Letter from Eleanor Brown to Catherine Murphy requesting reimbursement for expenses she incurred while traveling to WASP events. "Copy" is handwritten across the top and bottom of the page. Included with the letter are two confirmation emails from Expedia.com and a boarding pass for her flight to Washington, D.C.

Email from Caro Bosca to the WASP Board of Directors discussing recent committee appointments, the group's letterhead, proposed changes to the newsletter's content and mailing schedule, and upcoming events honoring the WASP.

Letter from Brenda Johnson and Joseph Wilson to Eleanor Brown inviting her to the preview of "Wings Over the Alamo", a PBS documentary.

Document issued by the Open Records Division at the Office of the Attorney General of Texas in Austin, Texas, providing an informal interpretation of Texas law related to whether the San Antonio Housing Authority must release information from seventeen different categories in a request it considers to broad and the requester has refused to narrow.

Document issued by the Open Records Division at the Office of the Attorney General of Texas in Austin, Texas, providing an informal interpretation of Texas law related to a request for evidence obtained from a fire scene.

Letter from Sandra Cisneros to Sterling Houston, prominent San Antonio playwright. She writes to congratulate him for receiving a 2003 Alfredo Cisneros Del Moral Foundation Award, a fifteen hundred dollar award with no restrictions as to its use. A second letter is included that reads as a press release for the award, with mention of other award winners and the award history.

Letter from Edward D. Garza, mayor of the city of San Antonio, to Sterling Houston, prominent local playwright. He writes to invite him to join the Cultural Collaborative Steering Committee, a group composed of leaders in the arts community. The members, chosen from the private and public sector, would have a say in the growth and support of San Antonio's cultural sector.

Letter from Dr. Paul Harford to Sterling Houston, prominent San Antonio playwright. He writes sending him a list of information regarding medication and treatment of the HIV virus. His last item on the list is the contact information of a physician, Dr. Luis Alfredo Cisneros.

Letter from Amy Wegener, Tanya Palmer, and Michael Bigelow Dixon of the Actors Theatre of Louisville to Sterling Houston, prominent San Antonio playwright. They are writing to inform him that they picked one of his plays for inclusion in that year's Humana Festival of New American Plays.

Letter from Edward D. Garza, mayor of San Antonio, to Sterling Houston, prominent San Antonio playwright. He writes to thank him for his participating in the Steering Committee for The Cultural Collaborative (TCC): A Plan for San Antonio's Creative Economy. The committee was put in place to find solutions to support art and cultural programs in the city. With its planning stage over, he discusses the future of the committee, including a new committee to be formed. He invites him to submit nominations for members.

Letter from John Igo to Sterling Houston, prominent San Antonio playwright. The handwriting makes the content of the letter difficult to read, but John appears to be sending details about an event at a San Antonio art gallery.

Letter from John McBurney to Sterling Houston. He informs Mr. Houston that Tootie Finnell does not have a grave marker, and he would like his input to put on a drag show as a fundraising activity. He suggests the Jump-Start Theatre as a possible location. The letter has been written on a typed report. McBurney has included his business card as a make-up artist.

Letters to Sterling Houston written by several people. The first is written by Anita. She reminisces about two recent events and ends the letter by noting how much she values her friendship with Houston. Tanya Palmer and Amy Wegener write the second - in the hopes of receiving new stage plays by Mr. Houston for their Humana Festival in Kentucky, which they manage. The third letter comes from Steven Bailey, in which he talks about his travel schedule and recent updates in his professional career. The fourth letter appears to be more generally addressed, as noted by the "Dear Friends and Family" beginning. It is written by Robert, Steven's partner. He also writes about recent news in his professional career, with some mention of his personal life.

Letter from Kathy Stephan to Sterling Houston, a prominent Texan playwright. She writes informing him of a creative project she is interested in developing- a play about Lillian Gish, a silent film actress whose life has inspired Kathy. She notes that strong racial commentary could come from the project. She has attached three pages of xeroxed newspaper clippings about the actress.

Letter from Margaret King Stanley to Sterling Houston. She writes that she enjoyed a party she attended. She is also appreciative of her selection in the Host Committee and of a video she appeared in.

Letter from Nancy and Jerry to Sterling Houston, prominent San Antonio playwright. They send their praises for Cameoland, a stage musical written by Houston. As a token of their admiration, they offer him a free dinner.

E-Mail from Craig Gingrich-Philbrook to Paul Bonin-Rodriguez. He fondly writes to Paul informing him that he has just watched his play, Memory's Caretaker, on a tape that Paul sent. He proposes that the play be used as part of a printed forum discussion in Text and Performance Quarterly (TPQ), a scholarly journal. He asks Paul if he would be interested in participating and thanks him for sharing his work with him.

Letter from Vivian Rudisill to Sterling Houston, prominent San Antonio playwright. She sends newspaper clippings featuring Houston, discusses holiday events, an upcoming gall bladder operation, and a forthcoming pictorial publication.

Letter, sticker, pamphlet, and photocopied newspaper clippings from Sandra Cisneros to Sterling Houston, prominent San Antonio playwright. She writes to praise his participation in a group reading panel sponsored by Amnesty International and other organizations. The event, "We Say No: Writers Against Torture", brought together a variety of academics and writers for one night in San Antonio Central Library. The material enclosed by Cisneros corresponds with the event.

Letter from Nan Cuba to Sterling Houston, prominent San Antonio playwright. The executive director of Gemini Ink, Nan writes to Houston to inform him of an upcoming fall fundraising campaign. She hopes to convince Houston, a past donor, to provide a contribution to the non-profit organization.

E-mail from Arnold Aprill to Sterling Houston, prominent San Antonio playwright. He has received a script for one of Houston's plays, Cameoland, and is writing to comment on several parts of the story. This includes notations on character development, music, and imagery.

E-mail from Pam to friends regarding a storytelling project. She sends word to a number of those involved in the project that they have recently been awarded a fifty thousand grant from the Rockefeller Foundation. The e-mail discusses upcoming travel plans and planning arrangements.

Letter from Dr. Enrique Perez-Rodriguez to The Advocate, an American magazine for lesbian/gay/bisexual/transgender interests. Dr. Perez-Rodriguez sends lengthy commentary on the state of American healthcare; particularly, his many grievances concerning what he believes to be a poor and hypocritical treatment of HIV and indigent patients by politicians and lawmakers.

Letter from Adrien-Alice Hansel, literary manager of the Actors Theatre of Louisville, to Sterling Houston, prominent San Antonio playwright. The letter informs Mr. Houston that his plays - Le Griffon and The Ballad of Henry Brown/Miz Johnson & Mr. Jones - have not been selected for production at an upcoming festival.