Recording of Alessandro Grego's L'Aura. This is a work for electronics and piano. The composer has described it using an abstract story of someone trapped in darkness.

Recording of Edgar Guzmán's Prometeo & Epimeteo. This is an electroacoustic work for amplified flute in C and tape.

Recording of Sten Hanson's Valse Chosande. This is a work for electronics.

Recording of Abdul Wahid Hasnizam's Interplay. This work explores the sounds of various activities that can be found on the streets of Alum Rock (Birmingham, England). The composer has also exploited the interplay between real and imaginary sounds, blending them together in dreary and lively ambiences.

Recording of Haruka Hirayama's Swallow. This work was created for soprano saxophone and a live computer. The various timbres of soprano saxophone creates the significant contrast throughout the piece. Transformed instrumental sound from the computer supports the virtuoso of the soloist.

Recording of Lars Hojerdahl's A une passange. This work is for electronics and is based on a poem by the same name. The composer wove the text into their own musical structure and created this work as a piece of music where moods and rhythms leave traces of the original material.

Recording of Shintaro Imai's Motion and Glitch Study. This is a work for dance, visual image processing, and electronic sound. It was commissioned by Inventionen 2004 and was a collaborative work with Kazue Ikeda (dance improvisation). The main purpose of the piece is to experiment with the relationship between the gradual/sudden transformation of a dancer's motion, electronic glitch sounds, and visual textures as a result of modulation.

Recording of James Carpenter's Flux (panoramic). This is a work for electronics where a large amount of the source material was collected from an expansive field in Yorkshire, New England. "Panoramic" refers to the form while "Flux" refers to the continuous blending of material.

Recording of Jos Janssen's Saluang. This piece was created on the basis of the saluang flute playing of the people of North Sumatra in Indonesia. Saluang playing is a very meditative way of playing with the technique of circular breathing. This work was originally made for Teresa Birks, a human rights watcher in Indonesia.

Recording of Bernadette Johnson's Scyntillisuisse. This work explores the sounds of Swiss instruments, specifically from the areas of rural Switzerland. The composer compares their use of technological instruments with the discovery of fantastical creatures.

Recording of Koji Kawai and Rui Ogawa's Chaosmos. This work includes the sounds of white noise and a Japanese traditional melody which wrap the sound image of Sisiodosi. These sounds are repeated and go through a process of self-organizing from chaos to order.

Recording of Peiman Khosravi's Night streams. This work is concerned with an ever-changing sound world in which recognizable sound objects are couples together with more abstract sounds in an imaginary landscape. At the time of composition, the composer was preoccupied with the poetry of Federico Garcia Lorca and he believes that this work was inspired by the powerful images included in these texts.

Recording of Suk-Jun Kim's What the bird saw. This is a work for electronics that the composer states was inspired by a dream in which they were the bird, flying through bits of oblivious memories and watching what it saw and heard.

Recording of Stefan Klaverdal's prayer of a king. This is a work for saxophone and computer that was extracted from the suite "On Being". It is thematically derived from the classical play of Hamlet, and was originally composed to a dance performance on the play. The notation is quite open, allowing the players to freely choose several aspects of interpretation, such as some rhythms, tempo, etc. for both of the musicians, both saxophone and computer.

Recording of Krzysztof Knittel's ...in the opposite direction.... This is quadraphonic electroacoustic work that includes music that was presented with a live art performance "D.J. cool swamp (Nymphs finding the head of Orpheus)". During the piece the sound of a CD "scratch" can be heard that plays a bossa nova song written by Knittel in the sixties.

Recording of Panayiotis Kokoras' Anechoic Pulse. Most of the sound material for this piece was recorded at the anechoic chamber at the University of York in England. The sound material, not easily recognizable most of the time, undergoes a simple transformation in terms of sound processing. The piece ends with a pulse drone created with tiny strokes of a metallic stick on a 19 inches timpani. This work is dedicated to the composer Sungji Hong.

Recording of Panayiotis Kokoras' Shatter Cone. This is a work for violin and electronics and was commissioned by the MATA Festival 2004 to be performed by Mari Kimura. The title refers to the way the sound of the violin is formed into sonic structures from the impact of the bow's pressure, speed, and position on the strings in combination with their register. The pre-recorded material comes only from violin sounds, transformed to keep the gestural and spectral data of the original sound while losing reference to the original.

Recording of Pavel Kopecký's Ornamentation (from Suite MOOG). This work was created as part of the electroacoustic suite M-O-O-G. The original version was six-channels or acousmatic version with 8-channels. The composer made this recording a stereo mix.

Recording of Pavel Kopecký's Ritorni. This is a work for clarinet and electroacoustics. In order to create the richest unity between the two sounds, the composer formed the electroacoustic base entirely from modified clarinet samples. At the concert performance the sound of the soloist is recorded with a microphone and modified by a sound processor.

Recording of Vitazoslav Kubicka's Concert for violoncello and Orchestra. This work is based on a dialogue between instrumental solo voice and electronics. It explores the different possibilities of expression on electroacoustic music and solo instrumentation.

Recording of Olivier Labbe's Inside a visit. This work was created as part of an open work project for the Synthèse Festival. The composition is a digital multi-track montage based on recordings made in an artist's studio within an industrial wasteland. These are random recordings of a demo of drum exercises, radio waves, radio broadcasts, and repetitive vocal cycles.

Recording of Joris De Laet's Amour Sacré. This work was created as part of the open project under the theme "Les Maîtres Sonneurs" at the Synthèse festival. The foundation of the sound material in this piece are fragments from a recording of the song "Amour sacré de la patrie" sung by Jean Hotté. From these samples, choirs and amalgamations are formed with the transformed sounds.

Recording of Fernando Laub's Paseo por un Bosque Analógico. This is an electronic piece made with only artificial material. The composer compares it to a trip across a synthetic forest.

Recording of Simo Lazarov's Plain and mountain. This is a work for electronics that was created as part of the open project at the Synthèse festival in 2004. The composer has described it as being a piece that reflects on old times and poetry.