Greeting card from Dan H. Laurence to Sterling Houston, prominent San Antonio playwright. He mentions a reunion with old friends and a stage performance where he received a standing ovation. The front of the card has been printed with a view of the Milwaukee Chamber Theatre stage, empty and with closed curtains.

Card from Lorraine Aprill to Sterling Houston, prominent San Antonio playwright. The card was sent on the occasion of the death of Houston's mother. The card expresses sympathy and comfort for the event. The front of the card has been printed with a painterly image of a bowl of green apples.

Letter from Kathie de Nobriga to Sterling Houston, prominent San Antonio playwright. She writes to thank him after he participated in the NPN (National Performance Network) Annual Meeting. She ends by wondering if they will see each other in the month of November.

Letter from Margaret King Stanley to Sterling Houston. She writes that she enjoyed a party she attended. She is also appreciative of her selection in the Host Committee and of a video she appeared in.

Letter from Nancy and Jerry to Sterling Houston, prominent San Antonio playwright. They send their praises for Cameoland, a stage musical written by Houston. As a token of their admiration, they offer him a free dinner.

E-Mail from Craig Gingrich-Philbrook to Paul Bonin-Rodriguez. He fondly writes to Paul informing him that he has just watched his play, Memory's Caretaker, on a tape that Paul sent. He proposes that the play be used as part of a printed forum discussion in Text and Performance Quarterly (TPQ), a scholarly journal. He asks Paul if he would be interested in participating and thanks him for sharing his work with him.

Letter from Vivian Rudisill to Sterling Houston, prominent San Antonio playwright. She sends newspaper clippings featuring Houston, discusses holiday events, an upcoming gall bladder operation, and a forthcoming pictorial publication.

Letter, sticker, pamphlet, and photocopied newspaper clippings from Sandra Cisneros to Sterling Houston, prominent San Antonio playwright. She writes to praise his participation in a group reading panel sponsored by Amnesty International and other organizations. The event, "We Say No: Writers Against Torture", brought together a variety of academics and writers for one night in San Antonio Central Library. The material enclosed by Cisneros corresponds with the event.

Letter from Nan Cuba to Sterling Houston, prominent San Antonio playwright. The executive director of Gemini Ink, Nan writes to Houston to inform him of an upcoming fall fundraising campaign. She hopes to convince Houston, a past donor, to provide a contribution to the non-profit organization.

FedEx receipts signed between Sterling Houston and Artie Smoote. There is no mention of what kind of package was sent, however the information includes a five-hundred-dollar declared value. The documents vary in date, and the exchange appears to have occurred over a span of more than a year. Two mailing labels have been included, on a translucent piece of paper. The addresses of the two men and their corresponding companies have been hand-written on the back of the labels.

E-mail from Arnold Aprill to Sterling Houston, prominent San Antonio playwright. He has received a script for one of Houston's plays, Cameoland, and is writing to comment on several parts of the story. This includes notations on character development, music, and imagery.

E-mail from Pam to friends regarding a storytelling project. She sends word to a number of those involved in the project that they have recently been awarded a fifty thousand grant from the Rockefeller Foundation. The e-mail discusses upcoming travel plans and planning arrangements.

Letter from Dr. Enrique Perez-Rodriguez to The Advocate, an American magazine for lesbian/gay/bisexual/transgender interests. Dr. Perez-Rodriguez sends lengthy commentary on the state of American healthcare; particularly, his many grievances concerning what he believes to be a poor and hypocritical treatment of HIV and indigent patients by politicians and lawmakers.

Letter from Adrien-Alice Hansel, literary manager of the Actors Theatre of Louisville, to Sterling Houston, prominent San Antonio playwright. The letter informs Mr. Houston that his plays - Le Griffon and The Ballad of Henry Brown/Miz Johnson & Mr. Jones - have not been selected for production at an upcoming festival.

Letter from Karen DeVinney of the University of North Texas Press to Sandra Mayo, director of the Center for Multicultural and Gender Studies at Southwest Texas State University. In trying to publish a collection of plays by Sterling Houston, Mayo has submitted the work-in-progress to DeVinney and an anonymous reader. The reader's report is included after the letter, with the conclusion that the publication will be much richer with a few revisions. DeVinney hopes Mayo can make the revisions and resubmit.

Letter from Tanya Palmer and Amy Wegener, staff members of the Actors Theatre of Louisville, to Sterling Houston, prominent San Antonio playwright. They write to inform him that he has been selected as a finalist for a Heideman Award, and that they will consider all finalists for production in an upcoming festival.

E-mail from Bob Leonard of the Network of Ensemble Theaters to Sterling Houston, prominent San Antonio playwright. He writes to invite him to a National Conference which will take place in Amherst, Massachusetts. All travel expenses will be covered for the week-long summer conference.

Letter from Marcus Goodyear, English teacher at Sandra Day O'Connor High School, to Sterling Houston, prominent San Antonio playwright. He writes to send word of a student literary magazine called Limestone. At the bottom of the letter, he has hand-written a personal note to Sterling thanking him for a writing workshop.

Letter from Evan Smith of Texas Monthly magazine to Sterling Houston, prominent San Antonio playwright. He writes at the suggestion of Sandra Cisneros, who gave Houston's name to Smith as a possible contributor to the magazine. He hopes that the two can meet in the future.

Letter from Karen DeVinney, managing editor from the University of North Texas press, to Sandra Mayo and Sterling Houston. She writes to both to inform them of edits that have been made to a manuscript titled Myth, Magic, and Farce. The manuscript is a collection of plays by Houston, a prominent San Antonio playwright. DeVinney goes on to talk about other stages that need to be met before publication.