Recording of John Levack Drever's Butterfly Lovers. The title represents a traditional Chinese story presented in Cantonese. Sonic material generated from the grain (i.e. internal rhythm and timbre) of the recording of Wing Man Kwok's voice and two passages for flute. The work can be experienced on a phenomenological level with its emphasis on the sonic; equally and mutually it can be approached by the listener from a programmatic perspective (i.e. cinema for the ears).

Recording of Phil Archer's Kung Fu. This piece is composed entirely of source sounds taken from Chinese Kung Fu films and adopts the values and characteristics associated with these films. The composer's goal while writing this work was, while incorporating technique and valves commonly associated with electroacoustic music, to avoid or subvert obvious clichés of the genre.