Recording of Patrik Thorell's Everything (get out in the sunshine and play). The composer states that the Text-Soundcomposition is a sketch that slowly grew into a piece and that it holds a chronological structure with a beginning, middle, and end. The composer credits the title of the piece to a poem and uses it as a message to his collaborators, himself, and the listener.

Recording of Lennart Westman's Spiritus. This is a work for audio and video and consists of 3 movements: 1. Passacaglia Spiritus, 2. Spiritus Animatus, and 3. Graal Hommage. The work as a whole was inspired by the poetry of the Swedish poet, Gustaf Fröding as well as the music of Bach. All three movements premiered at ICMC2002 in Gothenburg, Sweden. The work consists of synthesized sounds as well as segments performed by a four-part choir with singers from two Stockholm choirs.

Recording of Lennart Westman's Spiritus. This work consists of three movements accompanied by a music video: 1. Passacaglia Spiritus, 2. Spiritus Animatus, 3. Graal Hommage. The work is inspired by the poetry of Gustaf Fröding and the music of Bach. All three movements were premiered at ICMC2002 (International Computer Music Conference).

Recording of Erik Peter's Everything under the snow is gratis. This work is for electronics.

Recording of Johannes S. Sistermanns' I hear you think. This work consists of various concrete sounds as well as spoken text written by Hazrat Inayat Khan.

Recording of Erik Peters' Biography. For electronics utilizing traditional electro-acoustic technique. This work is made up of 12 parts: 1. Prologue, 2. Ritournelle I, 3. Entre pre et fils. 4. Ritournelle II, 5. Vue sur la grande vallée, 6. Trios amis, 7. Ritournelle III, 8. Entre un homme et une femme, 9. D'un endroit pas trop loin des cimes des arbes, 10. Ritournelle IV, 11. Antipatio, and 12. Epilogue.

Recording of Francesco Boschetto's Your heart is a red train. The concrete material is prevalent as the main sound source and it is derived from life in the city of Stockholm. It is based on three poems, mainly on "Ditt Hjarta Ar Ett Rott Tag", by the Swedish writer Rold Aggestam and on two sonnets by Lorenzo "il Magnifico". The composer's personal experience seeps troughout the course of the piece: the sound of trains, people in subway stations and streets, solitude in the crowd; it is an itinerary in the everyday routes in a foreign town and the elapsing of wintertime scanned by a faint light.

Recording of Ragnar Grippe's L'Archer coupe l'air en deux. All the material was composed by the composer. The sound include soprano voice, voice, logs, water, toys, cello, piano, and radio waves. The technique used is very much based on the composers experiences from French Groupe de Recherches Musicales. MIDI sounds were made with a digital performer, sound on sound tools II, and manipulated with Turbo Synth SC.

Recording of Jonas Soderberg's Receiver. For voice and electronics. Towards the end of the century, the multitude of messages meeting over the airwaves and networks reached such a volume that transmitters as well as receivers lost their raison d'être. The amount of information has become an entity and the communicative aspect is no longer discernible. "Receiver" is an attempt to explore the function of the artist in this historical process.

Recording of Åke Parmerud's Grains of voices. The piece is composed as a continuous flow where thematical ideas and voices are formed. The opening of the piece uses the biblical words of genesis where "darkness" and "light" has been substituted with "silence" and "sound". The second part of the piece has the theme of memories of childhood in the form of lullaby's and children's songs from different country's. The next section carries the theme of prayers through the combination of the provocative poetry of A. Ginsburg, a Hindu evening prayer, a Balinese and a Fijian priest, and finally a New Delhi citizens right demonstration. The last section of the piece is born as a slow transformation from the dramatic to the ritual music.

Faculty recital performed at the UNT College of Music Concert Hall.