This study purports to examine several areas of similarity between the chronicle history plays by Christopher Marlowe and William Shakespeare. Edward II and Richard II are alike in many ways, most strikingly in the similarity of the stories themselves. But this is a superficial likeness, for there are many other likenesses--in purpose, in artistry, in language--which demonstrate more clearly than the parallel events of history the remarkable degree to which these plays resemble each other.

The purpose of this study is to show that many of Conrad's women characters were not merely passive factors and that their inclusion in his fiction was more functional than incidental.

By presenting first, statement of theory, and then concrete examples and original exercises, wherever practical, this thesis suggests possible ways to combine linguistic methods with traditional ones to make a more effective approach to teaching language in the ninth grade.

This thesis explores Aristotelian elements in tragic drama from Sophocles to O'Neill. It is limited to a discussion of plot and character with thought, diction, song and spectacle considered only as they apply to the other two.

The relationship of James to Hawthorne and of Hemingway to James certainly indicates the close literary relationship of the three writers. This development makes it seem only natural that three such self-conscious artists would have recourse to similar interests and would employ in their writings common themes, ideas, and methods.

The Vicar of Wakefield is neither a sensational novel directed toward the reform of mankind nor does it mark an advance in fictional techniques. Rather, it is conventional both in form and substance. Despite this literary orthodoxy, the novel has remained popular with critics and the reading public for two centuries. Previous plot studies of The Vicar have concentrated principally on Goldsmithss failure to utilize adequately the cause-effect relationship. With few exceptions, all scholars who have studied this plot find coincidence and accidental meeting the novel's greatest weakness. Most character analyses of the narrative have centered on the chief character. While one critic attributes "typical human naturalness" to the Vicar, another finds him "an impossible mixture of folly and wisdom" and "an inadequate cog in a poorly designed machine.." In thematic studies of The Vicar, critics have attempted with little success to define the major theme. Those themes which have received most extensive treatment are the contrast of appearance and reality, the innate goodness of man, the limitations of contemporary literature, the corruption in government, and the ideal nature of rural life. A few stylistic studies of the novel have concentrated their praise on Goldsmith's spontaneity, some, contradictorily, on his …

It is the purpose of this paper to illustrate from the novels themselves that Defoe's protagonists are essentially isolated individuals and that this isolation is the result of the circumstances of their births, the nature of their professions, their spiritually isolating religious beliefs, and their attitudes toward their fellow men.

The purpose of this study is to examine the extent of Katherine Mansfield's literary indebtedness to Anton Chekhov. Throughout the critical writing about Mansfield there are many suggestions that her work is similar to that of Chekhov, but, these allusions are, for the most part, vague in pointing out specific likenesses.

This thesis proposes to show that Hemingway's novels reveal a change of attitude which culminates in an increased faith in the ultimate goodness and dignity of man.

This study analyzes these stories in their original and later forms, both to discover the types of changes Faulkner made and to determine whether or not he followed any pattern in the revisions.

This thesis is a study of John Steinbeck's observations and opinions during twenty-eight years of writing about the relationships between people of difference economics and social classes.

Undoubtedly, Dostoyevsky's influence upon the novel is great, but, even yet, few concrete studies have been made and no full-length study has been published. It is hoped that this account of Dostoyevsky's reputation in America during the 1920's will be of assistance in the greater task of tracing Dostoyevsky's influence.

The purpose of this thesis is to indicate the use of the mask by Eugene O'Neill. It is probably possible to say that the mask has been used or implied in all of O'Neill's works, but this thesis will be confined to discussion of the works in which the mask or the implication of the mask is specifically evident.

The purpose of this thesis is to present English opinion of Robert Browning, contemporary with him, from the anonymous publication in 1833 of his first poem, Pauline, through the appearance in 1868-69 of what is agreed to be his masterpiece, The Ring and the Book. This study will consider the acceptance of each of Browning's publications, in chronological order of their appearance.

With the exception of To Have and Have Not, the novels of Ernest Hemingway are set outside the United States; all, however, contain American characters. These Americans might be divided into three categories: American tourists; Americans who live abroad, but either do not like it or are not completely adjusted to it; the Hemingway heroes, characteristically American expatriates who are completely adjusted to and accepted in their alien environments. Toward the tourists, he maintains an attitude of contempt; toward the middle group, his attitude varies from disgust to sympathy; the heroes are, in various guises, Hemingway the expatriate, himself.

Since George Bernard Shaw claims that the third act of Man and Superman is a complete commentary on his philosophy, this thesis is a revealing of the philosophy demonstrated in the Dream Scene, and it is an intensive study of the third act based upon a reading of the play.

Tobias Smollet's purpose in writing was twofold: to entertain the reader and to satirize man and his society. To accomplish his aim, the author created eccentric personalities in the old Elizabethan humour convention. This thesis looks at Smollet's characterizations, especially of the eccentrics, in his novels.

Considered as a whole, the seven novels written by Frank Norris contain enough of naturalism to justify classifying him as a naturalist. His failure to fully comprehend the implications of the naturalistic philosophy results in both strengths and weaknesses. He fails in The Octopus to maintain the objective point of view that the naturalists set for themselves, and a looseness of conception and a diffuseness of effect result. By allowing the ranchers freedom of choice in the matter of the means to be employed against the railroad, he achieves something very close to tragedy. Vandover, too, has a choice, and the novel suffers as a study in determinism, but Vandover becomes a more interesting character than he would have been without will.

It seems obvious that Shakespeare was interested in Hotspur as something more than a strictly historical character. The firey character found in I Henry IV is no longer recognized as the Ill-fated rebel from Holinshed and Daniel. Holinshed offers only a spark which Shakespeare uses to build a very real flame. The events leading up to the rebellion and the rebellion itself are historical, but the name of Hotspur in Holinshed is no more outstanding than that of Worcester, Glendower, or any of the other rebels. In Shakespeare's drama no other rebel character even approaches the development of Hotspur.

This thesis will be mostly concerned with the twentieth-century criticism of Othello; some attention will be given to earlier criticism to determine to what extent twentieth-century criticism fits into patterns of thinking before the twentieth century. Some consideration will be given to the background of Othello before taking up the various aspects and periods of criticism.

The purpose of this paper is to trace some of the accepted characteristics of the devil to their origins through a study of folklore and ancient religions. The characteristics include the principal form taken by each devil and trace its beginnings through folklore; the animals connected with these devils; powers allotted to these devils; and purposes served by these devils.

The purpose of this thesis is two-fold: it is (1) to show Emerson's development of a consistent and fully formed theory of education which may well have value for the present time, and (2) to analyze the main aspects of this theory in detail for a better understanding of Emerson's thought.

This thesis is significant for the knowledge it offers concerning the influence of Napoleon Bonaparte's personality and career upon the character and the work of Lord Byron. It is significant because of the light it throws on both Napoleon and the culture of Europe during his era. This study is significant in the insight it indirectly gives into the psychological phenomenon of hero-worship, to which it gives a more universal application through the medium of Byron's attitude toward Napoleon.

The purpose of this study is to record the political attitudes of the major Edwardian novelists as they surveyed their contemporary world, diagnosed its maladies, offered suggestions for reform, and attempted to predict the course political life would take in the future.