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Guest artist recital performed at the UNT College of Music Winspear Performance Hall.

Recital performed at UNT College of Music Concert Hall on September 16, 2004 at 8:00 pm.

Concert presented at the Lyric Theater at the Murchison Performing Arts Center.

Concert presented at the Lyric Theater at the Murchison Performing Arts Center.

Concert presented at the Lyric Theater at the Murchison Performing Arts Center.

Concert presented at the Lyric Theater at the Murchison Performing Arts Center.

Recital performed at UNT Murchison Performing Arts Center, Winspear Hall on April 25, 2004 at 7:00 pm.

Concert presented at the UNT College of Music Concert Hall.

Concert performed at UNT College of Music Concert Hall on April 12, 2004 at 8:00 pm.

Recital performed at UNT College of Music Recital Hall on February 25, 2004 at 8:00 pm.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recording of Julien Belet's L'arracheuse de poussière. This is a work for electronics that the composer describes as a "voluntarily unfinished piece of poetic character" with children's voices whispering.

Recording of Miklos Sugar's Chansons françaises n°2. This is a work for electronics that includes the instrumentation of flute, violin, cello, and soprano voice. This piece was inspired by the poetic world of Samuel Beckett and the composer attempts to recreate his themes with short musical movements and motifs.

Recording of Roderik De Man's Cordes Invisibles. This work was created by request of Doris Hochscheid and Frans van Ruth, it was also commissioned by the Fund for the Creation of Music. The text spoken in the work was written by the composer and refers to the ideas expressed by the German philosopher and psychologist, Carl Stumpf. His ideas explained that while listening to music we may not always be able to follow the structure of a piece, however, our subconscious understanding compensates this.

Recording of Hervé Déjardin's Evolu-Son. This work was created as part of the Festival Synthèse under the theme "Les Maîtres Sonneurs". The composer used recordings of the mechanical work of an artisan-weaver with more traditional music of village festivals mixed in.

Recording of Sébastien Roux's Un grand ensemble. This is a work for electronics that includes English and French spoken word.

Recording of Olivier Labbe's Inside a visit. This work was created as part of an open work project for the Synthèse Festival. The composition is a digital multi-track montage based on recordings made in an artist's studio within an industrial wasteland. These are random recordings of a demo of drum exercises, radio waves, radio broadcasts, and repetitive vocal cycles.

Recording of Etienne Saur's Jeu de carte. This work was created for the open work project as part of the Synthèse Festival. This work is meant to celebrate the bicentenary for George Sand by using a computer playing traditional instruments. Sound material that has been used in this piece includes: music box sounds, barrel organ, and sound card for the computer.

Recording of Peter De Moncey-Conegliano's Nuit Electronique opus 33. The composer states that this work was inspired by intimate memories from the last night of the Bourges festival 2003. He describes this piece as a "kind of cosmic electroacoustic jukebox quiz".

Recording of Frances White's The old rose reader. This is a work for electronics that includes spoken word and flute performance. This recording includes two tracks, one for tape only and one with tape and flute.

Article on Morley's miracle theorem. The authors use work by A. Connes to explore possible generalizations of Morley's trisector theorem to triangles in arbitrary value fields.

Recording of Yves Daoust's Temps Fixé. This work was commissioned by Media Arts Networks with the help of the Canada Council for the Arts. This work was inspired by a visit the composer made to a singer friend who now, as an elderly individual, lives in an assisted living facility. The composer was struck by the vision of "a worn man, deteriorated by time". The work represents not death but the idea of time and the unstoppable nature of it through the lens of a singer frozen in time at the height of their career.

Recording of Pierre Boeswillwald's La Wal-Manichette. This work was premiered during a Synthèse Festival in Bourges under the appearance of a parody of a cultural radio program. The concept behind this work is "creation" and acts as a theatricalization of sound which is strictly in the domain of electroacoustics.