Pamphlet presenting the exhibition entitled Raíces Sin Fronteras, A Retrospective, which celebrates the art of José Francisco Treviño at the Mexic-Arte Museum. The front cover of the pamphlet features one of Treviño's oil paintings as well as information about the exhibit. There is a short biography and artist's statement as well as a write-up about the exhibition by the executive director of the Mexic-Arte Museum Sylvia Orozco. The pamphlet features a section that is dedicated to testimonies by fellow artists, which includes essays by Santa Barraza, Modesta Barbina Treviño, César Martínez, Sam Coronado, Luis Guerra, Raúl Valdez, Luis R. Gutiérrez, and Alberto Hijar. There is a numbered list of the artworks that make up the exhibition as well as a list of sponsors, members, staff, Board of Directors, and upcoming exhibitions.

Photograph of a large cake being cut in Saltillo, Mexico. The group stands inside a party tent. A woman assists a young girl in cutting the cake. Another young girl stands to the right. The cake is green, yellow, and red. Icing on the cake reads: "Via Saltillo 423." The last word on the cake is illegible.

Photograph of a wreath of flowers in Saltillo, Mexico. The flowers are white, yellow, red, and pink. The wreath hangs on a stone wall outdoors. Text on a sign above the wreath reads: "Cristo." Two men in suits stand on the left. Second from the left stands a woman who wears a turquoise blouse. On the other side of the wreath, right, stands a man who wears glasses and a suit.

Postcard advertising a photography exhibition presented by the Consulate General of Mexico, the Mexican Community Center, and the Mexic-Arte Museum entitled "Cofradía de Luz [Brotherhood of Light], An Exhibition from El Centro de la Imagen, Mexico City". The postcard, which is printed on white transparent paper, features exhibit information including the title, sponsors and their logos, the participants, and the date and time of the event.

Pamphlet that details the events and contributors of the "3rd Annual Taste of Mexico, A Cinco de Mayo Celebration", which is presented by the Mexic-Arte Museum. The pamphlet includes information about the festival including event details, itineraries, menus, sponsorship and committee information, contributors, participants, membership information, and a message from the Vice President/Public Affairs Chair of the festival. There is also information on the silent auction.

Photograph of a parade banner at the Mexic-Arte Museum's Día de los Muertos parade. Two individuals hold the banner between them. It reads: "Mexic-Arte Museum, Día de los Muertos, Presented by Dell. Printing sponsored by Kinko's." The photograph was taken at nighttime in downtown Austin.

Pamphlet advertising an exhibition presented by the city of Austin, the Consulate General of Mexico in Austin, the Catholic Diocese of Austin, and the Mexic-Arte Museum entitled "Tesoros de la Catedral de Saltillo", or "Treasures of the Cathedral of Saltillo". The pamphlet, when folded out, has three and a half panels. It contains colorful pictures of some of the artwork included in the exhibit as well as reception and exhibit details. When folded out, the last panel outlines the details of five different demonstrations, lectures, and performances presented as a part of the exhibit. The front and back cover as well as the front of the half-panel is spanned with a close up detail photograph of a gold surface covered in decorative elements and religious icons. The back of the middle cover features a large color copy of one of the paintings included in the exhibit as well information on the museum.

Guidebook created as an accompaniment to an exhibit at the Mexic-Arte Museum entitled "Tesoros de la Catedral de Saltillo, Treasures of the Cathedral of Saltillo, Mexico", which ran from October 18 to December 28, 2002. The guidebook contains information on the both the museum and the exhibit, and includes an in-depth description of the historical, cultural, and religious significance of the exhibition. There are also activities such as trivia quizzes and puzzles that are related to the exhibition included in the book.

Guidebook published in honor of the bicentennial anniversary of the Saltillo Cathedral in Saltillo, Mexico. There are several colorful pictures along with historical information in the book. There are two introductions at the beginning of the book by Raúl Vera López, who is the Bishop of the Saltillo Cathedral, and Javier Villarreal Lozano, who is the director. There is a separate letter typed in Spanish at the back of the book that was written by the Governor of the State of Coahuila.

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum, the Mexican Community Center of Austin, and the Consulate General of Mexico in Austin entitled "Flor Y Canto (Flower and Song)". The cover of the pamphlet includes the title and dates of the exhibition, a quote from the curator, a colorful photograph of flowers, and a graphic flower border. The pamphlet folds out to span three and a half panels long. The first full-size panel headlines information about the exhibition, including the title, dates of the opening reception and a gallery talk, and details about what the exhibition is about. The second panel features a large color photograph of an installation piece that is made of mostly blue flowers. The third panel features a large expressionistic painting of a boy with his mouth agape. Artwork credits are on the bottom of both the second and third panels. The half panel highlights major sponsors and supporters of the museum and the exhibition. The back of the last panel features a large photograph of a man sitting in a chair with an open book in his lap. Artwork credits are at the bottom of the panel. The back of the …

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum, the Consulate General of Mexico, and the City of Austin entitled, "Miradas Del Arte Mexicano, A Vision of Mexican Art". The entire pamphlet is printed in blue-scale, including the photographs of the paintings. The cover of the pamphlet features a gestural painting of a face as well as the exhibition title and dates. The pamphlet opens up to span three and a half panels long. The first full-size panel features information on the exhibition, including the title, the date and times of the opening reception and a members only gallery walk-through, and some background information about the purpose and works of the exhibition. The second panel features a large photograph of a painting of a man with a beard, a frilly collar, and a feather in his brimmed hat. There is artwork credits at the bottom of the page. The last panel advertises an exhibition entitled "Hecho en Juarez: An Intimate Visit to the Cuauhtemoc Market", which ran concurrent to the featured exhibition. There is a large photograph of two hands holding shrimp and artwork credits at the bottom of the panel. Above the photograph, There is a …

Photograph of written material by Jose Clemente Orozco Farias. The Jose Clemente Orozco Farias exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. The materials are arranged in a display case and include several books of poems.

Pamphlet that advertises an exhibition that was presented by the Secretary of Foreign Affairs of Mexico, the National Council on Art and Culture, the National Institute of Fine Arts. and the Mexic-Arte Museum entitled "Dos Maestros (Two Masters) Dr. Atl & Mardonio Magaña". The entire pamphlet has been printed in green tones, including the photographs. The front cover of the pamphlet accentuates the exhibition title with a photograph from the exhibition as the background. The pamphlet folds out to span three and a half panels long. The first full-sized panel features information about the exhibition, including the title, address of the museum, and the date and time of the opening reception. The middle panel presents a passage about the drawings created by Dr. Atl, while the last panel presents a passage detailing the work of Mardonio Magaña. There is a photograph of a wood sculpture of three Mexican musicians above the passage about Magaña. The background of the first and second panels is a drawing from the exhibition. The half-sized panel contains information about major supporters as well as a photograph of a wooden sculpture from the exhibition. The back of the last panel features a large photograph of Mardonio …

Photograph of a title wall for the Dos Maestros exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Text on the wall reads: "Dos Maestros: Two Legendary Mexican Masters." A selection of small photographs are hung on the leftmost wall.

Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a pale pink dress and pink roses in her hair. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors. Text on the wall reads: "the diversity & emergence series, Jaime Arredondo, Flores para mi mama."

Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a sheer sleeveless blouse and white pants. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors.

Flyer advertising a celebration of El Día de los Muertos, Day of the Dead, presented by the Mexic-Arte Museum in Austin, Texas. The event occurred on November 3rd, 2000. Events included a parade, music by Johnny Degollado, hands-on activities, and presentations from speakers. An illustration of skeletons riding bicycles and wearing top hots appears near the bottom of the flyer.

Photograph of a parade presented by the Mexic-Arte Museum in Austin, Texas on the Day of the Dead. Individuals in costume hold up a large banner that reads: "Mexic-Arte Museum Presents Día de los Muertos Parade." Six individuals wear black clothing and black and white face paint. A man, left, wears a skeleton mask, lilac dress shirt, gray vest, and gray trousers. A woman, right, wears a red skirt with white ruffles, a blue blouse with floral embroidery, and a floppy white hat with lace trimming. Farthest to the right walks a man who wears black and white horizontal stripes. Black and white horns are attached to his head. His face is painted in the same style.

Photograph of a parade presented by the Mexic-Arte Museum in Austin, Texas on the Day of the Dead. Individuals in costume hold up a large banner that reads: "Mexic-Arte Museum Presents Día de los Muertos Parade." The most visible individual, right, wears a colorful striped poncho and devil mask.

Pamphlet presenting the Noche de Fiesta Navideña celebration at the Mexic-Arte Museum. There front cover features an abstract angel illustration that surrounds the date, time, and location of the celebration. The inside front cover contains sponsor information. The pamphlet includes an itinerary of the event and information about the museum, holiday traditions, and a silent auction. There is also a list of the Board of Directors and staff of the museum and a calendar of events. There are pages throughout the pamphlet that are dedicated to explaining certain Mexican holiday traditions, including poinsettias, luminarias, piñatas, posadas, and nativity scenes.

Photograph of a title wall at Nuestras Tradiciones, or Our Traditions, an exhibition held at the Mexic-Arte Museum in Austin, Texas. The exhibition was held from December 8th, 2000 to December 30th, 2000. All walls are painted red; the text is white. The centermost wall reads "nuestras tradiciones," while the leftmost wall lists a number of sponsors. A silver star is attached underneath the text on the centermost wall. Poinsettias surround a three tiered display. Tinsel and moss cover each tier. Gold nativity statuettes are arranged on the display. Figurines include individuals, camels, various farm animals, angels. In the next room, on the right, a Christmas tree is set up.

Photograph of an Art Demonstration Table at Nuestras Tradiciones, or Our Traditions, an exhibition held at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from December 8th, 2000 to December 30th, 2000. An unnamed man stands behind a table. The man wears a tan shirt and white apron. A blue tablecloth with a fruit pattern is spread on the table. Rubber stamps, ink pads, wooden utensils, and paper towels sit on the table. Stamped pieces of paper hang from clothespins behind the table. A small altar stands on the left, featuring candles and photographs. Multicolored streamers are hung from the ceiling. Posters advertising a Día de los Muertos celebration to be held in November of 2001 are hung from the wall behind the table.

Flyer advertising Quemando los Santos, an exhibition of work by Marco Antonio Santos housed at the Mexic-Arte Museum in Austin, Texas. An opening reception was held on March 8th, 2001. The flyer is printed on purple tissue paper. On the left side of the flyer is an illustration of an elderly man's profile.

Photograph of two individuals at Quemando los Santos, an exhibition of work by Marco Antonio Santos housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from March 8th, 2001 to April 18th, 2001. Herlinda Zamora, left, wears a pale blue dress. Marco Antonio Santos, right, wears a dark suit. They stand in front of a title wall. The text reads: "The diversity & emergence series presents Quemando de los Santos, Marco Antonio Santos." A painting of a man hangs from the wall behind them.