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A 1

Access: Use of this item is restricted to the UNT Community
Recording of Daniel Schachter's A 1. This piece uses traditional electronic technique and emphasizes on musical gestures. The sounds are mostly synthetically constructed and are heard throughout the piece.
Date: 1992
Creator: Schachter, Daniel, 1953-
System: The UNT Digital Library
1 Corinthians 1:18-31 transcript

1 Corinthians 1:18-31

Lecture given Monday, February 24, 1992, 8:30 AM at Abilene Christian University
Date: February 24, 1992
Creator: Holladay, Carl
System: The Portal to Texas History
1 Corinthians 2:6-16 transcript

1 Corinthians 2:6-16

Lecture given Monday, February 24, 1992, 11:00 AM at Abilene Christian University
Date: February 24, 1992
Creator: Holladay, Carl
System: The Portal to Texas History
1 Corinthians 4:8-13 transcript

1 Corinthians 4:8-13

Lecture given Monday, February 24, 1992, 3:30 PM at Abilene Christian University
Date: February 24, 1992
Creator: Holladay, Carl
System: The Portal to Texas History
1 Corinthians 14 - the Edifying Assembly transcript

1 Corinthians 14 - the Edifying Assembly

Lecture given Tuesday, February 25, 1992, 3:30 PM at Abilene Christian University
Date: February 25, 1992
Creator: Ferguson, Everett
System: The Portal to Texas History
1 Corinthians 14 - The Edifying Assembly transcript

1 Corinthians 14 - The Edifying Assembly

Lecture given Tuesday, February 25, 1992, 8:30 AM at Abilene Christian University
Date: February 25, 1992
Creator: Ferguson, Everett
System: The Portal to Texas History
1 Corinthians 14 - The Edifying Assembly transcript

1 Corinthians 14 - The Edifying Assembly

Lecture given Tuesday, February 25, 1992, 11:00 AM at Abilene Christian University
Date: February 25, 1992
Creator: Ferguson, Everett
System: The Portal to Texas History

3 pièces pour double basse et bande

Access: Use of this item is restricted to the UNT Community
Recording of Orlando Jacinto Garcia's 3 pièces pour double basse et bande. Was written for bassist Robert Black and completed in the summer of 1990. The tape part was made using the bass player's recordings of brief musical pieces (i.e. tremolos, harmonics...) which were then digitized by the composer, sometimes transforming and mixing the material in layers of sound. The second of the three pieces is characteristic of a genre of glissandos, register changes, and also long holds both on tape and for the live double bass part. Great care as to the correctness of tone and the control of timbre is necessary on the part of the double bass player.
Date: 1990
Creator: García, Orlando Jacinto
System: The UNT Digital Library

4 in 1

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Recording of Herbert Mitschke's 4 in 1. This piece uses traditional electro-acoustic technique to alter recording sounds and explore musical possibilities.
Date: 1993
Creator: Mitschke, Herbert A., 1954-
System: The UNT Digital Library

5 Cookie jars and a broomstick

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Recording of Paul Geladi's 5 Cookie jars and a broomstick. The piece is based on percussive sound. These come from 5 cookie jars and a broken aluminum broomstick found in a garbage container. All the sound were recorded with a SONY ECM 979 stereo microphone.
Date: 1996
Creator: Geladi, Paul
System: The UNT Digital Library

5 Cookies

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Recording of Paul Geladi's 5 Cookies. This piece is based on percussive sounds that come mainly from 5 cookie jars and a broken aluminum broomstick. It is a reworked version of "5 cookie jars and a broomstick" from 1995.
Date: 1998
Creator: Geladi, Paul
System: The UNT Digital Library

5 Interazioni cicliche alle differenze sensibili

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Recording of Scipio di Agostino's 5 Interazioni cicliche alle differenze sensibili. This work consists of 5 untitled movements. This composition was written for string quartet and computer processing. The string instrumentals are not meant to sound like their traditional timbre and instead have become something that is algorithmically conceived and interactively regulated.
Date: 1998
Creator: di Scipio, Agostino
System: The UNT Digital Library

5 little things mother taught me

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Recording of Jeffrey Faustman's 5 little things mother taught me. This work is a collection of five miniatures composed from three sound sources: the soprano voice from Edgar Varese's "Poem Electrique", the composer's voice, and a radio broadcast. The movements are titled: 1. Cantare, 2. Tedium, 3. Traumen, 4. Distance, and 5. Escape/Hallucination.
Date: 1998
Creator: Faustman, Jeffrey
System: The UNT Digital Library

5 little things mother taught me

Access: Use of this item is restricted to the UNT Community
Recording of Jeffrey Faustman's 5 little things mother taught me. This work is a collection of five miniatures composed from three sounds. Most of the material was generated from a single sample of an analog recording of a soprano voice - the soprano voice from Edgar Varese's POEM ELECTRIQUE "to be exact. The other two sound sources are the composer's voice and a radio broadcast.
Date: 1998
Creator: Faustman, Jeffrey
System: The UNT Digital Library

5 Piccoli Ritmi

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Recording of Agostino Di Scipio's 5 Piccoli Ritmi. For tape music with computer-processed guitar sounds and voice. This work divided into 5 short section, each announced by Spanish voice. The text being read is from a poem by H. Maturana. The sounds are derived from mixing and processing concrete sounds. The processing techniques includes an interactively operated method of real-time recursive granulation and time-shifting. Feedback controls were utilized, so that amplitude and density of the output sound affect the time shift ratio and the pitch in the algorithms.
Date: 1996
Creator: Di Scipio, Agostino
System: The UNT Digital Library

6 regards sur L.

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Recording of Xavier Garcia's 6 regards sur L. This piece uses voice and manipulates the sound to create unsettling and technical passages. There is a wide use of the music technique of spatialisation.
Date: 1991
Creator: Garcia, Xavier, 1959-
System: The UNT Digital Library

Los 7 Espejos

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Recording of Gonzalo Biffarella's Los 7 Espejos. This work was composed for 6 instruments and electronics. This work is based on the idea of the computer "mirroring" each of the instruments presented in the piece. The composer purposefully makes the instrumental material stray from their traditional sounds, creating a confusing listening experience for the audience.
Date: 1999
Creator: Biffarela, Gonzalo, 1961-
System: The UNT Digital Library

7 excerpts from "visual haïku"

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Recording of Warren Burt's 7 excerpts from "visual haïku". "Visual Haiku" was a set of 16 computer pieces made for Robert Randall's "Visual Haiku" project in 1994. All the music was made on various computer systems using software such as Band-in-a-Box, Sound Globs, M, Cool Edit and so on. Each of the "Visual Haiku" used algorithmic processes to assemble music which loudly and proudly proclaimed bad taste and slavish obeisance to commercial musical models, in keeping with the neo-Warholian aesthetic of Randall's work. "Visual Haiku" appear on the 2 CD set "Randelli's Selection" - on Scarlet Aardvark CD No. 47 A and B, available from www.warrenburt.com.
Date: 1994
Creator: Burt, Warren, 1949-
System: The UNT Digital Library

8 variations sur une polska de Hammerdal

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Recording of Sten Hanson's 8 variations sur une polska de Hammerdal. This work is part of a series called "recycling" where material from traditional music is brought into the world of electroacoustics and made to fit into that genre of music. This piece specifically uses material from a polka and is played with a willow flute. The recording of the willow flute was made 40 years ago and is the only one of its existence.
Date: 1999
Creator: Hanson, Sten, 1936-2013
System: The UNT Digital Library

15° harmonico

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Recording of Rodrigo Cicchelli Velloso's 15° harmonico. For harmonica, piano, and tape. This piece develops a series of variations of the initial piano sequence. Most of the sounds in the electronic part are taken from the samples of the piano itself, but a flute and various percussion instruments have also been used. These sounds have been reworked using different filtering techniques, to impose a harmonic relationship commonality between instrumental and electronic writing.
Date: 1995/1997
Creator: Velloso, Rodrigo Cicchelli
System: The UNT Digital Library

94 eleciones

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Recording of Ricardo Arias' 94 eleciones. Inspired by the fascination of the fashionable spectacle of biodiversity. Within the tropical forest, psittacine, quickly show their invasion of acoustic space with repetitive and annoying messages. Sound recordings made in the forest and recordings of paid political advertising. The composer was devoted to cutting and assembling in sequence fragments of electoral sound borders and joining mixed unaltered vocalizations of birds and other animals.
Date: 1994
Creator: Arias, Ricardo, 1965-
System: The UNT Digital Library

888: Acht minuten achter acht netten vissen

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Recording of Paul Geladi's 888: Acht minuten achter acht netten vissen. This work is for 8 mono soundtracks, supplied as 4 stereo pairs. The soundtracks are in finished form and should be mixed according to a set of instruction given by the composer, on an 8 channel mixer to stereo or quadro configuration loudspeakers. The piece is for live performance. The 8 mono tracks are to be reorganized in 2 groups of 3 and 5 tracks each and the tracks do not have to start synchronously, allowing for an incredible amount of performance interpretations.
Date: 1992/1993
Creator: Geladi, Paul
System: The UNT Digital Library
[10th annual "Black Music and the Civil Rights Movement Concert" audio tape 1] transcript

[10th annual "Black Music and the Civil Rights Movement Concert" audio tape 1]

Audio cassette from The Black Academy of Arts and Letters recorded during the 10th annual Black Music and the Civil Rights Movement Concert hosted by the Junior Black Academy of Arts and Letters on January 17, 1993 at the Morton H. Meyerson Symphony Center. The tape includes two well recorded tracks of gospel and jazz style music featuring Jennifer Holliday and a 200-voice choir.
Date: January 17, 1993
Creator: King, Curtis & Holliday, Jennifer
System: The UNT Digital Library
[10th annual "Black Music and the Civil Rights Movement Concert" audio tape 2] transcript

[10th annual "Black Music and the Civil Rights Movement Concert" audio tape 2]

Audio cassette from The Black Academy of Arts and Letters recorded during the 10th annual Black Music and the Civil Rights Movement Concert hosted by the Junior Black Academy of Arts and Letters on January 17, 1993 at the Morton H. Meyerson Symphony Center. The tape includes two well recorded tracks of gospel and jazz style music featuring Jennifer Holliday and a 200-voice choir.
Date: January 17, 1993
Creator: King, Curtis
System: The UNT Digital Library