Postcard from Doris Tanner to Rigdon Edwards discussing a recent gathering. The front of the postcard contains a photograph of a T-6 trainer airplane.

Postcard from Elaine Harmon to Rig and Mary Emma Edwards discussing a newspaper picture they sent her, Thanksgiving, and spending time with family. The front of the postcard depicts five dalmation dogs sitting at a table with the caption "Only in Texas."

Postcard from Elaine Harmon to Rig Edwards discussing photographs he sent her and her recent visit with fellow WASP Jean Downey. The front of the postcard has a picture of a currency wagon at the U.S. Treasury Department.

Postcard from John Thomas to Mike Anglin. In the postcard, Thomas thanks Anglin for allowing Thomas to use the house for the "Taking Care" workshop.

Postcard from Kay D'Arezzo to Rigdon Edwards, also a receipt, discussing his payment of $152 for his registration for the upcoming Anniversary Conference in San Antonio, Texas.

Post card from Madge Saenz of Galveston, Texas to Rosa Walston Latimer of Lubbock Texas, in which she talks about an upcoming Grand Canyon reunion.

Postcard from Richard and Jennifer Armstrong to Sterling Houston, prominent San Antonio playwright. A short note on the back discusses problems with a project and terrible weather. They hope to go to San Antonio occasionally. The front cover shows a view of Mt. Lassen and Manzanita Lake in Mt. Lassen, California.

Postcard invitation from The Marsh, a theatre venue in San Francisco, to Sterling Houston, prominent San Antonio playwright. The invitation is for Civil Sex, a performance starring Brian Freeman, founder of the Postmodern African-American Homosexuals (Pomo Afro Homos).

Postcard from the Sweetwater Chamber of Commerce to Margaret Hill inviting her to the WASP Reunion Committee Meeting.

Postcard from the Sweetwater Chamber of Commerce to Margaret Hill inviting her to the WASP Reunion Committee Meeting at the Sweetwater Country Club.

Postcard from the Virginia Center for the Creative Arts to Sterling Houston, prominent San Antonio playwright. The postcard has been sent as a formality, indicating that they have received his application material and will be notified of a decision in the month of January.

A postcard from Vocus, Inc. to PAC Director advertising leveraging technology.

Postcard advertising an art gallery with several installation by various artists. The first exhibition is The Critical Decade by Roshini Kempadoo and Maxine Walker, photographers who express what is means to be Black and British in Europe. The first installation is Banthu by Annette Lawrence; Banthu is a word used by Black South Africans use Banthu as a word of solidarity. The second installation is Move? by Pat Ward Williams and the third installation was Shout by Colette Veasey.

Postcard titled "In My Image" with details about an exhibition of original paintings by Mauri Williams. The exhibition was hosted by Barnes-Blackman galleries in Houston.

Postcard advertising for two exhibitions at the Mexic-Arte Museum in Austin, Texas. The first exhibition, Kisses, opened on February 14th, 1990 and closed on March 10th, 1990. The second exhibition, Erotic Art, opened on February 14th, 1990 and closed on February 23rd, 1990. The front of the postcard depicts a series of "kiss marks," all but two of which are trapped behind bars. The text reads "Let the kiss free!"

Postcard invitation that advertises and exhibition that exhibits the work by Malaquías Montoya, a renowned Chicano artist, at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from July 31, 1998 to August 29th, 1998. The front of the postcard features a painting titled "The Beating," which was created using acrylic wash pencil and pastel on paper. The painting is of a bald man who holds his right hand at his brow in an expression of pain.

Postcard inviting the recipient to visit the Mascaranas Mexicanas exhibit at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from May 3rd, 1996 to June 15th, 1996 and a reception was held on May 3rd, 1996. The front of the postcard features a photograph of an ornate mask. An almost human face with a mustache, two sets of horns, and an open mouth is surrounded be creatures. A bird sits atop the head as a snake wraps around it and three lizards crawl up the neck. The mask is painted in dark green, gold, and red colors.

Postcard advertising an exhibit of selections from the Mexican Print Collection. The exhibit was held at the Mexic-Arte Museum in Austin, Texas and ran from September 13th, 1996 to October 12th, 1996. The front of the postcard features a drawing of a woman with long hair and slightly squinted eyes. The drawing is labeled: "Lacandon Woman by Raúl Anguiano."

Postcard of the green 1939 Cadillac sedan used by General George Patton after World War II on display at the Patton Museum .

Postcard of mannequins in an army Jeep display at the General George Patton Museum in Fort Knox, Kentucky.

Postcard featuring a photograph of a group of men and women (mostly in traditional German dress) standing in front of and on a tall stage. Most of the people are holding various musical instruments. A small banner reading, "Boerne Village Band, Boerne, Texas, German Music Since 1860," is attached to the stage. In the background, the dark stage curtains are visible. The back of the postcard has postcard markings, a brief summary of the history of the band, a description of the photo (taken at Abendkonzerte) and a schedule of performance dates for the band.

Postcard of a camouflage tank at the General George Patton Museum in Fort Knox, Kentucky.

Postcard of the exterior of the United States Bullion Depository in Fort Knox, Kentucky.

Postcard of a statue of George Rogers Clark in Louisville, Kentucky. The engraving on the granite base reads, "General George Rogers Clarke by Felix W. de Weldon -- A gift to the people of Louisville by the Helman-Hopkins family.”