Recording of Miguel Azguime's O ar do texto opera a forma do som interior. The composer describes this as a sound poetry stage work for a speaker/actor. This piece is made of 4 sections that follow each other without interruption and have the following subtitles: "Ar do Texto" (the Air in the Text), "Formant-Melodies", "Sem Recurso" (Without Resources), and "O Som Interior" (the Inner Sound). Although there are some spoken words in Portuguese, most of the text is meaningless and was written as sound compositions.

Recording of Denise Garcia's Par Lui 2. The material in this work was made from an amateur recording of Brazilian actor, Luis Otávio Burnier, reading part of the work "Poema Sujo" by Ferreira Gullar. This recording has been transformed and manipulated to create new sounds and varied textures. The text itself is viewed as one of the most influential literary works in Brazil. This composition was played at the 8th International Acousmatic Festival in Brussels, 2001.