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An Analysis for Performance of Les Nuits d’été by Hector Berlioz, Opus 7
This paper analyzes Hector Berlioz's song cycle Les Nuits d’été, Opus 7, for the purpose of performance. Along with musical analysis, Anna Ruth Stone also provides background about the poet Théophile Gautier and describes the appeal of the Berlioz's song cycle.
Date:
August 1979
Creator:
Stone, Anna Ruth
System:
The UNT Digital Library
Comparison of Bach’s Chaconne in D Minor for Solo Violin and Its Piano Transcription by Ferrucio Busoni (1866-1924)
This paper provides an analysis of Johann Sebastian Bach's Chaconne in D minor for Solo Violin and its piano transcription by Ferrucio Busoni. Hsiao-Hung Ku highlights the value of transcribing music and compares the original work to its transcription.
Date:
August 1979
Creator:
Ku, Hsiao-Hung
System:
The UNT Digital Library
A Comparison of Technical Solutions With Possible Alternatives in the Performance of Chopin’s Etudes, Op. 10
This paper explores the development of the practice of etudes and provides technical solutions for Frédéric Chopin's Etudes, Op. 10. David McKamie explores each etude in turn and considers various methods to perform them.
Date:
August 1979
Creator:
McKamie, David
System:
The UNT Digital Library
Compositional Techniques Using the Clarinet in the Swing Period in Big Band Jazz
This paper discusses the compositional techniques developed for the clarinet during the Swing period of big band jazz. Victor E. Wertz traces the history of big band jazz and highlights some major clarinetists and their performance techniques.
Date:
August 1979
Creator:
Wertz, Victor E.
System:
The UNT Digital Library
“Orchestral Pianism”
This paper discusses the concept of "orchestral pianism" as a quality of composition that utilizes the piano's capability of imitating orchestral and vocal sounds. Patrick Widhalm explores the history of the concept, its roots, and the major composers whose writing employed this capability.
Date:
August 1979
Creator:
Widhalm, Patrick
System:
The UNT Digital Library
Six Mélodies Populaires Grecques, by Maurice Ravel
This paper provides an analysis of Maurice Ravel's song cycle Cinq mélodies populaires grecques and "Tripatos." Pamela D. Hamblin discusses Ravel's musical style of composition and investigates the background and the individuality of the songs.
Date:
August 1979
Creator:
Hamblin, Pamela D.
System:
The UNT Digital Library
A Study of the Folk-Song and Poetic Influences in the Piano Music of Brahms
This paper highlight the history of the German folk-song and its influence on the work of composer Johannes Brahms. Barbara Gilbert Williams discusses the rise, fall, and rival of the folk-song as an art form and how it and poetry is incorporated into Brahms's compositions.
Date:
August 1979
Creator:
Williams, Barbara Gilbert
System:
The UNT Digital Library
French Mélodie: The Solo Songs of Henri Duparc
This paper explores the French mélodies written by Henri Duparc and includes a historical background of both Duparc and the mélodie as a type of song. Carol Tagg explores the roots of the mélodie and how influences of the Romantic movement are reflected in Duparc's work.
Date:
December 1978
Creator:
Tagg, Carol
System:
The UNT Digital Library
Alexander Glazounov and His Concerto in E-flat Major for Saxophone and String Orchestra
This paper analyzes Alexander Glazounov's Concerto in E-Flat major for saxophone and string orchestra and explores the music and style of Alexander Glazounov. Robert E. Austin provides a complete listing of the composer's works as well as biographical details about his life.
Date:
August 1978
Creator:
Austin, Robert E.
System:
The UNT Digital Library
The Clarinet: Its Development and Influence in the Field of Jazz
This paper identifies the major clarinetists who contributed to the development of jazz and the history of the jazz movement. Gary F. Hallquist traces the history of the clarinet in jazz from the beginnings in New Orleans to the late twentieth century, touching on the major events in the scene during this era.
Date:
August 1978
Creator:
Hallquist, Gary F.
System:
The UNT Digital Library
Schumann’s Solo Settings of Poems by Robert Burns
This paper explores nine German art songs composed by Robert Alexander Schumann, songs that were solo settings of the poems of Robert Burns. Paula Shaneyfelt Spencer provides historical background to this detailed analysis of the songs.
Date:
August 1978
Creator:
Spencer, Paula Shaneyfelt
System:
The UNT Digital Library
Analysis of the Soprano Arias in the Oratorios of Joseph Haydn
This paper analyzes the soprano arias in three of Franz Joseph Haydn's oratorios, which are Il Ritorno di Tobia, Die Schöpfung, and Die Jahrezeiten. Deborah Thomas analyzes Haydn's oratorio style and attests that development is reflected in the soprano arias.
Date:
December 1977
Creator:
Thomas, Deborah
System:
The UNT Digital Library
The Baritone Title Roles in the Operas of Verdi
This paper discusses the nature and significance of the baritone title roles in the operas of Giuseppe Verdi. These operas include Nabucco, Macbeth, Rigoletto, Simon Boccanegra, and Falstaff. Jewel William Hobbins explore the evolution of vocal roles and asserts that Verdi highly prized dramatic skill in his performers.
Date:
December 1977
Creator:
Hobbins, Jewel William
System:
The UNT Digital Library
Claude Debussy and the Etude Tradition
This paper discusses etudes and the history of their composition, focusing on the works of Claude Debussy in particular. Richard E. Roberson examines pieces from Douze Etudes Pour Le Piano, Book One, the difficulty of the etudes, and the problems they present.
Date:
December 1977
Creator:
Roberson, Richard E.
System:
The UNT Digital Library
The Coplas of Mario Castelnuovo-Tedesco
This paper explores the composition and historical background of Mario Castelnuovo-Tedesco's coplas. Molly J. McCoy discusses the composer's background, style, and influences, before examining each copla in turn.
Date:
December 1977
Creator:
McCoy, Molly J.
System:
The UNT Digital Library
Ravel’s Jeux D’Eau; Masterpiece of Color and Pianism
This paper discuss Maurice Ravel's Jeux d'eau and its accomplishment as one of the first piano solo compositions to reflect impressionistic techniques. Frederika E. Smith traces the history of Ravel's work and the originality of the Impressionism in his work.
Date:
December 1977
Creator:
Smith, Frederika E.
System:
The UNT Digital Library
Brahms-Schumann Variations, Op. 9: A Significant Contribution Among Brahms’s Piano Compositions
This paper analyzes the Variations on a Theme by Schumann, Op. 9, created by . Pamela S. Lee discusses the influence of Robert and Clara Schumann on Johannes Brahms and his music, evaluating the impact of the piece and its origin.
Date:
August 1977
Creator:
Lee, Pamela S.
System:
The UNT Digital Library
The Cantate Profane of Antonio Vivaldi: An Analysis and Evaluation
This paper provides an in depth examination of the style and works of Antonio Vivaldi, particular his secular solo cantatas. Stephen J. Town also provides historical background about the development of the solo cantatas as well as the life of the composer Antonio Vivaldi.
Date:
August 1977
Creator:
Town, Stephen J.
System:
The UNT Digital Library
Development of the Mozart Song
This paper explores the lesser known songs Wolfgang Mozart composed for voice and keyboard and examines developments in harmony, melody, and style. Timothy G. Seelig traces the history of these songs, their structure and interpretation, and promotes study of the pieces.
Date:
August 1977
Creator:
Seelig, Timothy G.
System:
The UNT Digital Library
The Stylistic Predecessors of Maurice Ravel’s Valses Nobles Et Sentimentales
This paper explores the history and creation of Maurice Ravel's Valses nobles et sentimentales and its predecessors. Walter M. Coldewey explores the waltz and its expression through Maurice Ravel's work, as well as the works that influenced him.
Date:
August 1977
Creator:
Coldewey, Walter M.
System:
The UNT Digital Library
Analysis for Performance of the Song Cycle Songs of Travel, by Ralph Vaughan Williams
This paper analyzes Ralph Vaughan Williams' Songs of Travel and asserts that the songs are a song cycle rather than just a collection of songs set to to the poetry of Robert Louis Stevenson. Richard Porter Cole performs a musical and poetic analysis of the songs and makes suggestions to aid performers of the piece.
Date:
May 1977
Creator:
Cole, Richard Porter
System:
The UNT Digital Library
Eclectic Style, the Essence of Originality in the Music of Francis Poulenc Discussed Through the Concerto for Piano and Orchestra, 1949
This paper analyzes Francis Poulenc's Concerto for Piano and Orchestra written in 1949. Deborah Lee Erftenbeck explores his eclectic style and the manner of its development, determining the originality of its nature and his works.
Date:
December 1976
Creator:
Erftenbeck, Deborah Lee
System:
The UNT Digital Library
Elements of Surrealism in La Courte Paille by Francis Poulenc
This paper explores the influence of French surrealism in the composition of La Courte Paille by Francis Poulenc. Martha Ann Pampell discusses the history of the surrealist movement, Poulenc's style, and provides an analysis of the piece.
Date:
December 1976
Creator:
Pampell, Martha Ann
System:
The UNT Digital Library
Karg-Elert’s Own Clues to the Thirty Caprices for Flute, Opus 107
This paper discusses and analyzes the music and methodology of Sigfrid Karg-Elert's Thirty Caprices for Flute, Opus 107. Jon Novi examines how Karg-Elert provides clues and instruction in The Logical Development, a paper appended to the Thirty Caprices.
Date:
July 1976
Creator:
Novi, Jon
System:
The UNT Digital Library