Photograph of a docent speaking to a group of children in the Luz Jiménez exhibit, Symbol of a Millennial People, at the Mexic-Arte Museum in Austin, Texas. The docent wears a pale yellow blouse and white cardigan. In her left arm she holds a pad of paper. Her right hand gestures to the group. The group faces away from the camera. A large clay vessel sits on a platform to the right. A title wall behind the docent reads "Luz Jiménez-Symbol of a Millennial People, Model and Muse of the Mexican School of Painting" and "Presented by AT&T." A painting on the wall features a kneeling woman.

Photograph of John Kirkpatrick in the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. Kirkpatrick faces a wall on the right of the photograph. He is studying a newspaper clipping that prominently features a drawing of a mustachioed gentleman. Kirkpatrick wears a plaid blazer jacket in teal, green, pink, and purple colors. Text on the right wall gives thanks to Austin Collectors.

Catalog for the exhibition, "Luz Jiménez, símbolo de un pueblo milenario 1897-1965," including a biography of Jiménez, descriptions of the art pieces in the exhibit, and other information about the series. The installation was at the Museo Casa Estudio Diego Rivera y Frida Kahlo in Mexico City (November 1999-January 2000) and at the Mexic-Arte Museum in Austin, Texas (May-June 2000)

Gallery guide for the Mexic-Arte Museum's exhibition, "Luz Jiménez: Symbol of a Millennial People." The guide includes biographical information about Luz Jiménez, "La Tortillera/The Tortilla Maker"by Diego Rivera, and the events related to the exhibition.

Pamphlet presenting the exhibition entitled Raíces Sin Fronteras, A Retrospective, which celebrates the art of José Francisco Treviño at the Mexic-Arte Museum. The front cover of the pamphlet features one of Treviño's oil paintings as well as information about the exhibit. There is a short biography and artist's statement as well as a write-up about the exhibition by the executive director of the Mexic-Arte Museum Sylvia Orozco. The pamphlet features a section that is dedicated to testimonies by fellow artists, which includes essays by Santa Barraza, Modesta Barbina Treviño, César Martínez, Sam Coronado, Luis Guerra, Raúl Valdez, Luis R. Gutiérrez, and Alberto Hijar. There is a numbered list of the artworks that make up the exhibition as well as a list of sponsors, members, staff, Board of Directors, and upcoming exhibitions.

Pamphlet presenting an exhibit that celebrates the art of Julia "Luz" Jiménez at the Mexic-Arte Museum. The cover of the pamphlet includes exhibit and sponsor information as well as a photograph of Jiménez. There are two statements about the exhibit included in the pamphlet, one from the executive director of the Mexic-Arte Museum Sylvia Orozco, and the other from Blanca Garduño, who is an honorary board member of the museum. A brief biography of the artist and an image of one of her well-known works is also included in the pamphlet. There is a section that lists the Board of Directors and staff of the museum as well as some related activities that are located at the museum.

Pamphlet for Mexico in Austin Collections, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas from September 14th, 2000 to November 18th, 2000. The pamphlet includes a historical timeline and information about Mexican art. On the front cover is an unfinished drawing of a person with arms outstretched and palms open. Inside the pamphlet is a drawing of a growling dog.

Pamphlet presenting the Noche de Fiesta Navideña celebration at the Mexic-Arte Museum. There front cover features an abstract angel illustration that surrounds the date, time, and location of the celebration. The inside front cover contains sponsor information. The pamphlet includes an itinerary of the event and information about the museum, holiday traditions, and a silent auction. There is also a list of the Board of Directors and staff of the museum and a calendar of events. There are pages throughout the pamphlet that are dedicated to explaining certain Mexican holiday traditions, including poinsettias, luminarias, piñatas, posadas, and nativity scenes.

Pamphlet presenting an exhibition at the Mexic-Arte Museum entitled Santa Barraza: A MexieTejana from Nepantla. There is an illustration of a profile of an adorned Hispanic face on the front cover of the pamphlet, which was printed on blue speckled paper. There is text on the inside and back of the pamphlet that explains Barraza's style, inspiration, and background. The text is surrounded by more illustrations and copies of the artists' work.

Pamphlet inviting the recipient to the opening reception of The Inward Gaze: Body, Identity, Place on July 14th, 2000. This was the Mexic-Arte Museum's fifth annual Young Latino Artists Exhibition. A notice printed on tissue paper slipped into the invitation announces the Official Dedication of the Museum's Main Entrance Door and Corner Signage. A drawing of an unclothed figure appears on the cover. On the figure's chest is drawn an anatomically correct heart. Part of the drawing is repeated on the second page. Also on the second page is a drawing of an eye. A drawing of an anatomically correct heart appears on the back of the invitation.

Postcard for an exhibit at the Mexic-Arte Museum entitled "Ikerkinesis", which celebrates the art of Mexican artist Iker Larrauri. On one side of the flyer, two of Larrauri's drawings frame a short write-up about the artists' style and influences, as well as basic event information. The opposite side of the flyer features a copy of an original silkscreen print by Larrauri and some information about purchasing a copy of the print.

Photograph of a piece of paper. Text on the page reads: "Stores from Nepantla, Youth Creative Writing & Print Project, Sponsored by Dell and The City of Austin under the auspices of the Arts Commission. Artwork by Lee Wilbur. Mexic-Arte Museum, 419 Congress Ave., Austin, TX 78701. 2000." At the center of the photograph is an illustration of a woman who wears a blue dress and blue pointed hat. Swirls emit from her right hand, which faces upward.

Photograph of Sylvia Orozco and an unnamed man standing in the Luz Jiménez exhibit, Symbol of a Millennial People, at the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco, left, wears a black and white patterned blouse and black skirt. The unnamed man, right, wears a white blazer and yellow patterned tie. A painting on the wall features a kneeling woman. The wall reads: "Luz Jiménez-Symbol of a Millennial People, Model and Muse of the Mexican School of Painting."

Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a sheer sleeveless blouse and white pants. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors.

Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a pale pink dress and pink roses in her hair. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors. Text on the wall reads: "the diversity & emergence series, Jaime Arredondo, Flores para mi mama."

Photograph of six individuals at Taste of Mexico, a Cinco de Mayo celebration and benefit for the Mexic-Arte Museum in Austin, Texas. Two men wearing a black suits stand furthest to the left. The leftmost man holds up a decorative plate that reads: "Cinco de Mayo 2002, Taste of Mexico, Mexic-Arte Museum." Third from the left stands a woman who is wearing a sleeveless turquoise turtleneck. Sylvia Orozco, third from the right, wears a red dress and holds up a purple book. Jorge Sedeño stands second from the right. Furthest to the right stands a woman who is wearing a green velvet blouse. A painting behind the group features two women who are in the process of making tortillas.

Photograph of five individuals at Taste of Mexico, a Cinco de Mayo celebration and benefit for the Mexic-Arte Museum in Austin, Texas. Jorge Sedeño, leftmost, wears a gray blazer and gold tie. A man wearing a black suit stands second from the left. Centermost stands a woman who is wearing a green velvet blouse. Sylvia Orozco, second from the right, wears a red dress. Rightmost stands a man who wears a dark suit, blue dress shirt, and gold patterned tie. A painting behind the group features two women who are in the process of making tortillas.

Pamphlet for the Mexic-Arte Museum's fifth-annual Young Latino Artists Exhibit from July 14 to August 26, 2000. This pamphlet contains a list of all the featured artists involved in the exhibit and goes on to break each artist down with a sample of some of their artwork. Each artist is also given a short description about them and their work, followed by a list of museum directors.

Pamphlet for the Mexic-Arte Museum's fifth-annual Young Latino Artists Exhibit from July 14 to August 26, 2000. The pamphlet includes a list of featured artists and an advertisement for Bill Maceyra's "Torn and Frayed" exhibit.

Photograph of Raul Ramirez and a group of individuals. Ramirez stands behind a podium and looks down. Text on the podium reads: "City of Austin." Seventeen individuals stand behind him. A blank screen hangs behind the group.

Photograph of a parade presented by the Mexic-Arte Museum in Austin, Texas on the Day of the Dead. Individuals in costume hold up a large banner that reads: "Mexic-Arte Museum Presents Día de los Muertos Parade." Six individuals wear black clothing and black and white face paint. A man, left, wears a skeleton mask, lilac dress shirt, gray vest, and gray trousers. A woman, right, wears a red skirt with white ruffles, a blue blouse with floral embroidery, and a floppy white hat with lace trimming. Farthest to the right walks a man who wears black and white horizontal stripes. Black and white horns are attached to his head. His face is painted in the same style.

Flyer advertising a celebration of El Día de los Muertos, Day of the Dead, presented by the Mexic-Arte Museum in Austin, Texas. The event occurred on November 3rd, 2000. Events included a parade, music by Johnny Degollado, hands-on activities, and presentations from speakers. An illustration of skeletons riding bicycles and wearing top hots appears near the bottom of the flyer.

Photograph of a parade presented by the Mexic-Arte Museum in Austin, Texas on the Day of the Dead. Individuals in costume hold up a large banner that reads: "Mexic-Arte Museum Presents Día de los Muertos Parade." The most visible individual, right, wears a colorful striped poncho and devil mask.

Photograph of a title wall at Nuestras Tradiciones, or Our Traditions, an exhibition held at the Mexic-Arte Museum in Austin, Texas. The exhibition was held from December 8th, 2000 to December 30th, 2000. All walls are painted red; the text is white. The centermost wall reads "nuestras tradiciones," while the leftmost wall lists a number of sponsors. A silver star is attached underneath the text on the centermost wall. Poinsettias surround a three tiered display. Tinsel and moss cover each tier. Gold nativity statuettes are arranged on the display. Figurines include individuals, camels, various farm animals, angels. In the next room, on the right, a Christmas tree is set up.