Recording of Boyko Stoyanov's C.A.S. Stoyanov was inspired by the interpretation of Chopin's Op. 30, no. 1 by the Japanese pianist Rikako Akatsu, performed at the Chopin Piano Competition in Warsaw. In this work, the composer wanted to create a unique form, the basis of which provided by the electroacoustic music.

Evening dress/ballgown of black with white polka dots taffeta. Full length, slightly flared skirt with spaghetti strap shoulders. Bodice of six layers of black and matching polka dot pleated ruffles. Under structure of black taffeta is straight with 16" added gathered ruffle at hemline to give fullness to dress. Designer's label at left side seam: "(Japanese characters) / Hanae Mori" Size "8" tag attached to base of designer label. Retailer's label at left side seam: "Neiman-Marcus"

Recording of Alden Jenks's Nagasaki made in the electronic music studio of the San Francisco Conservatory of Music. Both electronic and non-electronic sounds were used (of the latter the human voice and music of the Japanese court, "gagaku", figure prominently). The human voice appears to be electronically generated, or electronic sounds appear to be gagaku instruments, singing voices, or a percussion ensemble. The words used are those of Fujio Tsujimoto at the age of five, of Nagasaki; on the tape they are spoken by the Japanese violinist Mayumi Ohira.

Recording of Anna-Elizabeth Hinkle-Turner's American Made. It is an electroacoustic piece using various English and Japanese sound fragments to recreate the sound of a motorcycle's exhaust.