Article discussing the Levi problem on mixed manifolds. This article gives a new proof that the problem of Levi, to mixed varieties have a solution in the sense that every pseudoconvex closely mixed variety, with enough real global morphisms, is a variety of Cartan.

A guest artist recital performed at the UNT College of Music Recital Hall.

Faculty Recital performance at UNT's College of Music Concert Hall

Recording of Roberto Doati, Gianantonio Patella, and Daniele Torresan's "La materia è sorda" performed by Lorenzo Rizzato (speaker) and electronically realized by Granziano Tisato.

Recording of Charles Dodge's "Any resemblance is purely coincidental" for tape. The piece aspires to represent the voice of Enrico Caruso in much the same way that Andy Warhol represented the figures of contemporary popular culture in his silk screen portraits: the voice is unmistakably that of Caruso, but with a difference. In "Any resemblance is purely coincidental," an operatic voice searches for an accompaniment: with the original orchestra, with copies of itself, with the piano, and with other computer sounds. The initial attempts are humorous; subsequently, other emotions are evoked until the loneliness of the "great performer" emerges. The voice is made with computer synthesis based on a 1907 recording of the aria "Vesti la giubba" from Ruggiero Leoncavallo's I Pagliacci sung by Enrico Caruso.

Ensemble performance at the UNT College of Music.

Faculty performance in memory of Philip Montalbo M.D. given at the UNT School of Music Concert Hall.

Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Faculty recital performed at the NTSU School of Music Recital Hall

A faculty and guest artist recital performed at the UNT College of Music Recital Hall.

A faculty recital performed at the UNT College of Music Concert Hall.

Video recording of a slideshow presentation by Samuel J. Marino that was directed and included photographs from Silas S. Stamper. It includes visuals of portraits, monuments, statues, busts, and books that depict Christopher Columbus. It was overlaid with music from the Italian Symposium of Texas and narration explaining who the artists, and writers were along with a history of Columbus.

Video recording of an amateur production about the Italian American experience in Texas that appears to have been created for the fourth Italian Symposium of Texas held in Bryan, Texas in September 1984. North Texas State University (now UNT) professor Dr. Samuel J. Marino introduces the production and references Texas Woman's University professor of Government, Cavaliere Valentine J. Belfiglio's 1983 book, The Italian Experience in Texas, which this production was based on. Dr. Marino traveled to Texas towns that historically had Italian communities and filmed interviews with residents, as well as scenery and exteriors of local Italian owned businesses. Dr. Marino narrates the video from a script he wrote with Alfonso Nicosia. The visuals are of a poor quality and are often overexposed and blurry.

Amateur production about the Italian American experience in Texas that may have been created for the Italian Symposium of Texas in September 1984. This video is the unedited original shots for the completed "Italians in Texas" documentary film. North Texas State University professor Dr. Samuel J. Marino was the lead for the piece, which was based off of Texas Woman's University professor of Government, Valentine J. Belfiglio's 1983 book, "The Italian Experience in Texas". Drs. Belfiglio and Marino traveled to Texas towns that historically had Italian communities and filmed interviews with residents, as well as scenery. At various intervals the video cuts out and goes to a blue screen or a screen with colored bars. Two of these times, one at about three minutes in and then again at the end of the footage, footage from television are played. The first is a scene from "Scarecrow and Mrs. King" and later is the AT&T logo, a McDonald's commercial, and a preview for a miniseries titled "The Last Days of Pompeii" that is voiced-over with a news announcement. The main piece though is made up of various takes and clips that went into making the Italians in Texas film.

Video recording of an interview with James J. Muro, Acting Vice President for Development at North Texas State University (now the University of North Texas). The interview takes place in what appears to Muro's office on the UNT campus. Muro, a native of Pennsylvania, discusses his upbringing, his family and the demographics of his hometown, which had a large immigrant population of Slovaks, Poles, and Italians. Muro's father emigrated from Sicily, Italy at the age of 5 or 6. His mother, the daughter of immigrants, was of partial Italian heritage. Muro's father worked as a coal miner and instilled a strong work ethic in his son. Muro talks about discrimination related to his identity as an Italian Catholic that he experienced on the East Coast. He claims he not experience any discrimination when he moved to Texas. Before the interview begins, there are brief scenes of the UNT campus, including Fouts Field.

Spoof of Latin and Spanish text in ornate calligraphy. The text is not in correct Latin or Spanish, but intended to "look" like it.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions.

Faculty voice recital performed at UNT's College of Music Recital Hall.

Choir concert performed at the UNT College of Music Recital Hall.

Recording of Zoltán Pongrácz's Madrigal for tape. The aim of the composer was to create a madrigal, one of the most aristocratic of the choral genres of the Renaissance, through electronic means. He uses the characteristics of the Italian madrigal as an element of the musical color to create effects of the Gothic choral music. The raw material is based only on the recitation of the sonnet, as well as on sounds sung at various frequencies by the choir. Pongrácz also calls this work a concerto, but not in the traditional understanding of the genre, particularly in the case of the conception and the formal structure; he calls it such because of the contrast between the cymbalum and the spectra of the oscillators. Madrigal was realized at the Studio for Electronic Music of the Hungarian Radio in Budapest.

A guest artist recital performed at the UNT College of Music Recital Hall.

Guest artist recital presented at UNT School of Music Organ Recital Hall.

Recital presented at the UNT School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.