of the pamphlet features a photograph of a corrugated metal fence and a blank billboard in the distance. The title and a descriptive secondary title are also included on the front. The pamphlet opens up to span three and a half panels long. The first panel includes the name of the exhibition as well as the dates and times of the opening reception, a members only preview, and a gallery talk by the artist. The second panel features a large photograph of a dilated eyeball and a statement about the exhibition above. The third panel features a picture of a drawing of an elderly woman standing next to a giant parrot. Details about an exhibition that ran concurrently to the featured exhibition are also included. The half-size panel includes information on sponsorship. The back of the last panel headlines a picture of two Hispanic boys who are looking in different directions. The back of the middle panel details information on the Mexic-Arte Museum.

Pamphlet that advertises an event presented by the Mexic-Arte Museum entitled, "Día de los Muertos Celebration 2004". The pamphlet folds out to span three panels long. The cover of the pamphlet highlights the logo of the Mexic-Arte Museum, which is followed by the word "presents". The background is made up of a blurred photograph of enlarged motifs. When opened, the three panels are connected by a large, stylized illustration of a man wearing a tailcoat and running shoes in the center panel. The man's arm are held out, and he is holding skeleton marionettes that are dancing in both of the outermost panels. In addition to the dancing marionettes, the first panel also includes information concerning the date and times, location, and admission prices of the event. There is also information about a procession and major sponsors of the event. The third panel highlights a major sponsor and lists several activities and performances that will be at the event. The title of the exhibition spans all three panels. The back of the middle panel details information about the Mexic-Arte Museum, including the location, website, phone number, hours of operation, and sponsorships. The back of the first panel continues the motif …

Pamphlet that advertises an exhibition that was presented by the Secretary of Foreign Affairs of Mexico, the National Council on Art and Culture, the National Institute of Fine Arts. and the Mexic-Arte Museum entitled "Dos Maestros (Two Masters) Dr. Atl & Mardonio Magaña". The entire pamphlet has been printed in green tones, including the photographs. The front cover of the pamphlet accentuates the exhibition title with a photograph from the exhibition as the background. The pamphlet folds out to span three and a half panels long. The first full-sized panel features information about the exhibition, including the title, address of the museum, and the date and time of the opening reception. The middle panel presents a passage about the drawings created by Dr. Atl, while the last panel presents a passage detailing the work of Mardonio Magaña. There is a photograph of a wood sculpture of three Mexican musicians above the passage about Magaña. The background of the first and second panels is a drawing from the exhibition. The half-sized panel contains information about major supporters as well as a photograph of a wooden sculpture from the exhibition. The back of the last panel features a large photograph of Mardonio …

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "Mexican Calendar Legends". The cover of the pamphlet highlights a fully-colored picture of a painting that depicts an Aztec warrior wearing an orange feathered headdress and gold armor. He is holding a woman who is passed out in his arms; she is wearing a decorated white dress and a flower in her hair. The pamphlet folds out vertically to span three and a half panels long. The half panel, which is at the top, includes the title in large yellow letters as well as three logos from sponsors. The two subsequent panels feature a large, fully colored photograph of a painting of a giant woman walking toward a sail ship that is beached in the background. The woman, who is wearing a white lace dress, is looking behind her. The photo of the painting makes up the background of the two panels. The panels also include the date and times of the opening reception and a members-only guided tour.

Pamphlet that advertises an exhibition presented by the Mexic-Arte Museum entitled "Mexican Calendar Legends, 20th Century Mexican Calendar Art in Galas de Mexico". Along with the title of the exhibition and an image of a painting from the exhibition, the cover of the pamphlet also establishes that the pamphlet is made up of "Brochure Translations" from a separate gallery guide that is in Spanish. The first page features an introduction about the exhibition. The majority of remaining pages list the artists that are included in the exhibition as well as a short biography and description of the type of artwork each one produces. The last two pages list a few of the "classic themes of the calendar paintings". The back cover of the pamphlet features the sponsors of the museum and the exhibition as well as information about the exhibition and the museum.

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "Mexican Report, Contemporary Art from Mexico". The pamphlet folds out to span three and a half panels long. The entire panel has an orange background and blue, white, and orange borders. The cover of the pamphlet features the title of the exhibition as well as several blue-tinted photographs cropped and layered to create a decorative jagged element. The logos of several sponsors are included on the cover, and there is a sticker at the bottom that reads, "Complimentary Admission, Friday, Sept. 10, 2004". The first panel of the opened pamphlet, which is the half-size panel, includes the logo of the Mexic-Arte Museum and a list of major sponsors. The second panel includes the title of the exhibition, the name of the exhibition curator, and the date, admission price, and times of the opening reception, a member's preview, and a musical performance. The panel also contains information concerning parking, catering, sponsors, and a special guest. The second panel highlights a large, blue-tinted photograph of a painting that depicts "Mr. Clean" and "Garfield" watching a woman scrubbing a tile floor. Artwork credits are at the side of the photograph, …

Pamphlet that advertises an event that was presented by the Mexic-Arte Museum entitled "Taste of Mexico 2004" in honor of Cinco de Mayo. The entire pamphlet, which folds out vertically to span three and a half panels, is printed in green tinted gray-scale. The cover of the pamphlet features an ornamental design, the title, and various photographs of the event behind a green backdrop. The first panel and a half includes general information about the festival including the title, a short description, date and time, location, ticket information, and parking information on a green backdrop. The second full-size panel advertises the festival leader, the silent auction, and featured live music on a green backdrop. The last panel lists the restaurants that will be serving food at the festival on a green backdrop. All three and a half panels utilize various arranged photographs of the festival to make up the background. The back of the last panel includes a photograph of a working chef framed by information about sponsors.

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "YLA No. 9, The Young Latino Artists Exhibition". The entire pamphlet has a red, white, and black color scheme with gray-scale photographs. The cover of the pamphlet features the title of the exhibition as well as a large photograph of an installation that consists of several striped fabrics. The pamphlet folds out to span three and a half panels long. The half-size panel lists all of the artists involved in the exhibition and their corresponding representative cities. The other three panels are connected by a red dashed line separated by target points labelled with the names of the Texas cities which are represented by the participating artists. There are also three photographs of artworks and credits that run along the dashed line. The bottom of the three panels are also connected by a long red backdrop that includes the title of the exhibition on the first panel. The second panel highlights information regarding the date and times of the opening reception and a members-only preview, the address of the museum, and a short description of the exhibition. The last panel lists the co-curators of the exhibition and …

Photograph of Reverend David A. Boyd of St. David's Episcopal Church. He is wearing a red robe, holding a bible, and looking towards the camera.

Video of an impromptu interview between TABE president Sandra Acosta and Texas State Representative Dou Wan Tran. This is followed by a few moments of conversation between other people in the building. Then Acosta and Dr. Rodriguez speak with Rep. Roberto Alonzo.

Photograph of a school group at Mexican Report: Contemporary Art from Mexico, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. The children sit in the gallery space. They are casually dressed and face the camera. An adult woman stands to the right of the group.

Photograph of a gallery at Mexican Report: Contemporary Art from Mexico, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Paintings hang on the gallery walls. A large wooden sculpture is situated between two columns. The sculpture forms a wheel structure.

The Texas State Historical Association Quarterly Report includes "Papers read at the meetings of the Association, and such other contributions as may be accepted by the Committee" (volume 1, number 1). These include historical sketches, biographical material, personal accounts, and other research. Index is located at the end of the volume starting on page 643.

Photograph of the opening reception for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. A speaker stands at a microphone. He wears a gray suit and dark tie. Paintings hang on the walls of the gallery.

Photograph of four individuals at an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Sylvia Orozco stands second from the right.

Photograph of six individuals at the opening reception for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco stands third from the right. Religious paintings hang on the wall behind them.

Photograph of Sylvia Orozco at an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Orozco sits at a table with seven other individuals. Prints and statues are displayed throughout the gallery.

Photograph of an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Individuals stand around a wooden statue of a man who wears a hat. Sylvia Orozco stands second from the right. Lulu Flores and Nilda de la Llata stand to the left of Orozco.