Letter from Frank R. Aqueno to Sterling Houston, prominent San Antonio playwright. He writes to invite Houston to his provocative one-man performance piece titled Queer Pier. He encloses a xeroxed newspaper clipping from The Advocate about his play. A third clipping shows a portrait of the writer wearing sunglasses, shorts, and an American flag bandana in front of a chain-link fence.

Memorandum from Raynola F. Blackshear to committee chairs for National Trends and Services in chapters of The Links, Inc. communicating news about efforts to implement programs in education, health and wellness, and lobbying.

Letter from Lillie DeAnda to Sterling Houston, prominent San Antonio playwright. She thanks him for helping and attending the SAYL (likely the San Antonio Youth Literacy organization) Gala kick-off party. She is happy that he will attend at a forthcoming gala in March.

Agenda for the October 15, 1995 meeting of the San Antonio chapter of The Links, Inc. Items for discussion include the chapter's correspondence, treasury reports, committee reports, and current business. Includes a list of the chapter's correspondence.

Agenda for the October 20, 1991 meeting of the San Antonio chapter of The Links, Inc. Items for discussion include the chapter's correspondence, treasury reports, committee reports, the 30th Western Area Conference, and current business. Includes a handwritten list of members involved with the Surrogate Santa project.

Agenda for the October 20, 1996 meeting of the San Antonio chapter of The Links, Inc. Items for discussion include the chapter's correspondence, treasury reports, committee reports, and current business.

Program for a Book-Signing and Reception in Honor of African-American Women Educators & Ruthe Winegarten, author of Black Texas Women. The event was hosted by the San Antonio Chapter of Links, Inc. on October 27th, 1996.

Letter from Ollie S. Bryant, Program Chair of the San Antonio Chapter of Links, Inc., to parents. The letter is regarding an after-school program.

Notice for the October 15, 1995 meeting of the San Antonio chapter of The Links, Inc.

Notice for the October 20, 1991 meeting of the San Antonio chapter of The Links, Inc. Among the items for discussion are new members, member dues, and charitable donations.

Minutes from the October 15, 1995 meeting of the San Antonio chapter of The Links, Inc. Discusses the chapter's correspondence, finances, committee activities, and other business.

Minutes from the October 18, 1992 meeting of the San Antonio chapter of The Links, Inc. Discusses the chapter's correspondence, finances, committee activities, Project LEAD, and other business.

Minutes from the October 20, 1991 meeting of the San Antonio chapter of The Links, Inc. Discusses the chapter's correspondence, finances, committee activities, and other business.

Minutes from the October 20, 1996 meeting of the San Antonio chapter of The Links, Inc. Discusses the chapter's correspondence, finances, fundraising, committee activities, and other business.

Minutes from the October 21, 1990 meeting of the San Antonio chapter of The Links, Inc. Discusses the chapter's correspondence, finances, committee activities, and other business.

Published three times a year, The Chain is a newsletter for local chapters of The Links, Inc., located in the western United States. It contains letters from the area director as well as chapter reports, financial statements, rosters, member updates, officer information, conference announcements, and other news related to the organization's service and personal development activities.

Photograph of an altar to Roy Lozano. A layer of dry pinto beans has been spread across a wooden floor, with a pattern of dry black beans partially visible on the left side of the photograph. A glass of water and some dried meat sit in front of a black and white photograph. The photograph depicts a mustachioed man wearing a white collared dress shirt. Behind the photograph sits a black urn. Next to the urn is a vase of yellow and orange flowers.

Photograph of an altar to Roy Lozano. The altar is tall and triangular, with many streamers and flowers adorning it. Oranges, lemons, bananas, cookies, and pretzels hand from expanses of string across the altar. A multicolored blanket covers a table within the altar, upon which are laid oranges and three bottles of amber liquid. Three Day of the Dead masks are attached to the top of the altar. On the ground, a layer of pinto and black beans create a symbol. Also on the ground is a basket of cookies and cured meats, as well as four vases of yellow and orange flowers. To the left of the basket is a black and white program. Behind the altar is a mural in maroon and white, which is largely hidden by the altar.

Newspaper clipping from the Austin American-Statesman, dated October 3rd, 1992. The featured article discusses the annual conference of the National Association of Artists' Organizations (NAAO), which was held at the Mexic-Arte Museum in Austin, Texas. A photograph of a man and an woman, Guillermo Gómez-Peña and Coco Fusco, accompanies the piece. Guillermo Gómez-Peña wears intricately embroidered pants, spiked wrist cuffs, a neck covering with fringe, and a spotted face mask. Coco Fusco wears a flowered headdress, gas mask, shell necklace, flowered armband, spotted bikini top, and grass skirt. The pair are linking arms and otherwise appear expressionless.

Photograph of the Día de los Muertos exhibition held at the Mexic-Arte Museum in Austin, Texas on October 30th, 1999. Patrons mill around the exhibit. Many wear costumes and masks. Several carry beverages. Colorful platforms on the left are decorated with yellow and orange garlands. Black and white paintings are hung on one wall; colorful paintings are hung on the farthest wall, which is green.

Photograph of the Día de los Muertos parade held by the Mexic-Arte Museum in Austin, Texas. The parade occurred in downtown Austin on October 30th, 1999. Several children in the foreground wear masks and face makeup. Individuals hold up poles from which large paper mache puppets are balanced. One puppet, left, is a brown bird. The other puppet, right, is a skeleton wearing a red hat and blue vest.

Photograph of the food service for Frida's Fiestas V, a benefit for the Mexic-Arte Museum held at Fonda San Miguel. Two men in white uniforms stand behind a table of food trays. The leftmost man wears a chef's hat. The table is covered in multicolored fabrics. A vase of yellow flowers sits at the end of the table.

Photograph of a woman in a Frida Kahlo costume being presented a piece of paper by a woman wearing a mauve dress and black shawl. The woman wears flowers in her hair, a white lace blouse, and yellow and pink shawls. Three other individuals look on. A painting on the wall behind them includes a grid of colored squares in which people have been painted.

Photograph of individuals sitting at a long table during Frida's Fiestas V, a benefit for the Mexic-Arte Museum held at Fonda San Miguel. Individuals hold Frida Kahlo masks in front of their faces. The masks are black and white; the woman depicted in the mask is traditionally ornamented.