Performances recorded the Recital Hall of the UNT Music Building.

Recording of Mark Applebaum's Pre-composition. This work consists of several voice recordings of the composer discussing with himself the process of writing a new electroacoustic work.

Recording of Larry Austin's Summer storm bellagio. This work is a soundscape and all the materials were recorded on the grounds of Villa Serelloni, overlooking Lake Como in the Italian Alps. The sounds of the storm that morning and accompanying environmental sounds were edited and processed.

Recording of Natasha Barrett's Prince prospero's. The composer describes this piece as a "sonification" of Edgar Allan Poe's short story 'The Mask of the Red Death'. The music follows closely to the events and evocations found within the text and includes samples of "Danse Macabre" by Camille Saint-Saëns. Although the story follows a path of inevitable doom and gloom, it has the capacity to evoke amazingly surreal, multi-faceted space within which the drama is placed. This work was commissioned by the 3rd Practice Music Festival and the Molden Centre for the Arts, Richmond, USA.

A guest artist recital performed at the UNT College of Music Winspear Hall.

Recital presented at the UNT College of Music Stan Kenton Hall.

Performance recorded in Kenton Hall (now Lab West) of the UNT Music Building.

Ensemble performance at the Merril Ellis Intermedia Theater.

Performance recorded in Kenton Hall (now Lab West) of the UNT Music Building.

Ensemble performance at the UNT College of Music Recital Hall.

Recording of Robert Andrew Mackay's Eleventh of the ninth, two thousand and one. This is a work for electronics that includes spoken word as well as environmental sounds that reflect the tragedy of 9/11. There are also samples of the piece "O Fortuna (Carmina Burana)" by Carl Orff.

Recording of Robert Andrew Mackay's Joyces vision. This is a work for electronics that includes English spoken word and distorted voices.

Recording of Marco Marinoni's Of Shape and Action 2 - The Dying of the Light. This is a work for electronics that premiered at the Synthése Festival 2003 in Bourges, France. The underlying material of this composition is the poetry of Dylan Thomas which itself is imbued with death and a call to heroism. The first draft of this piece was finished in 2002 and lasted 1'48"; later on those materials were furthered processed to create the current version.

Ensemble performance at the UNT College of Music Winspear Hall.

Faculty performance at the UNT College of Music Recital Hall.

Doctoral recital at the UNT College of Music Recital Hall.

Recording of Gérard Torres' Shalala ware. This work reflects a love story between a virtual couple, Fred and Cathy, who sing their song "Shalala" throughout the piece. The composer has separated this work into four parts: 1. R.A.M., 2. Shalala Song, 3. Love is bossa nova, and 4. Free loop. Each part has its own mode of composition.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recording of Roxanne Turcotte's Micro-trottoire. This is a radio work that explores the idea of confrontation and was created from the voices of people from different backgrounds and ethnic origins. Each voice offers a different opinion on current affairs, lifestyles, dreams, and disillusions across generations and personalities.

Ensemble performance at the UNT College of Music Winspear Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Ensemble performances program book from the 2001-2002 school year at the University of North Texas College of Music.

Ensemble performances program book from the 2001-2002 school year at the University of North Texas College of Music.