Recording of Gabriel Poulard's Cyprès which is dedicated to Pierre Schaeffer.

Recording of Judith Akoschky's Mural. This piece gives homage to Pierre Schaeffer. The "Sound Paintings" are works of Evocación Sonoras that the composer has created with children and with teachers; the sounds are produced with everyday objects that called "Cotidiafonos".

Recording of Enrique Belloc's PoPierre. This work is for manipulated voice and electronics. Surrounding sounds, onomatopoeia, fragments of conventional music are combined to create a sound space which become musical poem.

Recording of Xiaofu Zhang's "Nuo Ri Lang". Draws inspiration from the composer's visit to Tibet. The composition involves electroacoustic looping techniques and bronze, leather, wood, and stone percussion instruments. Commisioned by the INA-GRM (France) at the international music festival 96 PRESENCES in Paris. There is also a mix edition that combines live performance and electroacoustic music sound and a version that include videos.

Recording of Bor Turel's Amarcord - Golden age (l'age d'or). This piece is the first movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.

Recording of Bor Turel's Amarcord - Dreams (les rêves). This piece is the second movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.

Recording of Bor Turel's Amarcord - Chilhood (l'enfance). This piece is the third movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.

Recording of Roberto Doati's Il domestico di Edgar. This work is a ruled improvisation for alto saxophone and tape. This piece was requested by Claudio Ambrosini as he wanted a work written for instrument and electronics to be performed by his Ex Novo Ensemble. The composer decided to work with a well known Italian jazz saxophone player, Pietro Tonolo. The electronic part is based on Varèse's Octandre and the saxophonist has to play following a score containing improvisation outlines, often recalling be-bop style.

Recording of Didier Guigue's Profile to A. This is a work for tape and piano ad lib that premiered in Brazil in 1997. This piece is the first part of a three-movement electro-acoustic work entitled, "Vox Victimae". The inspiration behind the work as a whole is the determinist pessimism which runs through all the work of the Brazilian poet, Augusto dos Anjos. The main sound source used in this piece are the Korg WaveStation (r)'s piano samples.

Recording of Alexei Rozen's Collage turbo. This is an electronic piece for tape and features parts of music by the following composers: Garry Moore: Dallas Warhead, Tommy Zwedberg: Big Brass, Luigi Nono: La Fabrica Illuminata, Pierre Boulez: Le marteau sans maitre, Nicolaus A.Huber: dasselbe ist nicht dasselbe, and Luciano Berio: sequenza (I, III, V).

Recording of Harold Castañeda Vásquez's Primitiva. This recording was made for electronics.

Recording of Frédéric Kahn's Ainsi s'acheva le rêve, ainsi je raconte. Work made for electronics.

Recording of Barry Moon's Interact 1. This composition is a combination of flute sounds and electroacoustic sounds.

Recording of Luigi Ceccarelli's Aracne. This work is based off of a text by Guido Barbieri and was written as a radio play. This piece was produced and created in Rome at the CRM - Centro Ricerche Musicali and at Edison Studio. It was staged for the first time at the Roman Aquarium in June 1996.

Recording of Stephan Dunkelman's Aquaera 1. This work has been separated into 8 tracks that come together in unison to create the piece as a whole, exploring sonic elements from the real world. The work was commissioned by empreintes DIGITALes. The composer gives special thanks to Phil Billen, Annette Vande Gorne, and Marie-Jeanne Wyckmans.

Recording of Yee On Lo's Dialettico. Sound materials in this work come from computer software, trumpet samples, and bird calls outside the composer's bedroom window. While developing this piece, the composer followed this thematic outline: peace and tranquility, contention, reign of evil, struggle for liberty, and triumph, followed by parting of friends.

Recording of Yee On Lo's Dream I, shattered !.

Recording of John Edward Cousins' Songs for the little lady.

Recording of Chris Cree Brown's Sound cylinders. This work was written for flautist, Tony Ferner. It includes flute and tape, in which the tape recording consists of mainly altered or modified flute sounds.

Recording of Alicyn Warren's Something else again. This work is comprised of 5 separate recordings that contain various performances of piano and electroacoustic music.

Recording of Fernando Laub's Funcion Desplazada de un Sueño Continuado. Funcion Desplazada de un Sueño Continuado (Displaced Performance of a Continuous Dream) was made in seven acts using electronic and acoustic material. The piece tries to recreate a dream atmosphere in where many things seem to be what they aren't.

Recording of Helmut Zapf's Canto del aria (for oboe). This work uses oboe and electronics.

Recording of Joseph Hyde's Night falling III - Burnt out. For piano, percussion, and tape. This work resembles a less restful version of a series of nocturnes, which reflects the 24-hour culture of a modern city. The initial spark came from a novel by Paul Lepin, entitled Severin's Journey into the Dark. This work evokes the Dionysian intoxication and exhilaration of the metropolitan nightscape, the noise, bright lights - but also the darker side; the sleaze, the violence; and the sense of irresponsibility and dispossession the city night breathes.

Recording of Amnon Wolman's New York. For piano and electronics.