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2,807 Matching Results
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Residual
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Use of this item is restricted to the UNT Community
Recording of Hanns Holger Rutz's Residual. This work consists of 5 parts: 1st Residual, 2nd Residual, 3rd Residual, 4th Residual, and 5th Residual. The composer notes that "5th Residual" can also be called "Last Residual". This work explores what remains of the human memory under the process of temporal erosion. The composer has taken the original sound materials and put them through transformation, destruction, and confrontation to reflect what he was feeling the year before it was written.
Date:
2001/2002
Creator:
Rutz, Hanns Holger
Object Type:
Sound
System:
The UNT Digital Library
[Audience at Poncho Sanchez Lecture]
Photograph of seated audience members facing the left side of the image, during a lecture by musician Poncho Sanchez. Windows with maroon and white curtains are partially visible behind them.
Date:
June 2001
Creator:
unknown
Object Type:
Photograph
System:
The Portal to Texas History
[Poncho Sanchez Speaking at Lecture]
Photograph of Poncho Sanchez (left) and an unidentified man seated behind a table covered with a red tablecloth during a lecture, viewed from the audience. Sanchez is gesturing with his hands and the other man is watching, with his arms crossed. There is a lectern to the left of the table and the walls behind them have decorative woodwork with sconces and tall windows that have maroon and white curtains. The backs of people sitting in the first two rows are visible at the bottom of the image.
Date:
June 2001
Creator:
unknown
Object Type:
Photograph
System:
The Portal to Texas History
[Poncho Sanchez Seated at Table]
Photograph of Poncho Sanchez (left) and an unidentified man seated behind a table covered in a red tablecloth during a lecture. Sanchez is gesturing with his left hand while the other man watches. A bottle of water and a coffee cup are on the table and a tall window with white and red curtains is visible behind them.
Date:
June 2001
Creator:
unknown
Object Type:
Photograph
System:
The Portal to Texas History
Pattern modulations
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Use of this item is restricted to the UNT Community
Recording of Béla Faragó's Pattern modulations. This work is for electronics and the sound of instruments, the opening is full of dense synth sounds, which fade into repetitive flowing modular fragments and melodies.
Date:
2001
Creator:
Faragó, Béla, 1961-
Object Type:
Sound
System:
The UNT Digital Library
Têtrês
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Use of this item is restricted to the UNT Community
Recording of António De Sousa Dias' Têtrês. For electronics. The title of this work is referencing: a apartment, and Tetris. Trying to sonic represent the game whose aim is to complete in a space with different sizes and layouts in the shortest time possible. Thus, there are situations and remissions between its different components, which presented in the form of interactions, create different places in motion in time.
Date:
2001
Creator:
De Sousa Dias, António
Object Type:
Sound
System:
The UNT Digital Library
Steam
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Use of this item is restricted to the UNT Community
Recording of Barry Truax's Steam. This is a work for alto flute and two digital soundtracks. The composer wrote this as an homage to the unique Canadian whistles and foghorns. The work contains sound samples from several different train whistles. This piece was commissioned by Kathryn Cernauskas and is dedicated to Robert Swanson, one of the most significant designers of the Canadian soundscape.
Date:
2001
Creator:
Truax, Barry
Object Type:
Sound
System:
The UNT Digital Library
In paradisum
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Use of this item is restricted to the UNT Community
Recording of Adrian Moore's In paradisum. This is a work for electronics and is the sixth piece in a song cycle called "Sea of Singularity". This song cycle explores the interrelationships of sound and was influenced by the theories and artworks of the Fauves which question the emotional experience with intense color.
Date:
2001/2003
Creator:
Moore, Adrian, 1969-
Object Type:
Sound
System:
The UNT Digital Library
Still life (as we know it)
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Use of this item is restricted to the UNT Community
Recording of Adrian Moore's Still life (as we know it). This is a work for electronics and is the fifth piece in a song cycle called "Sea of Singularity". This song cycle explores the interrelationships of sound and was influenced by the theories and artworks of the Fauves which question the emotional experience with intense color..
Date:
2001/2003
Creator:
Moore, Adrian, 1969-
Object Type:
Sound
System:
The UNT Digital Library
Horse with shouting
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Use of this item is restricted to the UNT Community
Recording of Adrian Moore's Horse with shouting. This is a work for electronics and is the fourth piece in a song cycle called "Sea of Singularity". This song cycle explores the interrelationships of sound and was influenced by the theories and artworks of the Fauves which question the emotional experience with intense color.
Date:
2001/2003
Creator:
Moore, Adrian, 1969-
Object Type:
Sound
System:
The UNT Digital Library
Third mut sauce
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Use of this item is restricted to the UNT Community
Recording of Adrian Moore's Third mut sauce. This is a work for electronics and is the third piece in a song cycle called "Sea of Singularity". This song cycle explores the interrelationships of sound and was influenced by the theories and artworks of the Fauves which question the emotional experience with intense color.
Date:
2001/2003
Creator:
Moore, Adrian, 1969-
Object Type:
Sound
System:
The UNT Digital Library
Muting on the bounty
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Use of this item is restricted to the UNT Community
Recording of Adrian Moore's Muting on the bounty. This is a work for electronics and is the second piece in a song cycle called "Sea of Singularity". This song cycle explores the interrelationships of sound and was influenced by the theories and artworks of the Fauves which question the emotional experience with intense color.
Date:
2001/2003
Creator:
Moore, Adrian, 1969-
Object Type:
Sound
System:
The UNT Digital Library
Becalmed
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Use of this item is restricted to the UNT Community
Recording of Adrian Moore's Becalmed. This is a work for electronics and is the first piece in a song cycle called "Sea of Singularity". This song cycle explores the interrelationships of sound and was influenced by the theories and artworks of the Fauves. The composer sees this piece as a gentle reflection upon natural sounds after years of working with harsh sounds of rhythm.
Date:
2001
Creator:
Moore, Adrian, 1969-
Object Type:
Sound
System:
The UNT Digital Library
Video No 3
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Use of this item is restricted to the UNT Community
Recording of Peter De Moncey-Conegliano's Video No 3. This composition was created to accompany a video by artist, Pia Videla-Hintze. The work as a whole explores global tragedies as well as the effects of technology and waste on planet Earth. The tragedy of 9/11 along with the subsequent destruction of Afghanistan inspired this composition.
Date:
2001/2002
Creator:
De Moncey-Conegliano, Peter, 1948-
Object Type:
Sound
System:
The UNT Digital Library
And I think to myself...
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Use of this item is restricted to the UNT Community
Recording of Rajmil Fischman's And I think to myself.... This is a work for electronics that was inspired by the song "What a Wonderful World". The idea of the piece comes from the idea of taking a virtual "stroll" through a utopia described by Plato in his book, The Republic. There are three central movements that correspond to the realization of wisdom, courage, and temperance.
Date:
2001
Creator:
Fischman, Rajmil, 1956-
Object Type:
Sound
System:
The UNT Digital Library
Steamboat
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Use of this item is restricted to the UNT Community
Recording of Juan Sorrentino's Steamboat. The sound materials in this work were recorded from a Steamboat as well as the water it traveled through. The composer compares the different sound elements to various types of traditional music as well as other elements entirely. The composer states that the Steamboat is born and dies within the piece.
Date:
2001
Creator:
Sorrentino, Juan, 1978-
Object Type:
Sound
System:
The UNT Digital Library
Veritas ex Machina
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Use of this item is restricted to the UNT Community
Recording of Colby Leider's Veritas ex Machina. This is a work for electronics.
Date:
2001
Creator:
Leider, Colby
Object Type:
Sound
System:
The UNT Digital Library
In purissima luce
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Use of this item is restricted to the UNT Community
Recording of Paolo Besagno's In purissima luce. The composer states that this work is a requiem for his friend, Franco Nocentini, and comes from the image of his friend feeling free and joyful.
Date:
2001
Creator:
Besagno, Paolo
Object Type:
Sound
System:
The UNT Digital Library
A Beautiful Dream
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Use of this item is restricted to the UNT Community
Recording of Stelios Giannoulakis' A Beautiful Dream. This video, created by Jung Chul Hur, is accompanied by a composition of the same name. The work tries to communicate the memory of love through the lens of a character and includes various kaleidoscopic visuals as well as a performance by dancer, Nicha Kumkeaw.
Date:
2001/2002
Creator:
Giannoulakis, Stelios
Object Type:
Video
System:
The UNT Digital Library
A Beautiful Dream
Access:
Use of this item is restricted to the UNT Community
Recording of Stelios Giannoulakis' A Beautiful Dream. This composition was created to accompany a video by Jung Chul Hur. The work tries to communicate the memory of love through the lens of a character.
Date:
2001/2002
Creator:
Giannoulakis, Stelios
Object Type:
Video
System:
The UNT Digital Library
Terra Incognita
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Use of this item is restricted to the UNT Community
Recording of Frank Ekeberg's Terra Incognita. This is a work for electronics that takes a journey through the sonic landscape of "Terra Incognita". This composition is meant to evoke images of something real or imaginary while bordering on a narrative of an unfamiliar land of which the composer has devised a history for.
Date:
2001
Creator:
Ekeberg, Frank, 1970-
Object Type:
Sound
System:
The UNT Digital Library
Semi no koe
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Use of this item is restricted to the UNT Community
Recording of Manuel Rocha Iturbide's Semi no koe. This is a work for flute and tape and was conceived and almost entirely produced in Tokyo, Japan. The sounds in the piece were inspired by the birth of cicadas as well as the complexity of nature as a whole. This work was commissioned by flautist, Alejandro Escuer, and premiered at the "Festival Internacional de Arte Sonoro" in Mexico City. The composer structured this piece with the same formula as a Haiku, and discovered that many Haiku's and poems written in Japan reference the sounds of insects and other animals.
Date:
2001/2002
Creator:
Iturbide, Manuel Rocha, 1963-
Object Type:
Sound
System:
The UNT Digital Library
Red Junction
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Use of this item is restricted to the UNT Community
Recording of René Uijlenhoet's Red Junction. This is a work for four or two audio tracks and was commissioned by the VPRO for the VPRO/NPS program Supplement. The composer created this work to show that the instrument, ARP, had been created long before the time of "mass production" in sound. With the ARP, the composer was able to create a naturally untamed and percussive sound world.
Date:
2001
Creator:
Uijlenhoet, René, 1961-
Object Type:
Sound
System:
The UNT Digital Library
Dreams in the Desert
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Use of this item is restricted to the UNT Community
Recording of Elainie Lillios' Dreams in the Desert. This is a work for electronics that centers around the sounds of water.
Date:
2001
Creator:
Lillios, Elainie, 1968-
Object Type:
Sound
System:
The UNT Digital Library