In the east Texas town of Cold Springs in 1944, the community waits for the war to end. In this place where certain boundaries are not crossed and in a time when people reveal little about themselves, their problems, and their passions, Jane Roberts Wood exposes the heart of each of four families during the last year of World War II. Bound together by neighborhood and Southern customs, yet separated by class, money, and family, they are an unforgettable lot, vibrantly brought to life in this “delightfully perceptive and unabashedly romantic” novel (Sanford Herald). As the war grinds to an end, it becomes the catalyst that drives the inhabitants of Cold Springs across the boundaries that had once divided them, taking them to places both chaotic and astonishing. “A rare novel: intelligent, lyrical, devoid of coyness and manipulative plot turns—a book for old and young.”—Austin American-Statesman

Millions of Texans and Southwesterners have been touched over the years by the Light Crust Doughboys. From 1930 to 1952, fans faithfully tuned in to their early-morning and, later, noontime radio program, and turned out in droves to hear them play live. The Doughboys embodied the very essence of the “golden era” of radio—live performances and the dominance of programming by advertising agencies. Their radio program began as a way to sell Light Crust Flour. Their early impresario, W. Lee “Pappy” O'Daniel, quickly learned how to exploit the power of radio to influence voters, and he put that lesson to good use to become a two-time Texas governor and the model for Pappy O'Daniel in the movie, Oh Brother, Where Art Thou? But the group was more than a way to push flour; the talented musicians associated with them included Bob Wills and Milton Brown, each of whom receive credit for founding western swing. With the demise of their regular radio program, the Light Crust Doughboys had to remake themselves. Trailblazers in western swing, the Doughboys explored many other musical genres, including gospel, for which they were nominated for Grammys in 1998, 1999, 2001, and 2002. They continue to play …