The National Museum of the Pacific War presents an oral interview with Donald R. Witmer where he discusses his early life, enlisting in the Navy and going through bootcamp. Witmer describes his experiences as a torpedo man in the Pacific Theatre during World War Two.

The National Museum of the Pacific War presents an interview with Frank Beardsley. Beardsley provides two interviews, one in 1990 and the other in 1998. Both focus on his career in the Navy. Beardsley joined the Navy in 1941 and earned a commission in January 1942. He served aboard the USS Big Horn (AO-45) for a while before commanding USS PC-1140 in 1944. After further anti-submarine warfare training, Beardsley commanded USS PCE(R)-858. He was on his way to the invasion of Japan when the war ended. He was discharged in 1946, but stayed in the reserves until 1964.

The National Museum of the Pacific War presents an interview with George Charland. Charland initially provides details of his family history and growing up. He joined the Marine Corps in 1939. He completed boot camp at Camp Elliott in California and provides details of his training. In June of 1941 he was assigned to the 3rd Marine Defense Battalion, H & S Company in Hawaii. He was serving guard detail at Marine Corps Air Station Ewa, 7 miles west of Pearl Harbor on the morning of 7 December 1941. Charland provides vivid details of his experiences through the attack. For the next month he and his sergeant went through the harbor in the captain’s gig picking up survivors and the dead. In August of 1942 he was assigned to the 2nd Battalion, E Company, 2nd Marines, 2nd Marine Division in New Zealand. In November of 1943 he participated in the Battle of Tarawa. Upon getting wounded he boarded the USS Comfort (AH-6) and went back to Hawaii, where Admiral Chester Nimitz awarded him a Purple Heart. He was then assigned to the 4th Marine Division in February of 1944 and supported the infantry during the battles of Saipan, Tinian and …

The National Museum of the Pacific War presents an oral interview with Chaplain Vernon Hanks. Hanks was born in Sterling, Kansas on 21 November 1908. He joined the National Guard doing drills with horse-drawn caissons and French 75s while attending Sterling College in Kansas. He graduated in 1931 and then attended the Iliff School of Theology in Denver, graduating in 1940 with a Master of Theology. Hanks joined the Navy after Pearl Harbor and received orders for Naval Chaplains School (NCS), Norfolk, Virginia, in August 1942. He was stationed at MCAS Cherry Point in North Carolina where he remembers counseling a distraught young Marine pilot who had been shot down during the Battle of Midway. Shortly afterward he was assigned to Bunker Hill Naval Air Station where he counseled Marines and Navy personnel. He facilitated a free circus performance at Christmastime. On 5 June 1943 he was assigned to the USS Wright (AV-1), a seaplane tender, for duty in the South Pacific. Hanks was on the Wright at Bougainville, the Admiralties and during the Battle for Leyte Gulf. In February 1945, USS Wright was renamed USS San Clemente (AG-79) and served as communications center for the 7th Fleet. Hanks returned …

The National Museum of the Pacific War presents a monologue by Jim Woods. Woods joined the Marine Corps in January of 1943. He served with the 3rd Marine Raider Battalion, participating in the Bougainville Campaign in November of 1943, the Battle of Guam in 1944, landing on Emirau Island, the Okinawa Campaign in April of 1945 and landing on Japan on 30 August 1945. After Bougainville, the Raiders were disbanded and Woods joined the 4th Marine Regiment for the remainder of his service. He provides vivid details of his combat missions with fellow servicemen, anecdotal stories from his squad and witnessed heavy casualties at Okinawa. Woods was discharged in late 1945.

Clipping from the the December 7, 1992 issue of the Dallas Morning News containing a photograph of a Christmas concert held by the Turtle Creek Chorale.

Program for a service celebrating the music of Kristopher Jon Anthony held at the Central Christian Church on July 7, 1992. An illustration of a monk holding a book appears on the left side of the program's cover.

Press release from Barnes-Blackman Galleries announcing the "Third Ward • First World: A Multimedia Installation" featuring artwork by teens ages 12-17. The installation will run from January 10 through March 1, 1992. The installation will have video, photography, sound, and painting.

A filled and informative TAEA Conference Proposal form from 1995, detailing the presenter's insights and contributions to the conference. This document provides a snapshot of the proposed presentation, the presenter's background, and key details shaping the educational discourse at the Texas Art Education Association conference in 1995.

An official letter from Larry Gleeson addressed to Bill McCarter, Nancy Berry, and all Marcus Fellows, discussing the considerations and scheduling details for the upcoming Authorware class in 1998.

A documented Marcus Art Advocacy Scholarship Application.

An insightful email exchange focused on the strategic implementation of the Westat Scale for PC Users.

A detailed document that meticulously outlines the strategic framework for the evaluation and documentation strategy of the Annenberg Challenge. Explore the methodologies, key considerations, and collaborative efforts detailed within this document, shedding light on the comprehensive approach to assessing and documenting the impact of the Annenberg Challenge initiatives.

Document of nametags for Candy Marcum and Carolyn Hall. The nametags are to be used at the Black Tie Dinner. Marcum and Hall's names are printed on lilac-colored paper.

An invitation for a Black Tie Dinner in 1998. The cover has an illustration of a yellow smiling crescent moon in a blue night sky with yellow stars. The invitation also has the agenda for the event, as well as information about the Kuchling Award as well.

A reservation contract for the use of the Diamond Eagle Suite at the University of North Texas in the University Union by the North Texas Institute for Educators on the Visual Arts luncheon.

A cover sheet for an 11-page fax transmission sent to Julie Abel by R. William McCarter and D. Jack Davis on May 7, 1990. Additional 10 pages are missing.

An email from Rex Wockner to himself containing articles from Reuters, the Minneapolis Star Tribune, the San Francisco Chronicle about a variety of political issues confronting the American LGBTQIA+ community.

A document containing the agenda and minutes for the North Texas Institute for Educators on the Visual Arts (NTEIVA) Art Supervisors meeting on December 7, 1992.

A message from the AIDS ARMS Network, Inc. to its affiliate organizations about new changes in the AIDS ARMS Network, Inc.'s funding process.

A facsimile from a "Reed" to a "Ginger" concerning a questionnaire, which was attached to the facsimile.

Printout of questions for the Mayoral candidates of Dallas dated August 7, 1991. Asks questions regarding the right to abortion.

Press release from the Junior Black Academy of Arts and Letters encouraging the public to join the 30th anniversary event commemorating the 1963 March on Washington. The anniversary event took place August 27-28, 1993 in Washington, D. C.

Press release from the Junior Black Academy of Arts and Letters discussing the annual Black Music and the Civil Rights Movement Concert hosted on January 18, 1998 at the Morton H. Meyerson Symphony Center.