This piece was composed in honour of the death of Salvador Dali, the surrealist painter, who shares my birthday. The piece attempts to musically interpret and transliterate the techniques and aesthetic of surrealism. Digital "samples" (analogous to photo realistic images in painting) are taker out of context and modified or "warped". Use of the traditional Latin requiem text reflects Dali's use of religious imagery. All sounds on this piece are produced by voices, human and animal; including Dali's own voice describing this obsession with death.

Recording of Philippe Ménard's Rep-à-quatre. This piece is inspired by François Rabelais and his satire, grotesque, and bawdy jokes and songs. On a technical level, most of the sound material comes from samples of the texts (ASR 10 sampler) and the musical organization is managed by the MAX software, my improvising assistant.

Recording of Henri Heuze's Le sacerdoce et le curé d'Ars.

Recording of John Levack Drever's Cloud of forgetting.

Recording of Eric La Casa's Ouroboros 5.

Recording of Alessandro Cipriani's Aqua Sapientiae/Angelus Domini. This is the 5.00 short tape version. For electronics, pre-recorded sound, and manipulated voice and Gregorian chant.

Recording of Joan La Barbara's De profundis: out of the depths, a signe // a different train. This work is for voice, spoken narration, and pre-recorded sound (both unprocessed and process).

Recording of Juan Manuel Marrero's Come la voce della coscienza.

Recording of Miklos Sugar's Pater noster. This work was composed for the female choir Musica Nostra and its choirmaster Zsuzsanna Mindszenty. The vocal material in the piece is comprised of four voices that undergo electronic transformation. The special effects were made by the YAMAHA REV5.

Recording of Radek Rejsek's Carmen campanarum. This work is an electroacoustic fantasy created from the sound of bells and vocals to the words "Deo gratias". The composer also used sounds of clockwork to symbolize the flowing of time while the bells act as a hymn to God as thanks for our existence. This work was produced in Audiostudiu Czech Ragio in Prague.

Recording of Luigi Ceccarelli's In Die Resurrectionis. This is an electro-acoustic installation for the basilica of San Vitale inspired by the 12th century sacred musical tradition of Ravenna. This work was commissioned by the Ravenna Festival. The composer describes this work as his exploration of the relationship between music and spirituality, using Gregorian chant and traditional choral music to emphasize this.

Recording of Frank Schweizer's Songline. This work is made up of 10 untitled movements and contains various concrete and electronic sounds.