The National Museum of the Pacific War presents an interview with Kenneth Alberding. Alberding joined the Army Air Forces in January of 1943. He completed navigation training, and also worked in the photo lab printing publicity photos of cadets. He completed radio school in April of 1944 in Traux Field, Madison, Wisconsin. He worked in the Headquarters unit, 456th Squadron, as a radio mechanic on B-29s. He remained in the US throughout the war and was discharged in January of 1946.

The National Museum of the Pacific War presents an oral interview with Tom D. Ellison. Ellison was born 14 August 1925 in Sierra Blanca, Texas. He joined the Navy in September 1942. After 12 weeks of boot camp at the Farragut Naval Training Center, Idaho, he went for 21 weeks of aircraft maintenance training in Norman, Oklahoma, and 4 weeks of air gunnery training in Purcel, Oklahoma. This was followed by more maintenance and gunnery training at NAS Jacksonville. Next it was to NAS Oceana, Virginia working on and flying in PB4Y patrol planes. Ellison then sailed to England on the USS Matagorda (AVP-22). He spent from December 1943 to August 1945 at Dunkeswell Airfield in Devon. His squadron, VP-105, performed anti-submarine patrols in the English Channel and the North Sea. Following the German surrender, Ellison went to San Diego, Guam, Japan, and finally Shanghai, China to join a PBM Mariner squadron operating from a seaplane tender in the Whangpoo River. They provided passenger, mail, and air-sea rescue services in the area. Having advanced to AMM 1/C, Ellison was discharged from the Navy in San Diego.

The National Museum of the Pacific War presents an oral interview with Gail Freeman. Freeman joined the Minnesota National Guard in 1940 and his unit was federalized in early 1941. His artillery unit, the 125th Field Artillery, was folded into the w34th Infantry Division and Freeman landed in Ireland in May 1942. Freeman served as a radio operator with a forward observer. His first action was in Tunisia. He then went with the unit to Salerno and fought at Monte Cassino. He finally entered the hospital with battle fatigue and was returned to the US where he ended the war guarding German prisoners of war in Nebraska.

The National Museum of the Pacific War presents an oral interview with Winfred Hartman. Hartman was drafted into the Army in June 1943. During his basic training in North Carolina, he was selected to be a medic. In January, 1944, he shipped to England where he worked in a replacement depot administering shots and processing paper records. After the Battle of the Bulge, Hartman was sent to join the 359th Regiment, 90th Infantry Division as a medic. He shares several anecdotes about his time in combat dealing with wounded and injured GIs. Hartman's unit was in Czechoslovakia when the war in Europe ended. He started home for the US in late November 1945.

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

The National Museum of the Pacific War presents an oral interview with Robert Stahl. Stahl qualified for aviation cadet training in the Army Air Forces in June 1943. In May 1944, he reported for bombardier training in New Mexico. When he got to England in early 1945, he was assigned to the 93rd Bomb Group. Stahl flew 21 combat missions as a bombardier in a B-24. Stahl shares several anecdotes about flying mission, living on base and exploring England. He returned to the US and was training as a bombardier in B-29s when the war ended.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Beshot Tholung of Thamlapokpi and Bunghon Suungnem of Leingangching discussing the Chalong village's celebration of “Dilkoor” and how the first Lamkang meetings were held. They discuss how students union were started in the 1950s and the chief association-Law commission Yuman saa maan.

A discussion with Suungnem Bunghon of Leingangching, Tholung Beshot and Shekarnong Sankhil of Thamlapokpi about the names of villages which the Lamkangs abandoned and Kukis resettled there using the same names (Charangching Khullen-Khunkha). This was recorded at the seminar on culture and origin of the Lamkangs at Charangching village.

Bunghon Suungnem of Leingangching and another speaker discuss the Lamkang origin story of coming out from the cave (Duti Pardii)

Shekarnong Sankhil and Tholung Beshot of Thamlapokpi discuss Tchaan Yamluung, a musical instrument used by the Lamkangs and the Kachin people in Myanmar, who are also called red people and can be our people.

Elders who are experts in traditional songs and dance, including Beshot Tholung of Thamlapokpi, Bunghon Suungnem of Leingangching, Shangwar Dilbung of Khuibung, and Beshot Khullar of Phaidaam, give instructions to the dancers on the dance steps [kardaam] in the Charangching Khullen village.

A discussion of the names of the months in Lamkang with Thamnung Sankhil Tholungnu of Thamlakhuren, for example how in the month of Purdun, the cows came home from the jungle. They were discussing how some say or name them differently in some cases. Later they discuss the elders from different villages trying to see who is from which village.

Bunghon Suungnem of Leingangching, Beshot Tholung of Thamlapokpi, and Daniel Tholung of Thamlakhuren discuss the names of the months in Lamkang. He explains how some of the months were named differently by the Lamkang Council, which he finds incorrect and wants them to make corrections. He shares the different names given by people from different villages like the Mantri Pantha, which is different to what he knew. He shares how he requested the Lamkang Kver Kunpun to make the necessary corrections for future purposes. This was recorded during the Seminar on Culture and Origin of the Lamkangs.

A discussion about how the “saakhuu” was given to a particular “Yur”, a sister from the animals they hunt. The sister can be one’s own sister or clan sister with whom they share the meat (saa khuu). The sisters in return would give the brothers a potful of wine called "Yu”, but nowadays they can give milk and sugar or anything that they can afford to show appreciation to the brother.

Elders from various villages who are experts in traditional songs and dance, including Beshot Tholung of Thamlapokpi, Bunghon Suungnem of Leingangching, Shangwar Dilbung of Khuibung, and Beshot Khular of Phaidaam discuss the tingtou, a bamboo mouthpiece musical instrument that one can use to compose any song or play any of their known songs. It is also mentioned that this particular musical instrument is given by men to woo the women they love.

Bunghon Suungnem of Leingangching, Shangwar of Khuibung, Beshot Tholung of Thamlapokpi, and unknown women discuss Tlingkhup, is the son Sinthling Arkoi Chapa named Rengpu is the young guy belonging to a Sankhil clan who shot at the Umpii Doon. Today when one takes a name for strength they take the name of Rengtlung. They also discuss the sound of the bird called “Vakpa ke Kuk” and how it originated. A lady shares about her grandparents who were caught by the Kukis they are still there.

Elders Beshot Tholung of Thamlapokpo, Bunghon Suungnem of Leingangching, Shangwar Dilbung of Khuibung, Daniel Tholung of Thamlakhuren, and Beshot Khullar and Sankhil Belun of Phaidaam discuss Cheldep, the Lamkang hero. Cheldep was a young man who was brought by Shenoi. As for Shenoi, we are not so sure, but he was arrested during the war they heard. Sankhils claimed the “Yamluung”, a musical instrument, as their property. But, later the Dilbungs claimed it as Vangkhiin, who is the owner of the musical instrument. They discuss a Dilbung man who was lost during the war.

Paul Leo of Senapati, former President of the United Naga Council, shared how important culture, tradition and identity is. As Nagas, we are taught through oral teachings by our parents and a man or woman who knows the story and about anything pertaining to the society. These elders performed and shared the stories and the dresses and ornaments that we are showcasing. They say we need to document and make it available to the community not just Lamkang, but also to other Nagas in Chandel and in Manipur and Nagaland. We have elders who are willing to transmit their knowledge to the community. Let us also preserve the animals that are around us so as to survive in symbiotic relation with our environment. We can also make resolution to preserve our materials like dresses and other items we used to keep it more authentic and valuable. Example the “Kaang" that the use in the dance or “Puulraang kooi”.

Beshot Tholung of Thamlapokpi shares a song a man without sister would sing and the other woman from the same clan would be there to console him as the sister would do. Then he shared how the giving of “Saa Khuu” to the sisters were done in some eastern parts.

Dancers from various villages were invited to perform during the Lamkang Student Union [Lamkang Kurchuknao Kunpun] seminar. This a special dance called Likhaa Kardaam (The Drumming Dance), where the drumming is different from the other types of dance, a faster drum beat which allows the dancers to take their steps faster. All the dancers are requested to join the dance and they perform the Yaangkaa Kardaam, at Charangching Khullen village.

Elders who are experts in traditional songs and dance, including Beshot Tholung of Thamlapokpi, Bunghon Suungnem of Leingangching, Dilbung Shangwar of Khuibung, and Beshot Khullar of Phaidaam sing a traditional song called “Saa Kraang K’aai Laa", a song sung in celebration when a fierce animal, such as a tiger, is killed.

Bunghon Suungnem of Leingangching, Beshot Tholung of Thamlapokpi, and Bu Ringo Dilbung of New Chayang tell the story of how Shenoi was kept by the captives. A messenger was sent to bring him with two “dingduu” and on top chilly were tied together to identify he is carrying an important message to convey and no one will disturb him. “Cheldep” thir sun dat pdainu mkuul k’am pii. And today it was kept with the people. Bu Ringo Dilbung tells the story of Chbuphei and Haikaa. They also named the names of some Lamkang heroes, and heroes who have their story with songs ascribed to them.

Concert performed at UNT College of Music Recital Hall on April 2, 2004 at 8:00 pm.