Dress of black wool crepe. A-line shaped with mock. Flap pockets and cuffed long straight sleeves. Round neckline. Center front of skirt. Pockets and cuffs are trimmed in black grosgrain. Two box pleats are inserted in back of skirt and the zipper is at center back. b) Belt of same material trimmed in grosgrain.

Client card describing work completed at the Roman Bronze Works Foundry for Art-Life-Studios, Inc., including a job number, brief description, monetary amount, and dates associated with each entry. Pieces included: portrait head (2 copies; plaster cast; 9.5"), "Abstract Bird" (3 copies; 7.5" x 5"), "Bull and Toreador," and portrait head of man (15.5").

Client card describing work completed at the Roman Bronze Works Foundry for Mr. Brown, including a job number, brief description, monetary amount, and dates associated with each entry. Pieces included: "Wand", and "Small Fountain Group" (repiped, tightened, cleaned, and repatined).

Client card describing work completed at the Roman Bronze Works Foundry for Mr. Daniel A. Ardolino, including a job number, brief description, monetary amount, and dates associated with each entry. Piece included: "Plaque" (3 copies; 6" x 9").

Client card describing work completed at the Roman Bronze Works Foundry for Mr. Hugh T. Adams, including a job number, brief description, monetary amount, and dates associated with each entry. Piece included: "Female Portrait Head" (Mary Trumbull Adams; 14"; Belgian black marble base 6" cube).

Client card describing work completed at the Roman Bronze Works Foundry for Mr. L. Chanin, including a job number, brief description, monetary amount, and dates associated with each entry. Pieces included: "Woman with Basket on Head" (17"), "Seated Figure with Hoop" (8" x 6"), "Seated Beggar" (5.5"), "Man with Pushcart" (14" x 14" x 13.5"), "Oarsman" (10" x 6"), "Boy with Lamb" (10"), "Children on Steps" (12.25"), "Three Seated Figures on a Bench" (12"), and "Man on Camel" (15" x 18").

Client card describing work completed at the Roman Bronze Works Foundry for Mr. Robert S. Anderson, including a job number, brief description, monetary amount, and dates associated with each entry.

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. A. Balaban, including a job number, brief description, monetary amount, and dates associated with each entry. This order contains a bronze cast of a "Female Head" that is sixteen inches high, mounted to a "Verde Antique Marble Base."

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. Dorothy Chamberlin, including a job number, brief description, monetary amount, and dates associated with each entry. This work order includes a bronze cast "Vine Boxing & Packing."

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. E. Carmichael, including a job number, brief description, monetary amount, and dates associated with each entry. This work order includes four bronze casts, three of which are mounted to bases, and a rubber mold.

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. Eleanor Beville, including a job number, brief description, monetary amount, and dates associated with each entry. This work order includes multiple bronze casts of females' and boys' heads.

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. Elisabeth Gordon Chandler, including a job number, brief description, monetary amount, and dates associated with each entry. This work order includes bronze portrait busts of Adlai Stevenson, and a bronze cast of a male portrait head.

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. Thomas V. Atwater Jr., including a job number, brief description, monetary amount, and dates associated with each entry. This particular order includes two bronze busts of "Louisa May Alcott."

Client card describing work completed at the Roman Bronze Works Foundry for Mr. Paolo Abbate, including a job number, brief description, monetary amount, and dates associated with each entry. According to the card, Abbate asks for 2 bronze casts of a "Standing Female Fig. w. Wing & Flower" at 27 inches tall.

Coat of oatmeal heather wool. Double breasted with 14 circular, beige plastic buttons, 7 functioning with bound buttonholes reinforced with inside large covered snap. Two vertical welt pockets. Long set-in sleeves with three smaller matching, functioning buttons and bound buttonholes. Lined in light beige silk crepe. Designer's label at center back neckline: "Norell" Retailer's label below designer's label: "Lou Lattimore /' Dallas"

Coat of pale yellow whipcord wool. Jewel neckline with 1-3/4" mandarin collar. Long, set-in sleeves. Single breasted with two large 1-1/2" smooth, circular black buttons above and 2 buttons below waistline. 3-1/2" wide matching, attached belt with matching black button. Bound buttonholes on coat and belt. Seven inch wide black dyed fox fur trimmed hemline. Vertical, single-welt pockets at each side. Lined in white silk satin. Designer's label at inside back collar: "Norman Norell / New York"

Coat of red wool knit. Double-breasted with 10 self covered circular buttons and 5 bound buttonholes. Full length. Bracelet-length set-in sleeves with white satin, notched cuffs. Notched collar with white satin covered lapels. Vertical welt pockets at sides. Lined in matching white silk. Designer's label at center back neckline: "Norman Norell / New York"

Coat of tiger fur with sable (fox?) fur trim. Mid-length. Long sleeves with 4" sable cuffs. Shawl collar of sable extends down center front opening to 10" border around hemline. Fully lined in brown silk; embroidered initials "DMM" at right side opening. Lining has 11" pleated brown silk "skirt" with brown velvet seam. Retailer's label at center back neckline: "Bergdorf / Goodman / On the Plaza / New York" Retailer's label beneath main retailer's label (part handwritten): "Bergdorf / Goodman / On the Plaza * New York / M. M.G. Mann / Date 12/68 No. 1851"

Daytime coat dress. a) Coat dress of red/orange gaberdine wool. Single breasted with 7 mother-of-pearl buttons in circular gold-tone mounts with bound buttonholes. Above knee length. Jewel neckline. Neckline and right side of opening are of navy gaberdine wool. Long, set in sleeves having cuffs of navy gaberdine wool with two smaller matching buttons and bound buttonholes. Two large patch pockets at left and right are also trimmed with matching navy bands across tops of pockets. Lined in red silk crepe. Designer's label at center back neckline: "Norell" Retailer's label at inside left seam: "Rich's / Specialty Shop" b) Webbed belt of matching navy gaberdine wool. Three inches wide with rectangular self covered buckle. Reverse of buckle frame stamped "Astor".

Cocktail dress of heavy blue/green aqua silk. Knee-length, with high standing collar and long sleeves which gather into zippered cuffs. Collar, sleeves, and hem with wide bands of mirrored rhinestone beads/sequins. Attached sash/belt at waist. Center-back zipper, with hook-and-eye at collar. Lined in lighter material of the same color. Designer's label sewn inside skirt: "Norman Norell / New York" Designer's model label (?) sewn inside skirt: "18101-180-12" Union label sewn inside skirt.

Cocktail ensemble of black chiffon and cream organdy with black maribou feather trim. A) Cocktail coat of doubled white organdy trimmed in horizontal rows of black maribou feathers. Sleeveless; no closure. B) Dress. Sleeveless with long torso of black chiffon. Faux drawstring neckline with string tie at center front. White organdy skirt is slightly flared and is trimmed in horizontal rows of black feathers; below knee length. Attached under slip of doubled white organdy. Hook & eye closure at left shoulder and zipper at left side. White grosgrain label at left hem: 276

Cocktail ensemble of orange wool with embroidered pattern of small squares of orange and silver novelty thread which form a larger abstract pattern. Ensemble consists of: A) Cocktail dress. Knee-length, sleeveless dress with rounded neckline edged with gold braid trim accented with gold studs and silver rhinestones. Bodice with princess seaming for fit. Attached belt of same fabric at natural waist edged by bands of same braid as neckline. Skirt gathers at waistline, and has side slit pockets at hips. Hem of skirt trimmed with same braid as neckline. Dress has a center back zipper, and is fully lined in orange acetate. Retailer's label at neckline to right of zipper: "Balliets / Oklahoma City, Okla." Size "6" tag at base of zipper. B) Matching fitted jacket trimmed with same braid at rounded jewel neckline, along the center front zippered opening, natural-waist hem, the cuffs of the long, set-in sleeves, and the upper edges of the two patch pockets at bust. Lined in orange acetate. Designer's label at left side near zipper: "Oscar de Le Renta" Retailer's label at center back neckline: "Balliets / Oklahoma City, Okla."

Correspondence between John K. Lattimer, M.D. and Chief Charles Batchelor. Lattimer requests forensic information regarding the assassination of President Kennedy. Batchelor responds that he is unable to provide further information.

a) Day coat of silk and cotton blend in tan, green, purple, and pink stripes. Double breasted with 5 bound buttonholes. Open-ended collar and long sleeves with cuffs having 2 bound buttonholes. Patch pockets at sides. Lined in ivory silk. Combined designer/retailer label at center back neckline: "Norman Norell for Bonwit Teller" b) Belt of matching fabric with self-covered rectangular buckle.