Percussion ensemble concert presented at the UNT College of Music Recital Hall.

Jazz concert presented at the UNT College of Music Kenton Hall.

Faculty recital performed at the UNT College of Music Main Auditorium.

Percussion recital presented at the UNT College of Music Recital Hall.

Tuba and euphonium ensembles concert presented at the UNT College of Music Orchestra Hall.

Guest artist recital performed at the UNT College of Music Recital Hall.

Interview with Ivan Arteaga, Mexican national and immigrant to Princeton, Texas, as part of the DFW Metroplex Immigrants Oral History Project. The interview includes Arteaga's personal experiences of childhood and education in Mexico City. Arteaga also talks about his family's decision to immigrate to Provo, Utah, his first impressions of the U.S., marriage, deciding to relocate to Texas, opinions regarding anti-immigrant feelings prevalent in American culture and regarding the U.S. immigration bureaucracy, as well as his feelings about his two children's U.S. citizenship.

Brass recital presented at the UNT College of Music Recital Hall.

Transcript of an interview with Kathy Jack concerning her childhood and education in Shreveport, Louisiana, and Dallas; "coming-out" narrative; social life in Dallas's gay and lesbian bars; effects of AIDS epidemic on Dallas gay community; career as employee, manager, and eventually owner of various bars; involvement in and support of various Gay Pride events; thoughts about future of gay rights movement.

Guest artist recital performed at the UNT College of Music Recital Hall.

A senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Symphonic band concert presented at the UNT College of Music Winspear Performance Hall.

Faculty recital performed at the UNT College of Music Kenton Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Faculty recital performed at the UNT College of Music Organ Recital Hall.

Interview with assistant professor of music history at UNT Ana R. Alonso-Minutti, Mexican-born immigrant to Dallas, as part of the DFW Metroplex Immigrants Oral History Project. The interview includes Alonso-Minutti's personal experiences of childhood and education in Mexico, attending college at Universidad de las Americas, discovering music history as a discipline of study, a one-year course of study in theology in Dallas, choir direction at a church in England, attending graduate school, and accepting a job offer from UNT. Additionally, Alonso-Minutti discusses family history, her grandparents' migration from Spain and Italy, her first impressions of the U.S., the decision to study musicology in the U.S. or Great Britain, the citizenship process, and the contrast of life in Mexico, England, California, and Texas.

Faculty and guest artist recital performed at the UNT College of Music Recital Hall.

Organ recital presented at the UNT College of Music Winspear Performance Hall.

New music concert presented at the UNT College of Music Recital Hall.

Vocal studio recital presented at the UNT College of Music Recital Hall.

Guest artist recital performed at the UNT College of Music Recital Hall.

A senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Fort Worth history is far more than the handful of familiar names that every true-blue Fort Worther hears growing up: leaders such as Amon Carter, B. B. Paddock, J. Frank Norris, and William McDonald. Their names are indexed in the history books for ready reference. But the drama that is Fort Worth history contains other, less famous characters who played important roles, like Judge James Swayne, Madam Mary Porter, and Marshal Sam Farmer: well known enough in their day but since forgotten. Others, like Al Hayne, lived their lives in the shadows until one, spectacular moment of heroism. Then there are the lawmen, Jim Courtright, Jeff Daggett, and Thomas Finch. They wore badges, but did not always represent the best of law and order. These seven plus five others are gathered together between the covers of this book. Each has a story that deserves to be told. If they did not all make history, they certainly lived in historic times. The jury is still out on whether they shaped their times or merely reflected those times. Either way, their stories add new perspectives to the familiar Fort Worth story, revealing how the law worked in the old days and what …

In the east Texas town of Cold Springs in 1944, the community waits for the war to end. In this place where certain boundaries are not crossed and in a time when people reveal little about themselves, their problems, and their passions, Jane Roberts Wood exposes the heart of each of four families during the last year of World War II. Bound together by neighborhood and Southern customs, yet separated by class, money, and family, they are an unforgettable lot, vibrantly brought to life in this “delightfully perceptive and unabashedly romantic” novel (Sanford Herald). As the war grinds to an end, it becomes the catalyst that drives the inhabitants of Cold Springs across the boundaries that had once divided them, taking them to places both chaotic and astonishing. “A rare novel: intelligent, lyrical, devoid of coyness and manipulative plot turns—a book for old and young.”—Austin American-Statesman