Recording of Marco Dibeltulu's Microclima II. This work was created as part of the open work "Les Maîtres Sonneurs" for the Synthèse festival. The intent of this work was to combine electroacoustic music with popular music. The title metaphorically represents the island in the center of the Mediterranean and the sound mimics the harsh and wild landscapes of the island with the emerald sea and ancestral music. This has been represented by the Launeddas and by the Canto a Tenore, a typical expression of island vocal polyphony.

Recording of Paolo Besagno's Normalmente, due. This work is an homage to Mr. Jacquard and his loom. The score was written with rows and columns in order to maintain the concept of the loom. The composer describes this piece as "a word game".

Recording of Stefano Trevisi's Tabula irrasa. This is a work for tape that was inspired by the composer's experiences on trains crossing the Po Valley. While travelling, the composer found himself focusing on the landscape and drew inspiration from the fields, farmsteads, hedges, etc. The materials that have been used are based on the sounds of the language spoken by the river. The composer thanks Italo Formigoni and Wainer Melli for their helpfulness as well as the Istituto Mantovano di Storia Contemporanea for historical audio documents.