Recording of Ivano Morrone's Foni. This work mixes and recomposes a melody bowed by a Calabrian lyra and theremin. The piece combines the timbre of three stringed ancient instruments that were played in the Greek Calabrian community.

Recording of Martin Neukom's Studie 18.8. This piece is part of a collection of small movements that each represent a different variation of sound distributions. In this work, the generated sounds are repeated with increasing amplitude and duration.

Recording of Phill Niblock's Parker's Altered Mood aka Owed to bird. This work was created based on the theme of the American composer/musician Charlie Parker. This theme is played on alto saxophone by Ulrich Krieger. This theme was recorded several times and then layered with retuning all of or some of the notes.

Recording of Felipe Otondo's Zapping Zappa. This work was created as a humoristic tribute to the composer Frank Zappa. The composer uses different types of samples from the music of Zappa. Within this piece there is a development in terms of timbral rhythmic layers that evolve gradually, changing in sonorities.

Recording of Guillaume Pairel's Bruits de couloirs. This piece includes concrete sounds of tubular bells, sounds of cymbals spinning at full speed, and other sonic discoveries. The intermingling of these sounds create a "multi-colored journey".

Recording of Raphaël Panis' Udi tula. This electronics work is a small study based on a Hindu rhythm, "Adi Tâla", played on different synthesizers. The composer describes this piece as a Western transposition of a musical element coming from a foreign tradition. It is up to the listener to hear what they want from the piece and possibly detect something out of the ordinary.

Recording of Claudio Parodi's Autres Miroirs. This work is a study about the relationship between processed recording of Tunisian reeds and natural recordings of the same instruments.

Recording of Hector Parra i Esteve's L'aube Assaillie. This is a work for electroacoustics and cello. The composer has attempted to create a distinct/varied polyphonic language for strings which has been inspired by avant-garde physics, contemporary dance, and collaboration with the instrumentalists. This work was create in collaboration with the French choreographer, Frédéric Lescure.

Recording of Aki Pasoulas' Ka-Boom !. This work is based on a recording the composer made of a fireworks display. The composition employs recorded voice that imitates fireworks and the text that was compiled is a combination of onomatopoeia, made-up language and words used in comic books. The structuring of the composition attempts to parallel the human brain's process, while at the same time puts all the information in the time frame of a real-life event.

Recording of Blas Payri's Unheimlices Wasser vol. 4. This is a work for electronics that includes German spoken word and atmospheric sounds.

Recording of Rudolf Pepucha's The End. This work uses only sound material derived from a cello and explores the area between pitch, timbre, and rhythm. The rhythmic and melodic structure of this piece is structured around the idea of death.

Recording of Eduardo Polonio's Improvisations avec formes froides. This is a work for electronics.

Recording of Diana Pérez Custodio's La nieve es negra. This is a work for tape that was a part of another larger work, Políptico, which was composed in 1999 and inspired by several paintings by the painter Luis Gordillo. This piece premiered as part of the 34th Festival International des Musiques et Créations Électroniques.

Recording of John Ritz's In the Very Eye of Night. This is a work for electronics.

Recording of Daniel Roca Arencibia's Globus II. This piece is part of a series called "Globus" and it explores sonic materials from ethic and traditional music from different parts of the world. Each element was developed separately until the final sequence where they all get mixed together. This piece premiered at "Punto de Encuentro", Spanish Festival of Electroacoustic Music.

Recording of Pedro Manuel Rocha's "To a World Free from Religions." This piece contains two versions: an eight-channel version and a two-channel stereo track version. Includes 8 tracks and a two channel stereo track of a reduction recording of the full track. The composer created this piece to depict the exclusive beauty that will occur in a world free of religions. The composer uses gong and soundwave-like electroacoustic sounds.

Recording of Jean Routhier's La bourrée du Comptable Chinois. The sounds used in this work consisted of a Chinese abacus, a Jew's harp, and a musical saw. Each of these materials were meant to represent instruments that create similar sounds. This piece is loosely inspired by the style of the tambourin, a popular dance within the region where George Sand lived.

Recording of Sébastien Roux's Un grand ensemble. This is a work for electronics that includes English and French spoken word.

Recording of Jorge Luis Sad's La vuelta hacia arriba del aire de la manana. This is a work for electronics that includes sound samples of flute.

Recording of Etienne Saur's Jeu de carte. This work was created for the open work project as part of the Synthèse Festival. This work is meant to celebrate the bicentenary for George Sand by using a computer playing traditional instruments. Sound material that has been used in this piece includes: music box sounds, barrel organ, and sound card for the computer.

Recording of Etienne Saur's Painting music. This work was created to explore the poetic intentions of all artistic creation. The composer asked several different artists if they could use some of their works to create this composition. This work consists of three movements, each one inspired by a work of art by the following artists: Catherine Jourdan and Sarah Debove, Jean-François Grégoire, and Jean Detrémont.

Recording of Jan Schacher's Phenotype. This work is a short extract from a digital improvisation on stage by the composer who goes by the stage name "Jasch".

Recording of Janek Schaefer's Cold Storage. This is a work for electronics that includes a theme of machinery sounds. The recording includes 5 untitled movements.

Recording of Dominique Schafer's Redshift for 4 channel tape. This is a work for electronics.