Photograph of Sam Coronado and Sylvia Orozco at The Serie Print Project: Recent Acquisitions, an exhibition housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from March 8th, 2001 to April 18th, 2001. Coronado, left, and Orozco, right, hold a piece of paper between them. The paper reads "Proclamation" and has a gold seal at the bottom. This document declared May 3rd to be Mexic-Arte Cinco de Mayo day. They stand in front of a mural that depicts faces of individuals against yellow backgrounds.

Photograph of three individuals at the opening reception for an exhibition of artwork by Luis Jiménez. Sylvia Orozco, center, wears a black dress. An unnamed man, left, wears a suit. An unnamed woman, right, wears a gray dress. On the wall behind them is a mural of a horse's head.

Photograph of a title wall for Quemando los Santos, an exhibition of work by Marco Antonio Santos housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from March 8th, 2001 to April 18th, 2001. Text on the wall reads: "the diversity & emergence series presents Quemando los Santos, Marco Antonio Santos. Sponsored by The National Endowment for the Arts." A painting of a man hangs on the title wall. The back wall, left, features more paintings.

Photograph of a group near new museum signs for the Mexic-Arte Museum in Austin, Texas. The identical signs, which appear at the corner of a building, are tinted black and beige in color. Those in the group include Kirk Watson, Nilda de la Llata, and Sylvia Orozco. Photograph was taken during a photo shoot with city council celebrating the ownership of the building.

Photograph of Luis Jiménez, standing behind a podium, speaking at the opening reception for an exhibition of his work. He is wearing a gray blazer and darker gray dress shirt. Prints of artworks are visible on the wall behind him.

Invitation from the Mexic-Arte Museum regarding the 17th Annual Día de los Muertos Parade & Celebration. The parade occurred on November 2nd, 2001. Other events included musical entertainment, a theater performance, and artists' activities booths. The flyer is illustrated with drawings of skeletons.

Book discussing the art installation, "Camões Feast,"originally exhibited at the Mexic-Arte Museum in YEAR. The book also includes biographical information on Luís Vas de Camões, Sérgio de Castro Pinto, Caetano Veloso, Olga Savary, Affonso Romano de Sant'Anna, Frederico Barbosa, Haroldo de Campos, Manoel de Barros, Antonio Cícero, and Regina Vater.

Guidebook created as an accompaniment to an exhibit at the Mexic-Arte Museum entitled "Tesoros de la Catedral de Saltillo, Treasures of the Cathedral of Saltillo, Mexico", which ran from October 18 to December 28, 2002. The guidebook contains information on the both the museum and the exhibit, and includes an in-depth description of the historical, cultural, and religious significance of the exhibition. There are also activities such as trivia quizzes and puzzles that are related to the exhibition included in the book.

Flyer advertising It's a Glamorous Life, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas for the Seventh Young Latino Artist Exhibition (YLA VII). The exhibition ran from July 12th, 2002 to September 14th, 2002. Flyer includes a statement from the curator and a list of featured artists. Illustrations of stars appear in the background of the flyer.

Pamphlet that details the events and contributors of the "3rd Annual Taste of Mexico, A Cinco de Mayo Celebration", which is presented by the Mexic-Arte Museum. The pamphlet includes information about the festival including event details, itineraries, menus, sponsorship and committee information, contributors, participants, membership information, and a message from the Vice President/Public Affairs Chair of the festival. There is also information on the silent auction.

Pamphlet that advertises an exhibition presented by the Mexic-Arte Museum entitled, "Americanos, Latino Life in the United States". Along with the exhibition title and running dates, there is a large blue-tinted photograph of a mother and young daughter. The pamphlet folds out to three and a half panels long. There are five orange and blue tinted photographs of Hispanic people that run along the bottom. The title of the exhibition is featured in large type across three of the panels above the photographs. The national sponsors are listed on the half panel, and there is a small descriptive paragraph about the exhibition on the first panel. There is a title and paragraph about a "Special Guest & Book Signing" on the last panel. The back of the last panel is entitled "Beyond Images", and includes information on four different performances and lectures that is part of the exhibition. Information about the Mexic-Arte Museum sponsors and the museum hours is provided on the back of the middle panel.

Pamphlet advertising an exhibition by Latino artist Ernesto Marenco presented by the Mexic-Arte Museum entitled "Paradox Without the Absurd". The front cover of the exhibition guide features a large photograph of one of Marenco's sculptures as well as the title. On the inside of the guide, there is a numbered list of art pieces that can be found in the exhibit along with the corresponding date created, materials used, price, and a secondary name. This list is continued on the back of the pamphlet. There is also information about the artist himself and about the mission of the diversity and emergence series.

Pamphlet advertising an exhibition presented by the city of Austin, the Consulate General of Mexico in Austin, the Catholic Diocese of Austin, and the Mexic-Arte Museum entitled "Tesoros de la Catedral de Saltillo", or "Treasures of the Cathedral of Saltillo". The pamphlet, when folded out, has three and a half panels. It contains colorful pictures of some of the artwork included in the exhibit as well as reception and exhibit details. When folded out, the last panel outlines the details of five different demonstrations, lectures, and performances presented as a part of the exhibit. The front and back cover as well as the front of the half-panel is spanned with a close up detail photograph of a gold surface covered in decorative elements and religious icons. The back of the middle cover features a large color copy of one of the paintings included in the exhibit as well information on the museum.

Postcard advertising an exhibit entitled "Brazilian Visual Poetry", which is curated by Regina Vater. The front of the postcard features the title of the exhibition in large red and blue letters. Some of the counter spaces of the letters are filled in with gray, and the word "Visual" is connected to the word "Poetry" through artistic rendering. The front of the postcard also contains a list of fifty-three Hispanic poets that are participating in the exhibition. The names of the better-known poets are larger, and placed as a border around the Mexic-Arte Museum logo and exhibit information. The back of the postcard outlines the details of the exhibit, including the date and time of the reception and information on other exhibits that are happening at the same time.

Postcard advertising a photography exhibition presented by the Consulate General of Mexico, the Mexican Community Center, and the Mexic-Arte Museum entitled "Cofradía de Luz [Brotherhood of Light], An Exhibition from El Centro de la Imagen, Mexico City". The postcard, which is printed on white transparent paper, features exhibit information including the title, sponsors and their logos, the participants, and the date and time of the event.

Pamphlet for the Mexic-Arte seventh-annual Young Latino Artists exhibit, serving as an invitation to the opening reception on July 12, 2002. This pamphlet has a list of featured artists and a few key events taking place during the exhibit; admission costs can be seen in the bottom right corner of the inside of the pamphlet.

Photograph of a parade banner at the Mexic-Arte Museum's Día de los Muertos parade. Two individuals hold the banner between them. It reads: "Mexic-Arte Museum, Día de los Muertos, Presented by Dell. Printing sponsored by Kinko's." The photograph was taken at nighttime in downtown Austin.

Catalog for the 8th annual Young Latino Artists Exhibition including biographies of participating artists, descriptions of the art pieces in the exhibit, and other information about the series.

Photograph of Arleen Polite leading a workshop at an exhibition of Selections from the Permanent Collection. Students sit at tables. Polite leans over a table to demonstrate a technique while students look on.

Photograph of Arlene Polite leading a workshop at an exhibition of Selections from the Permanent Collection. Students sit at a table. Polite is leaning over the shoulder of a male student to demonstrate a technique.

Photograph of a Chicano art book signing at YLA III: Splitting Aguas, an exhibition of artwork hosted by the Mexic-Arte Museum in Austin, Texas. The photograph was taken from above. Artists sit at tables and sign books. Patrons, right, line up behind the table.

Flyer for the eight annual Young Latino Artists Exhibition at the Mexic-Arte Museum, advertising the "Splitting Aquas" exhibit.

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum, the Mexican Community Center of Austin, and the Consulate General of Mexico in Austin entitled "Flor Y Canto (Flower and Song)". The cover of the pamphlet includes the title and dates of the exhibition, a quote from the curator, a colorful photograph of flowers, and a graphic flower border. The pamphlet folds out to span three and a half panels long. The first full-size panel headlines information about the exhibition, including the title, dates of the opening reception and a gallery talk, and details about what the exhibition is about. The second panel features a large color photograph of an installation piece that is made of mostly blue flowers. The third panel features a large expressionistic painting of a boy with his mouth agape. Artwork credits are on the bottom of both the second and third panels. The half panel highlights major sponsors and supporters of the museum and the exhibition. The back of the last panel features a large photograph of a man sitting in a chair with an open book in his lap. Artwork credits are at the bottom of the panel. The back of the …

Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum, the Consulate General of Mexico, and the City of Austin entitled, "Miradas Del Arte Mexicano, A Vision of Mexican Art". The entire pamphlet is printed in blue-scale, including the photographs of the paintings. The cover of the pamphlet features a gestural painting of a face as well as the exhibition title and dates. The pamphlet opens up to span three and a half panels long. The first full-size panel features information on the exhibition, including the title, the date and times of the opening reception and a members only gallery walk-through, and some background information about the purpose and works of the exhibition. The second panel features a large photograph of a painting of a man with a beard, a frilly collar, and a feather in his brimmed hat. There is artwork credits at the bottom of the page. The last panel advertises an exhibition entitled "Hecho en Juarez: An Intimate Visit to the Cuauhtemoc Market", which ran concurrent to the featured exhibition. There is a large photograph of two hands holding shrimp and artwork credits at the bottom of the panel. Above the photograph, There is a …