A Cappella Choir performance at the UNT College of Music Winspear Performance Hall.

Concert performed at the UNT College of Music Concert Hall.

Concert performed at UNT College of Music Concert Hall.

Recording of Thomas Gerwin's Le tour du monde en 280 secondes. This is a work for electronics that explores sounds around the world. The composer compares it to the concept of travelling into the future: "a nearly imperceptible floating or gliding from one space to another".

Concert performed in UNT College of Music Recital Hall on October 29, 2004 at 8:00 pm.

Concert performed at UNT Murchison Performing Arts Center, Winspear Performance Hall on March 9, 2004 at 8:00 pm.

Concert presented at the UNT College of Music Winspear Performance Hall.

Concert presented at the UNT College of Music Concert Hall.

Ensemble concert presented at the UNT College of Music Recital Hall.

Concert presented at Winspear Hall at the Murchison Performing Art Center.

Concert presented at Winspear Hall at the Murchison Performing Art Center.

Concert presented at Winspear Hall at the Murchison Performing Arts Center

Recording of Manuel Rocha Iturbide's Cantos Rituales. The main idea behind this work was to search for different kinds of field sound recordings based in prayers and ritual singing from all around the world. These recordings were then processed through a computer and combined in order to make this composition. The composer describes this piece as a hymn dedicated to all humankind, where they are seeking a spiritual unity common to all, regardless of their culture and beliefs.

Recording of Robert Normandeau's Eden. This work is based on the music composed for the play "L'Éden cinéma" by Marguerite Duras. The stage and concert music were composed in parallel as part of the same fiction but corresponding to different purposes. Given Duras' music, which was filled with instruction, the composer of this work responded to this by playing continuous music in the room. In the concert version sound elements are added to represent different facets of Duras' life.

Recording of Dirk Stromberg's Gilgamesh. This work was commissioned by Musik Gavleborg. This piece was inspired by the story of Gilgamesh which was written four thousand years ago. The story is considered a heroic epic and includes many adventures and battles. It ends with him finding the fountain of wisdom and asking timeless, philosophical questions.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at the UNT College of Music Concert Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at the UNT College of Music Concert Hall.

Recital presented at the UNT College of Music Recital Hall.

Recording of Mauro Cardi's Alba. This is a work for electronics, zarb, and spoken word. The composer references the Persian God, Shams Tabrizi, in their description of the piece.

Recording of Natasha Barrett's Angels and devils. This piece is one of two shorter acousmatic works underlying a theatre creation called "Agora". This recording is meant to explore the psychology of good versus evil and includes fragments from an old Norse poem: Volundkvadet.

Recording of Lennart Westman's Globalcom. The title comes from the combination of the words "global communication" and is meant to represent people expressing themselves in a universal acoustic room. This piece is for electronics and includes concrete sounds of violin, voice, percussion, etc.

Recording of Marie-Hélène Bernard's La mousson. This work is meant to represent a Cambodian summer, punctuated by the sounds of rain and children playing outside despite the weather.