Interview with Charlie Rodriguez, businessman and musician, concerning his recollections concerning the development of the Northside (Fort Worth, Texas) Hispanic community, his music career, and the evolution of his family's Mexican foods business.

Interview with janitor Hubert Chandler. The interview includes Chandler's personal experiences about his employment by the Civilian Conservation Corps during the Great Depression.

Interview with jazz pianist Johnny Case. In the interview, Case talks about his family's acquaintance with Ernest Tubb, his early interest in rhythm and blues, how his parents, Elvis Presley, and local radio stations influenced his musical career, learning to play the piano and his interest in jazz, early gigs in Oklahoma and northeast Texas, his family's move from Paris, Texas to Dallas and his playing gigs at several clubs there, moving to Fort Worth, his collaboration with Tom Morrell in producing the 'How the West Was Swung' albums, his comments about the demise of western swings, gigs and clubs in Fort Worth, his transition from playing western swing to jazz, various jazz artists, okaying for African-American audiences, avant-garde jazz and its promoters, difficulties in making a full-time living as a jazz artist in Fort Worth, his employment at Sardine's Italian Restaurant in Fort Worth, the Caravan of Dreams and the resurgence of jazz in Fort Worth, his relationship with the local musicians union, Texas jazz, and the evolution of jazz in Fort Worth. The interview includes an appendix with an article, Case's discography, and Case's notes on various jazz musicians and venues.

Interview with jazz musician Robert "Bob" Stewart. In the interview, Steward speaks about his early interest in music, his first drum set, first professional job with the Shorty Clements Band, attending college, his employment as a disk jockey, his definition of jazz, playing with the Charles Scott Band in fort Worth, after-hours clubs in Fort Worth, jazz's role in bringing together black and white musicians, various jazz clubs and venues in Fort Worth, musicians unions, the lack of full-time employment opportunities for jazz musicians in Fort Worth, the Fort Worth jazz scene, and peculiarities of Texas jazz and the "Texas Sound." The interview includes an appendix with photographs.

Transcript of an interview with with Susan Khammash concerning her recollections while attending the Texas International Pop Festival, August 30-September 1, 1969, in Lewisville, Texas. Khammash discusses her early interest in popular music, particularly The Beatles; her rejection of middle-class cultural values; influence of the Vietnam War on young people; her decision to attend the Texas International Pop Festival; her involvement with the Back-To-Earth movement; cowboys, bikers, and townfolk; security; alcohol and drug use; activities of the Hog Farm; medical and camping facilities; "Wavy Gravy" (Hugh Romney); Grand Funk Railroad, Led Zeppelin, Santana, Ten Years After, Chicago, and Janis Joplin; her thoughts about environmentalism; the women's movement; the role of music as a reflection of the hippie movement of the Sixties.

Interview with Thomas W. Nance, a Texas National Guard WWII veteran from Dallas, Texas, who served with the 112th Cavalry in the Pacific. Nance discusses growing up and joining the 112th, working with horses, equipment used and organization, maneuvers at Fort Bliss, deployment to New Caledonia, operations on Woodlark Island, staging at Goodenough Island and the landing at Arawe, being wounded and evacuated, recovery and discharge, continued disability and experiences with VA hospitals, and reflections on the 112th as a unit. In appendix is the poem "Fiddler's Green," a list of places Nance served, descriptions of military equipment mentioned, and the 112th's service chronicle.