Photocopy of a letter from Rick Stewart, Director of the Amon Carter Museum, to Jack Davis and Bill McCarter accepting a position on the North Texas Institute for Educators on the Visual Arts (NTIEVA) Advisory Committee. He expresses support for NTIEVA.

Photocopy of a letter from Julie Abel, the Getty Center, to Lila Crespin and the Regional Institute Grant Directors. Requesting information about possibly locations which to film the Getty Center's mission / programs and to show the visitors the film which will orients the Center's goals. The film will be fifteen minutes long, comprised of three segments that will highlight the important parts of their programs. Enclosed in the letter are details about the three segments and the ideas behind how the filming should take place. Copied on the letter are Leilani Lattin Duke, Val Marmillion and Kathy Talley-Jones.

Photocopy of a note from Bill McCarter, co-director of North Texas Institute for Educators on the Visual Arts, to Leilani Lattin Duke, Director of the Getty Center Institute for Education in the Arts, saying the "Trip to Austin went very well - thanks for your good advice. We shall see what happens. - Bill"

Photocopy of a letter from Bill McCarter, co-director of North Texas Institute for Educators on the Visual Arts, to Jan Schronk, Art Supervisor for Hurst-Euless-Bedford ISD. To discuss the hard work done by a number of Art Specialists in Hurst-Euless-Bedford district, and that Pam Stephens took leadership and excelled in planning the 1992 Institute. As HEB ISD goes forward to build their budget for the next two years, McCarter writes if it is possible to build additional compensation for a position similar to one Pam had assumed that year, the goals of North Texas Institute for Educators on the Visual Arts is that districts take on leadership in planning and holding their own Institutes. Enclosed with the letter are two invoices.

Photocopy of a letter from Bill McCarter and Nancy Walkup Reynolds, North Texas Institute for Educators on the Visual Arts, to Leilani Lattin Duke, Director of the Getty Center. In regards to a brief description of their curriculum and their lesson units. The letter goes into greater details about the curriculum units and the intended desire of what NTIEVA program wants to accomplish. Copied on the letter are, Jack Davis, Sally McRorie, Jim Hutchen, Julie Abel and Blanche Rubin.

Photocopy of a letter from Jack Davis and William McCarter, co-directors of North Texas Institute for Educators on the Visual Arts, to M'Lou Bancroft, executive director for the Edward and Betty Marcus Foundation. The letter is in regards to a prior lunch meeting Bancroft had with Davis and McCarter, where they described North Texas Institute for Educators on the Visual Arts and their primary goals. They write their appreciation for Bancroft's guidance as they finalize their proposal to be submitted to the foundation.

Letter from Frederick Kirby, one of the killers of Hugh Callaway's friend (Thanh Nguyen), asking Callaway to give the inmate a second chance. It includes the envelope addressed to Callaway.

Letter from the Dallas Gay Alliance to the Dallas Parks Department Director Frank Wise for his disapproval of A Living Tribute project.

A letter from John Paul Batiste to Mark Elder about the financial assistance award from TCA to UNT for the NTIEVA program. The request for a revised budget is also included with contact information included if there are questions.

Letter from Park Chambers, Tim Doud, and Lawrence Steger of the School of the Art Institute of Chicago to Sterling Houston, prominent San Antonio playwright. They write to thank him for allowing them to house his documentation. It appears that Mr. Houston's contribution was helpful to an exhibition titled Private/Public. The School of the Art Institute played a seemingly large role in the exhibit as well.

Letter from Sally de Mattia to Sterling Houston, prominent San Antonio playwright. She writes from the Italian-based magazine Omero, which is in various stages of publishing Le Griffon, a play by Houston. She also wonders if perhaps she should take her own play out of Houston's production company, the Jump-Start Performance Company, due to setbacks in funding and delays.

Letter from Henry B. Gonzalez, member of the House of Representatives, to Sterling Houston, prominent San Antonio playwright. Houston wrote to Gonzalez in a prior correspondence about Out of a Time of Plague, one of his stage plays, fearing censorship. Mr. Gonzalez promises to continue to support funding for the National Endowment of the Arts and artistic expression.

Memorandum from Joan Parmenter to Barbara Lawrence confirming an order of blankets for the San Antonio chapter of The Links, Inc. More blankets are available through The Links' National Headquarters for a price of $10.00 per blanket.

Letter from Thelma J. Rice and Edwina G. Higgins to all members of the Links, Inc. in the western United States concerning members fees collected in order host a special event at the 1992 National Assembly of the Links, Inc.

Letter from Michael Garbarino to Alan Levi discussing the Texas Human Rights Foundation budget and the error corrections made.

Letter from Eugene M. Harrington, L. Joe Martinez, and the AIDS Equity League to the Healthy Committee of the Long Range Planning Committee discussing the clinical trial requirements regarding autoimmune disease treatment.

Clipping of the Design Industries Foundation for AIDS clothes collection.

Photocopy of clipping regarding the Texas Supreme Court ruling on sodomy laws.

Letter from La Rue Tucker Grant of Deer Park, Texas to Rosa Walston Latimer in which she offers information about books, magazines, and museums related to Harvey Girls and Harvey Houses.

Legal-sized envelope with the Women Airforce Service Pilots insignia in the upper left corner and a 50th Anniversary WASP Historic Monument Dedication cancellation stamp form Avenger Field station on May 22, 1993, Sweetwater, Texas 79556 and a twenty-nine-cent U.S. stamp that reads "Allies land in North Africa November 1942."

Legal-sized envelope with the Women Airforce Service Pilots insignia in the upper left corner and a 50th Anniversary WASP Historic Monument Dedication cancellation stamp form Avenger Field station on May 22, 1993, Sweetwater, Texas 79556 and a twenty-nine-cent U.S. stamp that reads "Allies decipher secret enemy codes, 1942."

Letter from Michael Cowen to Dick Peeples discussing the recommendation of Sylvia Cedillo to the position of director of the Texas Human Rights Foundation.

Photocopy of a letter from D. Jack Davis to Daresa Voss about an inquiry into Discipline Based Art Education, and publications provided by the Getty Center for Education in the Arts. Also in the letter is information about the upcoming Summer Institute.

Photocopy of a memo from Leilani Lattin Duke, director of the Getty Center for Education in the Arts, to the Regional Institute Directors. The memo is in regards to how the states are proceeding with the planning of the implementation of Goals 2000. Duke is enclosing copies of a recent mailing from the National Assembly of State Arts Agencies, with the intent to the the RIGs more involved and mainstreamed with state education reform efforts and that the Federal U.S. Department of Education funds are given to states .