Edited collection of writing about the Big Thicket area in Texas, including geographic descriptions, anecdotes, historical accounts, and other aspects of the people and features of the region. Index starts on page 235.

Interview with Navy veteran William J. Bates including personal experiences about the Pacific Theater during World War II, youth and education, the Navy Aviation Cadet Program, flight training, leaving naval aviation and attending Midshipman's School, being assigned to APc-21, operations off the coast of New Guinea with the VII Amphibious Force, providing escort duty for LCTs during assaults along the coast of New Guinea, the sinking of APc-21 by Japanese planes off New Britain Island, recuperating in New Guinea, returning to the States and being assigned to ATR-22, transferring to fleet tug ARA-182 as commanding officer, having convoy duty in the South Pacific, riding out a typhoon, disposing of Navy equipment after the war, and returning to the States.

Interview with LeRoy Ellis Cox. The interview includes Cox's personal experiences about childhood and early adulthood in Texas, New Mexico, Arizona, and Colorado, World War-II-era Army Air Corps training in armaments and electronics, stateside service in the 303rd Bomb Group of the Eighth Air Force, aviation cadet training, serving as a B-25 instructor pilot, and as a DC-3 tow pilot for the glider program.

Interview with Air Force veteran Douglas R. "Roy" Crawford. The interview includes Crawford's personal experiences about early family life, joining the U.S. Army Air Forces, training as a bulldozer operator, removing radioactive debris from Hiroshima, training as a radar operator at Edwards Air Force Base, California, and working as the radar tracker when Major Chuck Yeager broke the sound barrier in the Bell X-1 on October 19, 1947. Additionally, Crawford talks about his assignments to Clark Air Force Base, Philippines, and Korea, as a forward air observer, his role as an airborne radar operator during the Bay of Pigs invasion and the Cuban Missile Crisis, his various activities with the NASA Space Program, and clandestine missions with the CIA and Air America over Cambodia during the Vietnam War.

Interview with Harold Salfen, a Army Air Force WWII veteran from O'Fallon, Missouri. Salfen discusses his hometown and family background, his childhood and education, working in St. Louis, attending the University of Missouri, joining the Army Air Force and training, operating a ground radar in the European Theater, liberating Buchenwald Concentration Camp, the end of the war, and returning home. In appendix is a biography/resumé of Salfen's.

Interview with Christopher Perry Nichols, stage director, concerning his recollections of his father, the artist Perry Nichols.

Interview with Donald Stanley Vogel, artist and art dealer, concerning his recollections concerning painter Perry Nichols. He discusses his early years as a painter after coming to Dallas from Chicago, 1942; comments about the "Dallas Nine"; building a clientele for his paintings; his relationship with John Rosenfield, the arts and music critic for the Dallas Morning News; his business partnership with Betty McLean in the Betty McLean Art Gallery, 1951-54; his criticism of Nichols's work habits; comments about Nichols's personal life; his role in Nichols's mural painted for the Belo Corporation; his critique of the Belo mural; the importance of self-discipline to the successful artist.

A guest artist recital performed at the UNT College of Music Winspear Hall.

A faculty and guest artist recital performed at the UNT College of Music Winspear Performance Hall.

Denton High School ensembles concert performed at UNT College of Music Winspear Hall.

Guest artist and faculty recital presented at the UNT College of Music Winspear Performance Hall.

A faculty and guest recital performed at the UNT College of Music Recital Hall.

Recital performed at UNT College of Music Recital Hall on February 29, 2004 at 5:00 pm.

Faculty recital performed at the UNT College of Music

Guest lecture recital performed at the UNT College of Music Recital Hall.

Gloria Feldt, president of the Planned Parenthood Federation of America since 1996, has served the organization for almost thirty years. She is the recipient of numerous honors, including America's Top 200 Women Leaders, Legends, and Trailblazers, awarded by Vanity Fair in 1998. Born in Temple, Texas, she now lives in New York City with her husband, Alex Barbanell. Their leisure time is spent primarily with their combined family of six children, nine grandchildren, and one great-grandchild.

“This wonderful collection of essays is a treasure of insight into the mind and heart of one of our great American performers and teachers. If the Arban book is the trumpet player’s ‘Bible,’ then I’d have to say Inside John Haynie’s Studio is the trumpet teacher’s ‘Bible.’”–Ronald Romm, founder, Canadian Brass and Professor of Trumpet, University of Illinois “The essays in this remarkable volume go far beyond trumpet pedagogy, providing an exquisite portrait of the studio practices of one of the first full-time single-instrument wind faculty members in an American college or university setting. John’s concern for educating the whole person, not just cramming for the job market, emanates from every page. This book showcases a teaching career that has become legendary.”–James Scott, Dean of the College of Music, University of North Texas “The principle that pervades my entire educational philosophy did not come from education or psychology classes; it did not come from the many sermons preached by my Dad and hundreds of other pulpiteers. It came from John Haynie’s studio.”–Douglas Smith, Mildred and Ernest Hogan Professor of Music, Southern Baptist Theological Seminary “I read a book like this and I come out the other end asking, ‘Why didn’t …

Sterling Houston is an innovative African American writer whose plays are known for biting social commentary combined with eye-popping theatricality. Despite many successful productions, his work has never before been widely available in print. The four plays in this collection represent Houston’s full range of themes and styles. High Yello Rose deflates the Alamo myth by casting the heroes’ parts entirely with women. Isis in Nubia is a love story that sets the Isis/Osiris myth in West Africa. Black Lily and White Lily is a realistic domestic drama exploring racial tensions. Miranda Rites returns to Houston’s broadly farcical style, enacting Martha Mitchell’s last days in a hospital, where she hallucinates about Marilyn Monroe and Dorothy Dandridge, and is escorted to the underworld by Carmen Miranda. “It is up to the artists to be the healers, the visionaries, to retell our stories so that they resurrect us. This is what Sterling does when he collects the lives fallen and forgotten between the cracks. What a marvelous gift Sterling has given to American culture by remembering, and not remembering as some do with retribution, but with wisdom, humor, generosity, and heart. For his labor and research, for his lifework and lovework, I …

Interview with David Braden, architect and Army Air Forces veteran. In the interview, Braden speaks about his impressions of General Curtis LeMay in the Pacific Theater during World War II, his assignment to Saipan, Mariana Islands, for bombing operations against the Japanese homeland, LeMay's arrival in the Marianas and changes in bombing techniques, the thirty-five mission limitation and improvement in aircrew morale, his functions as a B-29 navigator, LeMay's decision to conduct incendiary night rights at 5,000 feet, the strategic importance of Iwo Jima for bomber crews, and his assessment of how LeMay's policies made a decided difference in ending the war.

Concert presented at the UNT College of Music.

Post-Reconstruction Texas in the mid-1870s was still relatively primitive, with communities isolated from each other in a largely open-range environment. Cattlemen owned herds of cattle in numerous counties while brand laws remained local. Friction arose when the nonresident stockmen attempted to gather their cattle, and mavericking was common. Law enforcement at the local level could cope with handling local drunks, collecting taxes, and attending the courts when in session, but when an outrageous crime occurred, or depredations in a community were at a level that severely taxed or overwhelmed the local sheriff, there was seldom any other recourse except a vigilante movement. With such a fragile hold on civilization in these communities, it is not difficult to understand how a “blood feud” could occur. During 1874 the Hoo Doo War erupted in the Texas Hill Country of Mason County, and for the remainder of the century violence and fear ruled the region in a rising tide of hatred and revenge. It is widely considered the most bitter feud in Texas history. Traditionally the feud is said to have begun with the intention of protecting the families, property and livelihood of the largely agrarian settlers in Mason and Llano counties. The …

Interview with Ernest Kelley, a Texas National Guard WWII veteran from Antioch, Texas (now the Red River Army Depot), who served with the 112th Cavalry. Kelley discusses growing up in the Depression, joining the Guard, mobilization and training, horses, the Louisiana Maneuvers, deployment to New Caledonia, landing on Woodlark island and action there, the Battle of Arawe, redeployment to Australia, the Battle of Driniumor River in New Guinea, the Battles of Leyte and Luzon, returning to the United States, and reflections on his time in the Army. In appendix is a list of people and places named in the interview with lat/long coordinates, descriptions of military equipment, and the 112th's WWII service chronicle.

A senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Recital performed at the UNT College of Music Organ Recital Hall.