Recording of Leopoldo Amigo and Miguel Molina's Mensaje Electroacustico de Navidad de S.M. a la Nacion. This work was created from a voice that belongs to a hypothetical King who is subliminally transmitting a message to the audience on Christmas Eve. It is meant to be broadcast on December 24th to families in front of the television.

Recording of Jean-Louis Belmonte's Odissey. This work was part of the "Synthese" Festival in Bourges.

A senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree

Interview with Jacobo Kupersztoch, Mexican-born immigrant to the U.S. of German heritage, and immigrant rights activist. Interview transcript contains Spanish and English translations.

Interview with Laura Gonzalez, Mexican-born immigrant to the U.S., immigrant rights activist, and professor of anthropology with expertise in immigrant communities from Guanajuato, Mexico. She discusses her childhood and education in Mexico city; the decision to pursue a career in the field of political anthropology; decision to open the Oak Cliff Center for Community Studies; work with Camposanto del Cemento Grande and other community organizations in Dallas; work to increase Hispanics’ access to college; and involvement in immigrant rights movements and local Mexican American political groups. This interview has Spanish and English translations.

Recording of Jose Luis Carles' Une saison dans la betonière. The work presented here is a piece of electroacoustic music that starts from a soundscape that is going to be transformed and modulated with different digital procedures. The idea of soundscape allows us to relate the sounds with their context: temporal, spatial, social, etc. with the different transformations, the composer changes the perspective of listening and tries to introduce different metaphorical and symbolic elements. This piece was made in April 2002 in the LIEM / CDMC Laboratory in Madrid.

A senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Recording of María Inmaculada Cárdenas Serván's Praia das catetrais. This work premiered in Madrid within the framework of the "XI International Festival of Electroacoustic Music - Punto de Encuentro". This work is dedicated to the cliffs off of the north coast of Galicia and mixes the sounds of everyday life with clarinet improvisations. The text spoken in this work was done by Guillermo Abraldes, whom the composer thanks for his selfless collaboration.

Recording of Hugo Druetta's Recuerdo de ruido blanco. The composer describes his feelings about his country, Argentina, and the overwhelming pressure from international organizations and the government. This work is inspired by the idea of eternally seeking out the possible in hopeless situations.

Ensemble performance at the UNT College of Music Winspear Hall.

Recording of Guillermo Galindo's Haiku. For electronic, pre-recorded sound, voice, and flute. Based on a poem by Michael McClure, Haiku II represents nature and humans transcendental connection. Recorded and processed nature sounds coexistent and the flute material was derived from digital transformations. The original recording includes sounds of crickets, grasshoppers and cicadas and was digitally transformed in order to emphasize harmonic or textural content.

Recital presented at the College of Music Concert Hall in partial fulfillment of the requirements for the Bachelor of Music (BM) degree

Student workshop recital performed at the UNT College of Music Recital Hall.

Faculty recital performed at the UNT College of Music Recital Hall.

Recital performed at UNT Murchison Performing Arts Center, Winspear Hall on April 25, 2004 at 7:00 pm.

Music by Latin American composers performed at the College of Music Concert Hall by students enrolled in the course Music in Latin America (MUMH 5430) taught by Dr. Bernardo Illari.

Recording of Andrés Lewin-Richter's Caminando... part III. This work consists of 3 parts that are meant to be played continuously. It was commissioned by the Spanish National Radio and the Spanish Center for Contemporary Music. It celebrates the 100th birthday of Nicolas Guillen, a Cuban poet, whose voice has been used in the piece. The title means walking and is meant to reference the "walk" of life.

Recording of Mario Lorenzo's VII, a tres. This is a work for electronics that includes Spanish spoken text.

Recording of Diego Losa's Cronicas del tiempo. This piece is an acoustic transcription of memories - the past, present, and future in the form of a story of a travelling man. This work, composed and played through a multi-channel system, deals with the unconscious; a reflection on sensations drawn from original sounds of Buenos Aires recorded at various times and then transformed with GRM Tools.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Recording of Costas Mantzoros' La terrible presencia. This is a work for female voice and tape that is part of a collection of short works on Lorca's poems. The poem used for this piece is "El divan del Tamarit" by Federico Garcia.

Recital presented at the College of Music Recital Hall in partial fulfillment of the requirements for the Bachelor of Music (BM) degree

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.