Recording of Olle Aberg's Iniflow. The composer states that this piece is about the music itself and explores the idea of sounds meeting and vibrating together in the air. Aberg compares it to hearing church bells making a homogeneous tone and creating overtones.

Recording of Olle Aberg's INIT. This work represents the idea of initiation and starting a new phase of life. The composer states that the change is not perceptible until several days/months/years have gone by, but then by looking back we see it as "initiation". The composer has segmented this work into four parts: 1. preparations are made, 2. looking back to old things, 3. new things will appear, and 4. summary and rest.

Recording of Olle Aberg's The wonderful adventures of Dr Olyd and her time-shaping machine. This is a work for electronics that tells the story of a scientist working on a machine that will alter space-time. The composer feels the title suggests a feeling of childhood adventures where anything could happen, which is reflected in the story. The piece has several layers and connotations, and the music amplifies the whole feeling.

Recording of Guillermo Acevedo's Puntos de Partida. This is a work for electronics that was included in a project published by Laboratorio Arte Alameda and curated by Manuel Rocha Iturbide and Israel Martínez. This project ran under the name "Electroacoustic Mexico 1960-2007" and highlighted various Mexican electroacoustic works and artists.

Recording of Monty Adkins' Aerial. This is a work for electronics and is included on the album "Mondes Inconnus" by the composer.

Recording of Mathew Adkins' Deepfield. This work was commissioned by the Césaré Musical Creation Studio at the Reims Planetarium and premiered there in 2000. The sounds in this work come from rocks of various sizes and gas cylinders, creating a sonar exploration of deep space and worlds unknown, inspired by the discoveries made with the Hubble telescope.

Recording of Ondřej Adámek's Un souffle, une Ombre, un rien. This is the composer's first electroacoustic composition and includes various concrete sounds that have been both untouched and transformed.

Recording of Mihail Afanasiev's SBA. This is a work for electronics and is the first composition recorded by a method called "Transformational technology or new dramaturgy". Sound structures by A. Skryabin, "Beatles", and the composer are used.

Recording of Marcelo Ajubita's The Alban Berg Album. This is a work for electronics that includes train sounds and samples of violin.

Recording of Marcelo Ajubita's The Cemetery of Lucifer. This is a work for amplified string quartet, electric violin loops, and percussion. It represents the place of the living dead which the composer describes as "the culture officials of all governments".

Recording of César Daniel Alarcon's Back to the guitar. This is a work for electronics that includes samples of various guitar sounds.

Recording of César Daniel Alarcón's Calvario. This work started as an exploration of sound sources from everyday life. The composer recorded various items while walking through his house and due to their strong identity, found he could barely transform them, and so their original sounds were kept throughout the work.

Recording of Gustavo Alcaraz's Escrarcha. This is a work for electronics and includes 2 separate tracks.

Recording of Maurizio Alfonsi's La bottega delle idee. This is an electronic work that was created for magnetic tape. The inspiration for this piece was wanting to use concrete and electronic sounds to create a virtual laboratory where the construction of intellectual works comes to life.

Recording of Javier Alvarez's Offrande. Offrande is a piece in four short tableaux which have in common sound materials coming only from two series of metallic drums, but which differ in the way of interfering with the electroacoustic elements. Using different techniques produce an ideal structural scheme for establishing a relationship between "live" and electroacoustic sounds.

Recording of Leopoldo Amigo and Miguel Molina's Mensaje Electroacustico de Navidad de S.M. a la Nacion. This work was created from a voice that belongs to a hypothetical King who is subliminally transmitting a message to the audience on Christmas Eve. It is meant to be broadcast on December 24th to families in front of the television.

Recording of César Amiguet Puig's Black Jukebox's tromblon. This work was made for electronics and a variety of concrete sounds.

Recording of Martin Stig Andersen's Sleepdriver. This work was inspired by night drivers and commissioned by the Ton Bruynèl Foundation in Netherlands. It premiered at the International Gaudeamus Music Week 2004 in Amsterdam.

Recording of Elizabeth Anderson's Ether. This is an octophonic electroacoustic work and was commissioned by Musique & Recherches in Belgium. The sound samples used were created both during a residency at the "Centre de Création Musicale Iannis Xenakis" as well as sounds from a trip to Isreal. The composer dedicates this work to victims of the 9/11 attacks.

Recording of Elizabeth Anderson's Les forges de l'invisible. This is an octophonic electroacoustic work in two movements that was inspired by the 18th century English poet, William Blake, who included dual imagery in many of his writings. The composer tried to include this concept of duality in her piece. Sample recordings of Thomas Gardner playing his cello were also used as a base for sound exploration.

Recording of Elizabeth Anderson's Neon. This work is the third and final piece in a cycle of works that are based on the book "Owning your own shadow - Understanding the dark side of the psyche" by Robert A. Johnson. In this piece, the microcosm of human consciousness is elevated to an environmental scale; the creation of the divine takes shape in the exterior world when opposites touch.

Recording of Jadel Andreetto's 20 000 lieux around il centro del Welt. This work was inspired by Jules Verne. During a sleepless night, the composer read a variety of chapters from Verne's books and began playing basses, guitars, and their laptop. These improvisations created the framework of the finished piece.

Recording of Jadel Andreetto's Slow Motion Tarantula. This is a work for electronics that includes German spoken word and flute.

Recording of Jadel Andreetto's (untitled). This is a work for electronics that includes concrete sounds derived from a double bass.