Little scholarly analysis has been devoted to the hypothesis that antebellum Texas women generally married within their own socioeconomic (slaveholding) class, and thus had only limited choice in the selection of marriage partners. This quantitatively based investigation suggests that the popular image should be carefully qualified. This study reveals that although a majority of Texas women who married during the early 1850s chose men who had the same slaveholding status, a significant minority crossed class lines. By using marriage records of the period in correlation with information gleaned from the census, conclusions were reached. Contemporary women's diaries, letters and reminiscences were investigated, in addition to a historiography of marriage in the South, which created the background for this study.

Photograph of Mr. and Mrs. James Edward Hill standing side-by-side in an openwork gazebo during their golden anniversary reception at the Howard Johnson Motor Lodge in Austin, Texas. A large tree is visible behind the gazebo and a pool is partially visible on the right side of the image.

When the filmed version of The Last Temptation of Christ was released in the United States, it met with significant protests from conservative Christians who felt it was blasphemous. Using the controversy surrounding the film and its reception in Austin, Texas, this is a case study in censorship as a social process and in the cultural conflict it signifies. Certain societal factors must converge to create an art controversy. Through an examination of the film, the groups involved in the protest, and the social and political climate at the time, some of these factors are described. Imbedded in this controversy are the underlying tensions that permeate many modern cultural debates: shifting ideas of the sacred and the profane and definitions of moral authority.