Photograph of Doug Mitchell at the GALA Festival VII held in Montreal, Canada. Mitchell stands near a staircase in a performance hall. He wears a tuxedo with a silver vest and smiles towards the camera.

Photograph of Roy Lierman at the GALA Festival VII held in Montreal, Canada. Lierman wears a silver vest and black bow tie and smiles towards the camera. He is visible from the chest up and stands in a room with numerous members of the Turtle Creek Chorale.

Photograph of Lyle Ellerbach at the GALA Festival VII held in Montreal, Canada. He wears a white button-up shirt, a bow tie, and a silver vest. He stands alone in a large entrance hall and smiles towards the camera.

Photograph of Bert Martin (left) and Rusty Allen (right) at the GALA Festival VII held in Montreal, Canada. Rusty stands next to Martin and wears a white t-shirt covered with small turtle illustrations. Martin is visible from the neck upwards. They stand in front of a brown wall in a dimly lit room.

Photograph of Evan Smith (left) and Fred Owen (right) at the GALA Festival VII held in Montreal, Canada. They are both visible from the chest up, standing next to each other and smiling towards the camera. They wear white button-up shirts and silver vests. They stand in a dimly lit room.

Photograph of Evan Smith (left) and Fred Owen (right) at the GALA Festival VII held in Montreal, Canada. They both wear silver vests and white button-up shirts. They are visible from the waist up, standing in a dimly lit room and smiling towards the camera.

Photograph of Bill Kotch at the GALA Festival VII held in Montreal, Canada. He wears a silver vest and smiles towards the camera. He is visible from the chest up and stands near a glass doorway, beyond which two people walk towards a marble staircase.

Photograph of Bert Martin at the GALA Festival VII held in Montreal, Canada. Martin wears a white t-shirt with a Texas flag on it. He sits in a dark room and smiles towards the camera.

Photograph of Turtle Creek Chorale members (l-r) Chris Stinnett, Pat McCann, and Rusty Allen at the GALA Festival VII held in Montreal, Canada. They pose next to each other in front of a red curtain and smile towards the camera.

Photograph of Turtle Creek Chorale members (l-r) Richard York, Mike Messmer, and Tim Elhard at the GALA Festival VII held in Montreal, Canada. [Date: July 20, 2004] They wear bow ties and silver vests and smile towards the camera. A brick wall and window are visible behind them.

Photograph of Turtle Creek Chorale members (l-r) Don Dureau, Bryan Tomes, Mark Parker, and Tom Jaekels at the GALA Festival VII held in Montreal, Canada. They wear silver vests, black suit jackets, and bow ties. They pose next to each other and smile towards the camera.

Photograph of Reed Hoke at the GALA Festival VII held in Montreal, Canada. He wears a black bow tie and silver vest and smiles towards the camera. He stands in a room with a partial glass ceiling surrounded by additional members of the Turtle Creek Chorale.

Photograph of Robert Cardwell playing Baron Zeta in "The Merry Widow" performed by the University of North Texas Opera at Murchison Performing Arts Center.

Stonehenge II, a captivating concrete sculpture nestled in the Texas Hill Country, pays homage to the renowned Stonehenge monument. Conceived by Al Shepperd and collaboratively crafted with Doug Hill, this impressive structure stands at about 2/3 the size of the original and offers a unique artistic interpretation. Situated on the grounds of the Hill Country Arts Foundation in Ingram, Texas, Stonehenge II features both real and fabricated stones, including fascinating Moai statues, adding an intriguing touch of Easter Island to this cultural treasure.

Captured in a captivating photograph, the College Station-based Texas Ladies Aside equestrian drill team stands united before their momentous performance at the 2004 national competition. With their horses poised and riders exuding grace, the team embodies the essence of artistry, showcasing their exceptional horsemanship, synchronized maneuvers, and unwavering dedication. The arena near Canton, TX serves as the backdrop, setting the stage for their awe-inspiring display of precision, teamwork, and the spirit of equestrian excellence.

As the exhilarating performance draws to a close, the Texas Ladies Aside team exits the performing ground, bidding a fond farewell to the enthralled audience. Bedecked in their stunning white Victorian costumes, adorned with resplendent gold stars and delicate tassels, the riders radiate elegance and poise. With white cowboy hats perched atop their heads, they wave goodbye, acknowledging the roaring applause from the stands. The spectators cheer wholeheartedly, their admiration for the team resonating through the air.

Captured from a captivating vantage point, this photograph showcases the synchronized elegance of five riders from the Texas Ladies Aside drill team. Clad in stunning white Victorian costumes adorned with gold stars that cascade down their vests, each rider exudes poise and grace. Their unified presence, accentuated by the iconic white cowboy hats, creates a regal formation that epitomizes the team's commitment to precision and artistry. Taken from behind, this image captures the essence of their performance at the 2004 national competition, held at an arena near Canton, TX.

Amidst the electrifying atmosphere of the 2004 national competition near Canton, TX, two skilled riders from the Texas Ladies Aside drill team command attention. Bedecked in resplendent white Victorian costumes, their vests adorned with shimmering gold stars and elegant tassels, they epitomize grace and precision. Topped with white cowboy hats, they exude a captivating presence as they perform intricate maneuvers. The stands are filled with enthusiastic spectators, cheering on these remarkable riders, their cheers echoing through the arena.

In a captivating close-up, an unidentified rider from the College Station-based Texas Ladies Aside equestrian drill team mesmerizes as she sits gracefully upon her majestic brown horse. Her white Victorian costume, adorned with a resplendent vest embellished with shimmering gold stars, evokes a sense of enchantment. Completing her captivating ensemble is a white cowboy hat, adding a touch of Western flair. The allure of this moment captures the essence of the Texas Ladies Aside, showcasing their dedication to equine artistry and timeless elegance.

In a stunning display of equestrian beauty, Sandra Salazar, a member of the College Station-based Texas Ladies Aside equestrian drill team, sits regally atop her horse. Adorned in a white Victorian costume adorned with exquisite golden beadwork, she radiates elegance. Her white cowboy hat adds a touch of Western charm to her ensemble. Against the backdrop of her brown and white horse, the scene epitomizes the fusion of artistry, horsemanship, and timeless style that defines the Texas Ladies Aside.

"Eviva Amore" is a monumental steel sculpture by artist Mark di Suvero, showcased in the esteemed Raymond and Patsy Nasher Collection at the Nasher Sculpture Center in Dallas, Texas. With beams projecting from a central core, the raw, weathered steel artwork spanning 47 feet stands as an exclamation of love and passion. A powerful blend of industrial strength and elegant grace, it exemplifies di Suvero's artistic brilliance.

Explore the captivating world of "Eviva Amore," a monumental steel sculpture by renowned artist Mark di Suvero, displayed in the Raymond and Patsy Nasher Collection at the Nasher Sculpture Center, Dallas, Texas. Embodying the spirit of constructivist exploration, this raw and weathered steel artwork pays homage to the passion of love with beams radiating outward from a central core. Weighing 22,000 pounds and spanning an impressive 47 feet, the sculpture's cantilevered elements strike a mesmerizing balance between industrial ruggedness and graceful elegance. Witness di Suvero's visionary fusion of art and architecture, as this exclamation of love stands as a testament to the enduring power of emotion.

Discover the captivating allure of Alberto Giacometti's "Diego in a Sweater (Diego au chandail)," a timeless masterpiece that echoes the enduring dignity and grandeur of ancient sculptures while offering a profound commentary on the human condition in the modern age. As part of Giacometti's renowned series of standing women, this sculpture mesmerizes with its remarkable presence and evokes a sense of remote anonymity. Dating back to 1953, the artwork showcases the artist's unparalleled talent in capturing the essence of the human form, symbolizing the delicate fragility of life. Immerse yourself in the profound beauty and artistic genius that epitomizes Giacometti's exceptional contribution to the world of modern art.

"Hammering Man," an iconic sculpture by Jonathan Borofsky, stands tall as a prominent exhibit in the Raymond and Patsy Nasher Collection at the Nasher Sculpture Center in Dallas, Texas. Crafted in 1984-85, this impressive piece features a massive figure with a bent head and a motorized arm continuously hammering up and down, symbolizing both the toil and heroism of labor. Borofsky infuses personal, political, and social meaning into the sculpture, idolizing the worker while also commenting on the mechanistic nature of the modern world. The repetitive motion of the arm serves as a poignant reminder of the fate of the individual in a technology-driven society. Notably, Borofsky eschews traditional signatures, choosing instead to number his work sequentially, further reinforcing his artistic expression of the human condition in the contemporary world.