Letter from Sandra Cisneros to Sterling Houston. She tells him she "saw these and knew they were for your altar." She wishes him the best and to keep growing.

Letter from Phill George to Sterling Houston. He writes from New York thanking him for sending Miranda, a play written by Houston. He hopes that once in San Antonio, he can work on Frankly, Scarlett at the Josephine Theatre.

Letter from Aubrey to Sterling Houston, prominent San Antonio playwright. She writes thanking him for participating in an exhibition titled Emerging from the Shadows: One City's Perspective on Homelessness. She includes two responses from attendees, who write positively about the show and share personal stories.

Letter from Kitty Tsui to friends. She writes informing them of recent news in her professional career, including publication of her book of erotica, Breathless. A book tour, appearance at the Michigan Women's Music Festival, and inclusion in a book of collective essays are also in her future.

Letter from Robert Atkins to friends and family. He writes informing them of recent news in his professional career, including media collaborations with television broadcasting companies and updates on two of his books, TalkBack! and ArtSpeak. A few personal details are also given.

Letter from Steven Watson to an unidentified recipient - most likely Sterling Houston, prominent San Antonio playwright. He writes to inform of happenings in his professional career in the past year, including a curatorial position at the National Portrait Gallery and a video shown at the Lincoln Center. Photocopied photographs are on the back page.

Theatre flyer for the play "Damien", starring Steve Wilhite as Father Damien de Veuster, the leper priest of Molokai. The play was put on four times at The Catholic University of America. Ticket prices, hours, dates, and other information have been included at the bottom. Postage on the back indicates that the flyer was sent to Sterling Houston, prominent San Antonio playwright.

Greeting card from Richard and Jennifer Armstrong to Sterling Houston, prominent San Antonio playwright. They hope to see him again when they travel back to Texas. A second card has been placed inside it: an announcement for the birth of Simon Alexander Ghebreyesus. It was sent much later, however, according to the child's birth date.

Letter from Mary Travers, vice president of Alice B. Theatre, to Sterling Houston, prominent San Antonio playwright. She writes to congratulate him on being one of ten people chosen as a finalist for a position on the artistic staff. The rest of the letter details how the upcoming weeks will look like for the finalists, and what materials they need to send so that the theatre can make their final decision.

Letter from someone at the Walt Whitman Cultural Arts Center, INC. to Sterling Houston, prominent San Antonio playwright. Though it has been signed at the bottom, it is difficult to read with certainty. The note informs Sterling that items have been enclosed regarding Essex and suggests that he send them to the appropriate people.

Letter from Robert Xavier Rodriguez to Sterling Houston, prominent San Antonio playwright. He writes informing him that he will be in San Antonio for a performance of his music at San Antonio College, and wishes to see him.

Letter from Eduardo Diaz, director of the Department of Arts and Cultural Affairs, to the Virginia Center for the Creative Arts. He is writing on behalf of Sterling Houston, prominent San Antonio playwright, so that he may be awarded a fellowship with the Center. Diaz notes that Houston has been instrumental in establishing alternative theater and wholeheartedly recommends him to their program.

Postcard from the Virginia Center for the Creative Arts to Sterling Houston, prominent San Antonio playwright. The postcard has been sent as a formality, indicating that they have received his application material and will be notified of a decision in the month of January.

Typed note from Maya Angelou to Sterling Houston, prominent San Antonio playwright. She wishes the best for Houston and his players. Instructions and information about proper flower care and business information from the Last Straw Florist indicates that flowers accompanied the note.

Letter from an unidentified woman to a close group of friends. She informs them of an incident that occurred in New Orleans one night after leaving a friend's wedding. Walking alone towards her car, she became fearful of a man walking behind her. After passing her, he turned back and showed her a t-shirt that read, "all black men are not criminals." The incident shook her considerably as she considered herself a proud liberal. She notes that the problem of racism can be crystallized in such moments, and that she will continue to fight to find solutions.

Letter from Robert Xavier Rodriguez to Sterling Houston, prominent San Antonio playwright. He thanks him for his call and apologizes for not attending one of his plays, as he was busy with events relating to the San Antonio Symphony.

Letter from Lillie DeAnda to Sterling Houston, prominent San Antonio playwright. She thanks him for helping and attending the SAYL (likely the San Antonio Youth Literacy organization) Gala kick-off party. She is happy that he will attend at a forthcoming gala in March.

Letter from Arturo Madrid of Trinity University to Sterling Houston, prominent San Antonio playwright. He writes to invite him to a reception and dinner for Judith F. Baca, an artist-in-residence at the university, at Magnolia Gardens Restaurant. He asks that he please RSVP as soon as possible.

Greeting card from Nancy B. to Sterling Houston, prominent San Antonio playwright. It appears the note was sent after Nancy attended one of Sterling's plays. She writes admirably about what she experienced, his talent, and vision, and hopes that others can experience it as well. The front cover of the card shows a watercolor painting of a rooster.

Letter from Dianne Monroe to Sterling Houston, prominent San Antonio playwright. She writes to congratulate him on a recent play, On the Pulse of the Morning. She shares recent updates in her life, including a book she co-wrote titled Scattered Children, and hopes that the two can get together again. A second letter written by Sterling is included along with an envelope, but it goes unmentioned in Dianne's letter.

Letter from Dr. Charles A. Taylor, president of St. Philip's College, to Sterling Houston, prominent San Antonio playwright. He informs him that he would be pleased to host a reception to one of Houston's adaptations - On the Pulse of the Morning by the world-renowned poet Maya Angelou - before the production goes up. However, he is unable to provide additional funds to underwrite the event.

Letter from Kristina Paledes to Sterling Houston, prominent San Antonio playwright. As entertainment editor of the San Antonio Express-News newspaper, she writes to extend an invitation to Houston to participate in an arts column. She would like for him to contact colleagues and together send submissions on a wide range of topics in the arts community.

Letter from Sally de Mattia to Sterling Houston, prominent San Antonio playwright. She writes from the Italian-based magazine Omero, which is in various stages of publishing Le Griffon, a play by Houston. She also wonders if perhaps she should take her own play out of Houston's production company, the Jump-Start Performance Company, due to setbacks in funding and delays.

Letter from Bruce Morrow, associate director of the Teachers & Writers Collaborative, to Sterling Houston, prominent San Antonio playwright. He writes to thank him for sending his story, Moan Your Mourners, but has declined to include it in an anthology of short stories he is editing.